Une femme extraordinaire

Before the much bigger budgeted Giant came out the following year, Paramount's B picture unit producers William Pine and William Thomas gave us Lucy Gallant a thinly disguised version of the founding of Neiman-Marcus. Jane Wyman plays the title role of a woman who was stuck in a Texas oil boom town in the Thirties and got the idea that the newly oil rich Texans might like some really fashionable clothing. As she is a recently jilted bride left at the altar, Wyman sells off her considerable trousseau and with that money builds the best department store in the state with all the latest fashions from Paris and New York.

Charlton Heston has a nice part as the cattle rancher turns oil millionaire like Rock Hudson in Giant who waits for Wyman. But this is clearly Wyman's film. Her father was accused of embezzlement and committed suicide and she wants to prove as a woman she can start and maintain her own business.

Wyman and Heston got a really good supporting cast from Paramount. The Dollar Bills as Pine and Thomas were called in the industry were getting bigger and bigger budgets to work with from Paramount although nothing like what Warner Brothers did for Giant. They assembled a good supporting cast with folks like William Demarest, Thelma Ritter, Wallace Ford, Gloria Talbott, and Tom Helmore settling in parts you are accustomed to seeing them in.

One I wish had more screen time though was Claire Trevor. She plays a former honky tonk owner who sells her place to Wyman for her original store and becomes a friend and rises to be a queen of Texas society. There's just too little of Trevor in this film.

Lucy Gallant is Texas putting its best foot forward. None of the warts are shown as they are in Giant. Still the film holds up well and Dollar Bills were probably justly proud of this work.

The story begins with Lucy (Jane Wyman) arriving in some oil boom town at just the right time. Suddenly, thanks to the oil, folks have LOTS of disposable income and few places in which to spend it. So Lucy decides to open a clothing store, Gallant's. Soon she's quite the success. However, at the same time, Casey (Charlton Heston) has fallen for her and he wants to marry her...and vice-versa. The problem is that she is a driven career woman and he wants a stay at home wife. Obviously she cannot be both....so for the next fifteen years or so, the pair never manage to tie the not or even become official boyfriend and girlfriend. Is there any hope to ending this impasse?

The film is well acted, very slickly made and is enjoyable. I am sure a few folks watching might hate the sexist bent of the film, but for 1955 it was actually pretty progressive. Well worth seeing, though a bit predictable as well.

One of my favorite Saturday Night at the Movies movie from childhood. Even as a ten-year-old though, I hated Casey Cole, Charlton Heston's character - horribly misogynist, manipulative and macho to a degree rarely seen out of other Charlton Heston movies. He makes every effort to pull the smart, beautiful, passionate and ambitious Lucy away from her successful business and into his idea of the perfect little woman - barefoot and pregnant and waiting for the Lord and Master at the front door at the end of the day. Lucy loves him but is determined to be herself and not an empty shell to be filled with just him. I watch it now with happy dread - I have to see again just what a pig Casey Cole is while also seeing the awesome Jane Wyman glow and grow through every minute of her screen time.Absolutely worth the watch. My favorite character actresses Clair Trevor and Thelma Ritter are Casey fans but reliably good as well.

Lucy Gallant" stars Jane Wyman as a New York woman who, when passing through a muddy Texas boomtown, recognizes a business opportunity when she sees it.  Costar Charlton Heston plays a rancher who falls for her.  They have trouble agreeing on the terms of a relationship, so she devotes herself to her growing business concern and he plays the love-sick dogie, wishing she would see things his way.

The cast is the best part of this film.  Thelma Ritter, Claire Trevor and William Demarest play colorful characters, solidly performed. Joel Fluellen is uncredited as Summertime, a black man who partners with Lucy in her early success and becomes a trusted employee; the film could have used more of him.

This fish-out-of-water story, like "Giant", chronicles the era when wildcat oil strikes changed the economy, converting cowboys into the nouveau riche. Lucy proves to be an astute businesswoman. She parlays the sudden wealth of fashion-starved women into a local retail triumph.

Casey (Heston) is mystified by Lucy's choices, but still finds her attractive. Is it because of or in spite of the fact she's an enthusiastic go-getter? In many other films of the fifties, women sacrifice their dreams for romance; what will Lucy do?

Have heard of this film for quite some time and finally got the chance to view it on tape (probably from AMC). I think the film captures the boomtown feel very well-instant population with lack of lodging or goods =business opportunities. While the film undoubtedly contains many truthful elements concerning the oil boom in Texas ( and even Governor Shivers playing himself ), it does seem just a bit stagy, although Jane Wyman's performance is actually quite good. I found it very intriguing that for the time period when the film was made, a woman was portrayed as virtually building her own business from the ground up without any real help from the man (or men) in her life. The real reason I had heard about the film previously is the "high fashion comes to Texas" bit, with Edith Head behind the creations. As usual, Edith does not disappoint. The designs, especially during the fashion show sequence, are amazing. It's no wonder that Edith Head was so sought after in Hollywood as a costumer for films (most notably for Alfred Hitchcock). She was a real talent. I am in total agreement that this film needs to be released on DVD, as I don't believe that it has ever even been on VHS at any point.