User reviews

This was one of my favorite movies as a kid - not only does it have great musical sequences, but it is a real tearjerker. I read recently that this movie just about ruined the life of Peter Duchin, Eddy's son. I can't imagine what it must be like to be a character in such a popular film that shows up on AMC just before you play your next gig.

George Sidney did a beautiful job of directing, and no expense was spared for this Technicolor movie filmed on location in New York. There are so many great shots of the city -- if you're familiar with New York, watching the movie is all that much more enjoyable. The film appears to follow the structure of Duchin's actual life but how much is fact and how much is fiction is hard to say. What is fact is that Carmen Cavallero does a divine job dubbing the piano, and Tyrone Power's fingerings are excellent. He apparently worked at them night and day, and the result was worth it.

There are some wonderful scenes in the film, one of the best being when Duchin talks about his love for Marjorie to Chiquita, who is about to become his new wife. It's such a beautiful monologue about how you can be young and love someone the way he did Marjorie only once, watch your parents age only once etc. - needless to say, hearing that little speech today means more to me now than it did when I was 14. Another great scene is Eddy and a little boy playing chopsticks on a rickety piano in wartime; and, of course, Eddy talking to his son at the playground toward the end of the film.

Tyrone Power knew Eddy Duchin personally as he knew just about everyone, and his portrayal is masterful. In the beginning, however, he's the young Eddy and it's obvious that he's way too old to be fresh out of college. Power was 41 at the time of the filming, and it wasn't the 41 of 2006 - it was a 1950s, three-pack-a-day, party all night, I fought in World War II 41 - hello. You would have thought that the lighting man and cameramen would have worked just a tad harder - we're talking about Tyrone Power here, not some nobody. A little star treatment, please. Instead, Power ends up looking younger in the second half of the film. Ridiculous.

There are lots of posts about Kim Novak, who is very beautiful though vapid as Marjorie, but not much mention of the beautiful Australian actress, Victoria Shaw, who played Chiquita. Like Power and Duchin, she died young. She does an excellent job in the movie. One of the comments suggested the character of Chiquita is fictional; in fact, Duchin's widow was indeed Chiquita Wynn Duchin, and in 1947, Peter Duchin left the Harrimans to live with his father and his stepmother.

Rex Thompson plays the young Peter Duchin and though he makes a game try at hiding his British accent, he sounds British. As a young adult, Thompson was a handsome and fine actor - he worked into his twenties, and then faded from view. In real life, Peter Duchin went on to marry Margaret Sullavan's daughter, Brooke Hayward.

It's hard to hold back the tears during "The Eddy Duchin Story," so don't try. Enjoy the romance and be enveloped in a more gentile world where people had some class, and listen to that great music.

In the late 20's, the talkative newly graduated in pharmacy and aspirant piano player Eddy Duchin (Tyrone Power) comes from Boston to New York expecting to play with the orchestra of Leo Reisman (Larry Keating) at fancy New York's Central Park Casino. However he had misunderstood the invitation of the maestro and while leaving the place, he meets the wealthy socialite Marjorie Oelrichs (Kim Novak) that asks Leo Reisman to give a chance to Eddy. He plays in the intermission and becomes a successful piano showman. Two years later, Marjorie and Eddy get married and in the Christmas, Marjorie has a baby, Peter, but she dies after the delivery. Eddy rejects Peter blaming him for the death of Marjorie and only five years later he meets his son. With the World War II, Eddy Duchin breaks up his band and enlists to fight in the war. With the end of the war, Eddy returns to New York with the intention of getting closer to Peter but he sees the boy connected to his friend Chiquita (Victoria Shaw). When Eddy discovers that he has a terminal disease, he proposes Chiquita and they get married.

When we see the biography of a personality by Hollywood, we are never sure that it is a true story or a fairy tale created by the cinema industry. Despite of that, the melodramatic "The Eddy Duchin Story" is a nice story of a man's life surrounded by music, beautiful ladies and tragedies. The forty-two year-old Tyrone Power has good performance and he really seems to be playing the piano, but it is funny to see him in the role of a newly graduated man. Kim Novak shines with her beauty, elegance and her sweet voice. Victoria Shaw is also gorgeous. The cinematography and the music score are awesome and deserved the nomination to the Oscar. My vote is seven.

Title (Brazil): "Melodia Immortal" ("Immortal Melody")

TYRONE POWER does a remarkably convincing job at the keyboard and the camera seems to linger on his dexterity at the piano (on a dummy keyboard, of course) while the magic of Carmen Cavallaro takes over on the soundtrack. He's excellent as the brash and overly eager young piano player who eventually makes bigtime as a popular pianist, marries and loses his sweetheart, KIM NOVAK, with whom he has a young son who at first resents him after Power's desertion, then reunites before Duchin's untimely death from leukemia. That's the plot, in a nutshell, but it's the sparkling music that counts.

The richly textured Technicolor photography of Manhattan and its settings evoke the time and period perfectly. I found KIM NOVAK's performance artificial and disturbingly unreal--as though she were affecting a series of poses--while Power is completely natural and appealing opposite her. Novak's performance here is a far cry from her work as Madge in PICNIC. The mood of the film becomes somber after her death and Power's decision to leave the country on tour, leaving his baby son behind. The conflict between Duchin and his son is what has to be resolved before the story ends.

The handsome production values are all enhanced by the constant use of Duchin's music, either in the background or with him at the keyboard and these qualities make it one of the most enjoyable musical biographies I've seen in a long time.

The film won four Oscar nominations and Power deserved to be included, but was not.

There is a back narrative about Tyrone Power and his involvement in The Eddy Duchin Story (TEDS) that is quite interesting and worth sharing. In 1955, Power had just completed the film Untamed for Henry King/Twentieth Century-Fox and was winding down his long contractual association with that studio. Power was increasingly disillusioned with his recent film assignments, and yearned to go back on the stage. He had just concluded theatrical assignments in Stephen Vincent Benet's John Brown's Body (1952-1953) and Christopher Fry's The Dark Is Light Enough (1954-1955) that gave him considerable personal satisfaction and generated much positive critical acclaim. When the latter play closed in Boston during May of 1955, Power wanted to continue with the theatrical phase of his acting career. It was around this time that Power agreed to star in a new play titled A Quiet Place (AQP) by young playwright Julian Claman. It dealt with the tribulations of a middle-aged American composer trying to write a new musical score while striving to save his failing marriage. Staged by Delbert Mann (of Marty (1955) fame), AQP opened in New Haven during late November,1955. After continuing its brief tryouts in Boston, Cleveland and Pittsburgh, AQP moved on to Washington, D. C.-----where it closed on New Year's Eve. Subsequent scheduled play dates in Philadelphia and New York for AQP were then cancelled.

AQP itself was a critical failure, although the actors in it generally received good notices. Power in particular was positively singled out for his realistic depiction of a serious composer, including his natural performance of suggested piano playing. A personal aside. I happened to see AQP during its Pittsburgh engagement-----and can attest to the validity of the above comments based upon my own actual experience.

Power did not appear in another stage production until a revival of Shaw's The Devil's Disciple was mounted in early 1956. It was was just when AQP had folded that the opportunity appeared for Power to act the title character in a proposed new biopic to be called The Eddy Duchin Story! It seemed to be either fate or coincidence or both that TEDS involved a musician who also played the piano just as Power recently did in in AQP. Power's preparation for AQP obviously helped him to deal with and successfully execute the extended important scenes in TEDS that required him to suggest virtuoso piano playing. As we know, the actual piano work in TEDS was done by Carmen Cavallaro. But having personally seen Power in both AQP and TEDS----probably a unique admission for someone to affirm at this point in time------his "faking" great piano playing was and is a truly remarkable piece of work and deserves the considerable praiseworthy attention that it garnered from both his fans and critics.

Power was well known to be one of Hollywood's most handsome men. Possibly this may help explain why he seldom received the acting recognition that should have been his. The way he was able to perform as an accomplished pianist in both AQP and TEDS must surely be singled out for appropriate recognition as a unique and remarkable acting achievement.

Tyrone Power and Errol Flynn were probably the two greatest cinematic action heroes of their generation. Both died young----Power at age 44 of a heart attack in 1958 and Flynn at age 50 of an abused life style just one year later. They were extraordinary performers-----we will not see their likes again. That Power was also able to broaden his acting range by accepting the challenge to appear on the stage while at the same time being a Hollywood film performer of the first rank is not sufficiently recognized------as it should be. Perhaps this review may help to correct that situation.

If you like to watch actors who are skilled, have on screen chemistry to die for (and they do) and enjoy cinematography that might make you want to take a stroll in Central Park, then rent, buy, borrow this CD and sit back and watch it over and over and over again. This is a well adapted screen play that moves through a life, tells the story well and makes this love story very believable and of course tragic. Watch the life of an extraordinary talent and sit back and enjoy. Tyrone Power never disappoints and if you can capture his voice and keep it in a bottle, you would And Kim Novak is stunning, sweeping and is well cast. As Marjorie Oelrich she couldn't be more perfect. Also, besides being an exceptional beauty, she, too, has a lovely voice. In a very understated way, you want her to go on and on and on. James Whitmore always delivers. All cast members are charming. You'll love the actor who plays Lou Reisman, the orchestra leader at the Central Park Casino. Enjoy folks. This one is a keeper. OHHHHHHHHHHH, you'll be amazed at how well Tyrone Power plays the piano, or seemingly appears to be playing. The music!!!! Oh, the music.

Now to the truth. There are many changes to the real story of Eddy Duchin. Peter Duchin was raised by Marie (he called Ma) and Averell Harriman. Peter's mother, Marjorie Oelrichs, died in July. Not as depicted in the film after Eddy Duchin's radio show from the Central Park Casino in the Winter, Christmas. The Harriman's are portrayed as the Wadsworth's. Why? I don't know why but if you read Peter Duchin's book "A Ghost of a Chance", you will get more of the inside scoop. Still a wonderful film.

I don't believe the young actor Rex Thompson was even close to Peter Duchin's persona. But that's my story.

I saw this movie when I was 11 years old in 1959. Although, over the years, I was hooked by the songs in the movie and bought the record and tape to listen to in my adult life, I saw the the movie again last month and it brought a real new meaning of the life of Eddie Duchin. I was seeing the movie as an adult, not as a kid. Tyrone Power, who I have admired for years, play the part of Duchin real well. His portrayal as a father trying to reach to his son was touching and realistic. Kim Novack was very good in her part as his wife. The songs especially Chopin's E flat major and Manhattan were very well played by Carmen Cavallaro. Cavallaro is a favorite artiste of mine. He plays superbly and brings out the flavor of the songs. This movie is a classic and should be highly recommended.

Eddy Duchin's music was so beautiful. He had a magic touch at the piano. Unfortunately, his real life was so tragic.

Tyrone Power shines as Duchin. From his beginnings to success, Power evoked the right temperament in portraying this musician brilliantly.

Kim Novak, just off an awful performance in the acclaimed "Picnic," the year before, gives a wonderful supporting performance as Duchin's ill-fated first wife. Who can forget her fear of rain and thunder? Who can forget that thunder scene in the hospital as her life ends?

Victoria Shaw, as Eddy's second wife, is also quite good. She brings Eddy back so that life is worth living for him and is able to reconcile him with his young son, whose birth Duchin blamed for the death of his first wife.

We are fortunate to have had such a picture made and the legacy that Duchin left-his playing as well as his son, musician Peter Duchin.

There's no way, even suspending reality to the Nth degree, that Tyrone Power is in any way, shape or form "believable" as a fresh faced graduate of the Massachusetts School of Pharmacy. The deep, unforgiving wrinkles around his eyes make him look more like the DEAN of the school! I know that Hollywood had a bad habit (still does) of casting people up to the age of forty as teens and young adults, but Tyrone doesn't look at all "young" in this role--he was just too doggone old.

And like every picture made in the era, there's no accuracy when it comes to make-up or hairstyles, either. It's a shame, too, because the costumes aren't horrible, and good hair and make-up would have helped immeasurably. Kim Novak looks like she dropped in from the Technicolor fifties! Still and all, for a schlocky, sentimental, typical-of-the-era film, it's not awful--it'll pass the time if you're in an escapist mood.

Expecting to be bored but knowing my wife would love the music, I sat through 'The Eddie Duchin Story.' I'd never heard of Duchin, except to know his son, Peter, was a fine pianist. Earlier in the evening, I'd endured 'The Passion of the Christ,' and I really wasn't in the mood for another downbeat movie. Much to my surprise, I loved every aspect of 'Duchin.' Columbia's 'Monroe,' Kim Novak got top billing, much to my surprise, since Tyrone Power was still a top matinée idol. Well, let me tell you, whatever jokes you've heard about Novak, you'll forget them when you see her a Marjorie, Duchin's doomed socialite wife. Appearing less than an hour, Novak's grace and sweetness permeates the whole movie. You'll adore Novak as much as Duchin. Power is only slightly less effective, but he has a much rougher job. Power is in his mid forties when he plays Duchin, and he must play the first hour as a man in his mid twenties. Power is so frenetic, so energetic and earnest, you fear he's going to have a heart attack. He did, three years later on 'Solomon and Sheba' and died on the spot. Anyway, back to 'Duchin.' James Whitmore is magnificent, as usual in a small role as Duchin's manager. His little bit of business putting on his hat near the end of the film perfectly captures and advance the mood of the movie. Victoria Shaw is given the thankless role of Duchin's second wife, and she hit just the right notes to make an impression without overpowering the narrative. After all, this is Duchin's story, and her part of it is a small but key part. Rex Thompson is perfect as young Peter Duchin, displaying all the emotional conflicts a child would endure with his history. He has an absolutely great scene near the end of the film, but I won't spoil by telling you what happens. Let's just say he takes of the responsibilities of manhood far younger than a child should. Warren Hsieh as the native boy, is wonderful in helping to capture the mood that is yet another turning point in Duchin's life.

Producer Jerry Wald has spared no expense at recreating a era in a manner as convincing as 'Titanic'. Director George Sydney once again proves he is skilled with a camera as he is with actors. The first kiss between Powers and Novak is seen as a reflection in a puddle. Just beautiful! George Duning provides the incredible score. Carmen Cavallaro performs the great piano classics..

I don't cry in movies too often. I didn't cry once in 'The Passion of the Christ'. But I couldn't hold back tears in many scenes in 'The Eddie Duchin Story'. That's saying a lot. Sure, 'The Eddie Duchin Story' is soap. But, there are many kinds of soap. Oil of Olay leaves you feeling fresh and clean and invigorated. So does 'The Eddie Duchin Story'. I give 'The Eddie Duchin Story' a '10'.

A popular branch of the musical genre during the 1940s and 1950s was the biopic of composers (of both classical pieces and popular tunes), singers or musicians/bandleaders; this belongs to the latter category. I can't say I was familiar with Duchin's history or style and, in any case, despite numerous musical numbers (where star Tyrone Power's piano-playing is obviously dubbed by a professional), the film seems much more concerned with the man's turbulent and tragic life. Ironically, both the star and his subject would suffer an untimely death – for the record, when Power's passing was announced, the film under review was (belatedly) on general release locally! He does O.K. in eliciting both Duchin's wholesomeness (which endeared him to audiences) and his ambivalent feeling towards a son he blamed for the death of beloved first wife Kim Novak. Nudged by manager James Whitmore, however, Duchin's ready to make it up to the boy following his war service in the Pacific; here, he also meets, falls for and marries young war orphan Victoria Shaw (following some initial sparring when Duchin Jr. is seen preferring her company!). Just when it seems that his domestic problems could be surmounted comes a fatal blow: he's diagnosed with a neurological condition which even curtails his career. At the end of the day, THE EDDY DUCHIN STORY is far from a highlight of its subgenre or, for that matter, the filmography of its matinée idol star; nonetheless, it was deemed serviceable enough to garner 4 Oscar nominations (not to mention landing director Sidney a surprising DGA nod).

The "Eddy Duchin Story" was one of the nicest movies to ever come out of Hollywood. I remember my father taking my mother to see it at least half dozen times. Reason? The music.

For a number of years we had the old soundtrack LP around and if anyone knows where I can get a copy of this on either CD or cassette, I would be eternally grateful for the information.

If I were a critic (and I have yet to have anyone adequately tell me how one goes about becoming one), I would not be so cavalier in dispatching this movie as a contrivance. If you do, you miss the point - the music.

Lights!

everything is cliché. soap opera style. i am the world strongest Tyrone power fan and although his acting was fine in this dull movie i wish he hadn't made it, the 2 leading ladies in my opinion are very so so looking especially that SHAW LADY not too gorgeous. James whitmore did a swell job but my favourite scene was with the native boy at the piano, he had just the right gestures and looks to make the scene credible, so far i think it is the worst movie Tyrone power ever made and I'm in awe of this actor. the make up artist did not help out his image either yet poor man he would die 2 years later, not an extremely bad film.....but a good soap opera

I'm actually trying to find out if any Duchin music was used in this other than "My Twilight Dream" changed to "To Love Again" for the movie. That tune is a Chopin knockoff (no criticism meant).

Not trying to be disrespectful to Duchin or Cavallaro. But have been listening to Eddy's music from primarily the 1930's-- it bears little resemblance to the soundtrack. It could be that the real Eddy music was thought to be too dated for the 50's?? Growling trumpets, fiddles, tubas and Lew Sherwood's voice (an earlier Tony Martin???) didn't make it, I guess. Maybe James Whitmore had no voice :).

Anyhow, loved the chopsticks scene and Power should have got a special award for that and his fake playing in general.

Like a lot of Hollywood biopics, it more than stretches the truth but is worth a look see.

In the 1920s, post-collegiate pianist Tyrone Power (as Eddy Duchin) arrives at New York City's "Central Park Casino" expecting to be employed by big band leader Leo Reisman. At first, the job doesn't pan out, but Mr. Power's "sweet" piano-playing style eventually takes Manhattan (and the world) by storm. He receives ample feminine support from beautiful blonde socialite Kim Novak (as Marjorie Oelrichs), who quickly becomes "Mrs. Duchin". But, on their wedding night, Ms. Novak has a nightmarish premonition of tragedy. And, if you know anything about how these biographical films go, you're already expecting a great tragedy…

"The Eddy Duchin Story" is highly fictionalized. However, an Internet search for biographical information on the real Mr. Duchin shows not only his remarkable string of hit recordings, but also that the two tragedies occurring in this film really happened. It's like Mr. Duchin's life was tailor-made for one of these tear-jerking biography movies.

Power, who is a little too old for the early years, nevertheless does an excellent job in the role. He begins to look vaguely like Duchin, obviously worked hard on his characterization, and really makes the story work. Playing like a pro, young son Rex Thompson (as Peter Duchin) is a chip off the old block. And, when Novak takes her bow, up-and-coming Victoria Shaw (as "Chiquita" Wynn) sexily fills the screen. Producer Jerry Wald, director George Sidney, and the "Columbia" team make it a beautiful-looking and sounding picture, with the cinematography and music positively hitting the senses on both cylinders.

******** The Eddy Duchin Story (6/13/56) George Sidney ~ Tyrone Power, Rex Thompson, Kim Novak, Victoria Shaw

"The Eddy Duchin Story" shows us how Eddy Duchin (Tyrone Power) arrives in New York in the early '30s, trying to joins the Leo Reisman Orchestra. With a little help of Marjorie Oelrichs (Kim Novak) he finds a job with the band, playing the piano. Marjorie keeps supporting Eddy and before too long they fall in love. They get married and Eddy takes over the Reisman orchestra. He becomes the star of Manhattan's Central Park Casino and all seems a fairy tale... until Marjorie dies of peritonitis after giving birth to their son Peter. Eddy becomes a broken man, leaves the Casino and Peter behind to join the Navy during WW2. After the war he returns to Manhattan to find out he's just a stranger to his son Peter. The boy has build up a life without his father and it takes quite a while before he starts trusting and above all forgiving the man who left him behind… In the mean time Eddy meets Chiquita, a strong and independent woman who took care of Peter before Eddy showed up. After a short period of quarreling and disagreement over Peter's education, they start to appreciate each other. And before too long they fall in love. Eddy makes up with Peter and gets his name as the pianist of the Central Park Casino back on the highest level of fame. And then suddenly the end is near… Eddy starts getting pain in the hands. Playing the piano gets difficult. The doctors tell him he is dying from leukemia. And so Eddy has to prepare his loving son for a last farewell… In the final scene of the film Eddy and Peter play the piano together for the last time. As they perform "To love again", based on Chopin's Nocturne in E-flat, Eddy suffers a new hand-attack and symbolically leaves the piano, letting Peter take over the job… "The Eddy Duchin Story" is a wonderful biopic. Tyrone Power does a great job, especially when you realize it isn't really him playing the piano. But that is something you can only know after you are being told. He does his thing SO natural. In fact, he dubs the magical piano-sound of Carmen Cavallaro, the Poet of the Piano as he was once honored… If you search for a good classic movie, if you like piano and big band, a great love story and so much more, buy yourself the DVD. And yes, it's a crying shame that Columbia-Tristar (Sony) still hasn't released "The Eddy Duchin Story" on DVD in Europe. At this time it's available in the USA (region 1 – NTSC) and in Japan (region 2 - NTSC). "The Eddy Duchin Story" is my all-time favorite masterwork. I've enjoyed it a few dozen times and it still thrills me to tears…10/10!

Biographical melodrama traces bandleader Eddy Duchin's life from his meager beginnings as a struggling pianist to his years as a highly successful radio and nightclub personality. Director George Sidney underlines all of Duchin's ups-and-downs with the usual lumbering heaviness. The picture is soapy Hollywood schmaltz which fails to escape superficiality (and a few howlers in the screenplay). There are some strong dramatic scenes near the end, and Tyrone Power fares well in the lead (his piano-playing was dubbed by Carmen Cavallaro). Supporting players Kim Novak and Victoria Shaw aren't so lucky. Lots of studio gloss, yet film is mostly painted cardboard. ** from ****

I started watching this movie for only two reasons: Tyrone Power and Kim Novak. I wasn't expecting much, the Hollywood bios in the 50s were never all that great, but I was shocked when I realized I'd been watching the film for an hour and was totally hooked!

Although it seems like it couldn't help being slow, (the film covers Duchin's life from the mid 30s to the early 50s), the movie is actually very well paced. The script itself is a challenge. It is either good and not original in some places, or original and not good in others. But somehow it balances out in the end.

Kim Novak looks ravishing, but the part she took is cut thin, and I think she could have found a better part in 1956.

However, Tyrone hands in one of his best performances. The beginning of the film is not the best part, he is obviously far from a college student age, and he looks it. But later on, when he's struggling to make friends with his son, he's wonderful! As the film progresses, he just looks better and better, perhaps it's because Power never was the jumpy college type, he was always suave. The second part of this movie gives him a chance to be that. It is, rather surprisingly, a worthwhile film - totally satisfying at the end.

I don't remember Eddy Duchin, but I remember his son, Peter. When I was a kid, their style of pop still retained some popularity.

Tyrone Power Jr might have been a pretty face, but he was rarely (if ever) accused of being a poor actor. You'd never know it from this film. When he gets angry or upset, he so overdoes it that you can't believe the director didn't ask him to tone it down.

Tyrone Power Sr gave an even worse performance in "The Big Trail". I would like to think Jr was trying to carry on the tradition, to make up for his dad not having completed a second sound film. (He died of a heart attack on the set of "The Miracle Man" in 1931.)

"The Eddy Duchin Story" is so emotionally overwrought that it's hard to keep a straight face. As they say, "There's a not a wet eye in the house."

Wow, what a mix of bad and good. The good is the music and the amazing period shots of New York. The bad... well just about anything else; its all rather poorly done. The script is particularly offensive; more about that in a moment. The acting is that goofy type which is unnatural, but not quite the unnatural stage style, more of a "read to the camera" style. Novak is pretty, but moves gracelessly.

The story they have chosen to tell is a simple one: we learn to love a man through his ambition, gains, losses, sorrow and regaining of humanity after the war. This is about America after the war, not some pianist. Then sorrow strikes again and he handles it so wonderfully you applaud while crying. At least that's the goal and it probably worked for most viewers when this was new and America was trying to cope with post war loss.

Something closer to the real story would have made a killer movie. Duchin was made famous by his recording that was the first use of the F-work in that medium. His first wife did die, but he was hardly grief-stricken — a famous womanizer. He did leave his boy with Averill Harriman's wife when he went to war. But that was because he was sleeping with her, while her husband was off in England sleeping (and finally marrying) another man's wife. The son of Winston Churchill in fact, so Harriman hardly cared about his wife's affair with a New York celebrity.

Harriman was an amazing character through the period of this story. He, Dulles and Marshall shaped the world after the war in a liberal mold, essentially reforming Europe as a unit and building NATO, which for many decades was a very good thing. His presence through this movie as sort of an avuncular figure would be like having John Kennedy as a butler. The loss of the power-as-sex game and music-as-power thrust sort of waters down the whole thing.

Why do I care? Because Harriman was particularly concerned about rebuilding France, a country that had humiliated itself and had no means to rebuild. It was, as now, an agricultural economy and Harriman couldn't see Americans subsidizing French farmers for decades. So he (his staff, yes Democrats) came up with the ideas of romanticizing Paris and Rome. Make them romantic cities that tourists would visit. They surely were not before the war. Paris had had its day as a center of art but never ever of romance.

The plan was pulled off flawlessly, primarily through subsidies to Hollywood to make films that portrayed Paris romantically. Many of those films were from the same period of this film, an extreme irony. Extreme, you know.

Harriman's first wife, the one playing with Duchin, had cheated on and left her first husband as well, an extremely wealthy fellow who just happened to be the financier of Technicolor which we find our self enjoying in this very film.

Oh well, there is the music, How can you fault any film that starts with Chopin?

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.