Svengali

SVENGALI is a British-made version of the classic story about the evil hypnotist who creates a famous singer out of a young and untalented girl. In essence this tale is Rasputin in the music world, and it's quite a fun and eventful storyline.

The main reason to enjoy this film is the performance of Donald Wolfit (BLOOD OF THE VAMPIRE) in the title role. He seems to be channelling Bela Lugosi in both look and voice throughout the movie, and his hammy style of acting is a lot of fun; the other actors in the production feel flat by comparison.

The film as a whole isn't perfect - there's a little too much sappy romance going on, and events are never as exciting or dramatic as the producers would hope for - but the lush colours and costumes of the mid 1950s give this the look and feel of an early Hammer Horror outing. Hildegard Knef (later of Hammer's THE LOST CONTINENT) is fine as the youthful protégé, and it's fun to see Terence Morgan (CURSE OF THE MUMMY'S TOMB) before he got typecast as the bad guy.

A bit over the top with the acting but this may have been deliberate to give it a certain theatre like feel as film acting is usually more subtle than as done on the stage, for a far away audience.

Beautifully shot in glorious saturated colour and the sets were extremely well done with seemingly no expense spared. I failed to spot some of the actors, later to be very much well known, in minor roles here.

There has been several fairly recent instances of singers, performers etc. Being controlled by very much like Svengali managers so the plot is in no way hard to believe.

A very interesting film worth watching.

This 1954 British color version of SVENGALI has always gotten the short end of the stick in my opinion. A lot of that has to do with the fact that it's always compared to the legendary 1931 version with John Barrymore but it's like comparing apples and oranges. This version has gorgeous color photography, is well lit, contains atmospheric studio sets (it looks like John Huston's MOULIN ROUGE) and it puts the emphasis back on Trilby rather than Svengali. After all TRILBY is Du Maurier's original title.

Director Noel Langley, best known for his written adaptations of THE WIZARD OF OZ and Alastair Sim's A CHRISTMAS CAROL, gets a more ensemble effect from his actors which allows for more character development from the supporting players especially Billie's artist friends. Just as in the Barrymore version, a number of liberties have been taken with the original story (though different liberties) especially the ending but remember this was England in the mid 1950s so certain allowances needed to be made. Chances are that if Barrymore's version had not been a pre-Code vehicle, made before 1934 when the Production Code began to be enforced, then the results might have been the same.

Most of the criticism regarding this version has been leveled at Hildegard Neff (actually Knef) who makes no attempt to hide her German origins when Trilby is supposed to be Irish. Although it can be disconcerting at first, the further you get into the movie the more she seems like Trilby especially after she embarks on her singing career. BTW that's Elizabeth Schwarzkopf singing for Neff in the opera scenes. Donald Wolfit, no stranger to over the top performances, actually manages to somewhat underplay his role as Svengali. The role was intended for Robert Newton who would have been WAY over the top but his drinking got him dismissed and Wolfit stepped in.

Praise should be given to VCI for making this rare film available as part of their British film series. The source print is a little soft and the colors occasionally fade at the reel changes but overall it looks very good for a public domain copy. In the end it may not measure up to the John Barrymore film but it's way better than the modern update from 1983 with Peter O'Toole and Jodie Foster. Just so you can make your own comparisons, VCI has also included a decent version of the 1931 Barrymore version on this DVD

UPDATE 2024...Sadly the VCI copy is no longer around and the movie is not available for streaming so the only way to see it is to acquire a used copy...For more reviews visit The Capsule Critic.

Apparently this is the tenth(!) screen version of George Du Maurier's "Trilby" but only the second one I have watched myself thus far – the other being the classic 1931 John Barrymore version from Warner Brothers entitled SVENGALI, of course. Presently, I will also be getting to the similarly-titled modernized TV version of 1983 starring Peter O'Toole and Jodie Foster but, for the record, there are two more adaptations I am most interested in, which are Maurice Tourneur's Silent original TRILBY (1915; which is available on DVD from Alpha!) and the "BBC Play Of The Month" TV version from 1976 with Alan Badel. Anyway, back to the version at hand: apart from the truly wretched copy I got saddled with (comprising constant combing and intermittent freezing issues!), I quite liked this handsomely-mounted and literate (if clearly stage-bound and clumsily edited) adaptation that benefits greatly from two excellent central performances: albeit a last-minute replacement for the ailing Robert Newton and clearly overweight for the role of the insufferable Svengali, Donald Wolfit's bizarrely effective combination of Bela Lugosi's looks and Frankie Howerd's voice earned him a nod at the British Film Awards; on the other hand, the overage but beautiful Hildegarde Neff is suitably moving as the innocently sensual gamine Trilby. The rest of the notable cast includes Terence Morgan (as Little Billy), David Kossoff (as Gecko), Noel Purcell (as Trilby's father), Michael Hordern (as Morgan's disapproving minister uncle) and, as starving Parisian painters, Alfie Bass, Harry Secombe and Michael Craig!

Svengali, like the Curate's egg, yes it is an interesting rendition, an old story, pretty much still extant if all the stories out there are to be believed. Anyway, here we go, Hildegard Neff, luminous and totally perfect, the rest of the ensemble cast, pretty good, but in my humble opinion the great man, the doyen of the theatre and many.adventures on the silver screen was quite wooden one minute then possessed of the manucc overdone ham on the bone the next. I know this may be heresy to some, but his oeuvre has its brilliant highlights yes, but sometimes I feel his fellow thesis are a little over awed by his classic acting style.. Overall though spotting the other wee gems in there..Alfie Bass.. Harry Seacombe.. Jeremy Brett et al ..make this rewarding.