IMDb RATING
6.7/10
1.1K
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Drifting floozy Billie Nash gets a bar job where she seduces the owner's husband by convincing him to defraud his drunkard wife in order to elope together to Mexico, but a sleazy neighbor wi... Read allDrifting floozy Billie Nash gets a bar job where she seduces the owner's husband by convincing him to defraud his drunkard wife in order to elope together to Mexico, but a sleazy neighbor with designs on Billie jeopardizes her plans.Drifting floozy Billie Nash gets a bar job where she seduces the owner's husband by convincing him to defraud his drunkard wife in order to elope together to Mexico, but a sleazy neighbor with designs on Billie jeopardizes her plans.
- Director
- Writers
- Stars
John Alvin
- Bar Patron
- (uncredited)
Gordon Armitage
- Bar Patron
- (uncredited)
Helen Brown
- Porter's Secretary
- (uncredited)
George Bruggeman
- Bar Patron
- (uncredited)
Sidney Clute
- Man on Bus
- (uncredited)
Tristram Coffin
- Mr. Cutler
- (uncredited)
Bing Conley
- Bar Patron
- (uncredited)
Michael Jeffers
- Bar Patron
- (uncredited)
Kenner G. Kemp
- Man in Bus Station
- (uncredited)
Ralph Montgomery
- Jukebox Attendant
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Seen on TCM in the wee hours, this sordid little noir features the bleached blonde sexpot Beverly Michaels who had been dumped by cheesy Svengali Hugo Haas having switched his attentions to Cleo Moore. Bev makes Marilyn look like a goddess. As she saunters through the dismal sets which include a rancid rooming house, a barful of working-class mediocrities, and generic city streets, swaying her hips with a pokerface, you know this girl has hit bottom and is not likely to go much farther up because all she has is sex for brains. [A late scene shows her with a toothy, gummy grin which may answer the unasked question: why does she so rarely smile?] Down to her last dollar she gets a room, a barmaid job, a slimy admirer across the hall (the weird, weird Percy Helton) and proceeds to seduce the barman (Richard Egan had fallen this far in only a few years?), his bar-owning lush of a wife, and go for the money. The idea is of a continuing cycle of spider trapping fly in her web of deceit and avarice. When the fly is devoured, she moves on to another town. My question: after a few more low-grade films and a couple of TV appearances, what happened to Beverly Michaels? Can't be the same one who shows up 30 years later as a party girl in a British film, can it?
This is one of those movies that is just a little film but somehow, I can't describe it, it works for me! I love it! I love the black and white, the really dated environment, that blonde hoochie mama, the storyline, etc. etc. Just a fun movie to watch and escape with because it's quite campy. I think the ladies will like it and I never saw that blonde actress before but I thought she played her part well the way she just used the men and had them all drooling over her. She had a great figure too.
I'm not a Richard Egan fan but that's okay, she makes it worth watching!
I'm not a Richard Egan fan but that's okay, she makes it worth watching!
Beverly Michaels rolls in on the bus, finds a cheap room and gets a job pushing booze at Evelyn Scott's bar. She keeps her eyes for the easy touch -- creepy tailor Percy Helton is anxious to mend her clothes for her, and Miss Scott's husband, Richard Egan, is tired of dealing with with a wife who's drinking up all the profits, and anxious to trade her in on a blonde whose waist seems to be about half of her two other ample statistics.
Miss Michaels does everything except chew gum and stick it behind her ear to indicate the sort of woman she is, and is fascinating in a trashy way, just smart enough to know she's dumb, and to also know that men are not going to look at her face when she talks. Quite clearly her performance impressed the co-writer and director of this movie, Russell Rouse. They got married a couple of years later, had a couple of kids, and stayed married until his death.
Miss Michaels does everything except chew gum and stick it behind her ear to indicate the sort of woman she is, and is fascinating in a trashy way, just smart enough to know she's dumb, and to also know that men are not going to look at her face when she talks. Quite clearly her performance impressed the co-writer and director of this movie, Russell Rouse. They got married a couple of years later, had a couple of kids, and stayed married until his death.
Saw this 7/28/17 on a watchable version via YouTube. Not bad at all, does not try to push the budgetary limits. Rouse has a good script, and he keeps it moving. The leads, Beverly Michaels (a stick-limbed Mamie Van Doren), Richard Egan, Evelyn Scott, and Percy Helton all perform well. Scott, appearing as a boozy version of Rosemary DeCamp, gives a layered, believable performance as the wife of the Egan character. A larger than usual role for the reliably arachnoid Helton. The film hints, mercifully without showing, that Michaels yields to his sexual advances, a unique, unsettling milestone in a long career deserving of a Motion Picture Academy Award for Lifetime Achievement as a Homunculus. OK – maybe "Wicked Woman" does not strictly follow some "noir" rule book." But who cares about categories, other than just "movie"? And this is a pretty good one for the money! Seventy-seven minutes, and hard to find a second wasted.
This was a fun movie to watch. I saw it last week while attending the SF Film Noir Festival.
Beverly was a knockout of a woman. One of the rare tall actresses. The makers of the film probably had a hard time finding other tall people to act along with her. The popular character actor Percy Helton shows up again as a nagging wanna be friend to the stunning Beverly who uses him for her gain.
The festival tried to get her to attend from her place in Arizona but she said no. Her son the editor Christopher Rouse also tried unsuccessfully to get her to San Francisco. Oh well it was still a lot of fun.
Beverly was a knockout of a woman. One of the rare tall actresses. The makers of the film probably had a hard time finding other tall people to act along with her. The popular character actor Percy Helton shows up again as a nagging wanna be friend to the stunning Beverly who uses him for her gain.
The festival tried to get her to attend from her place in Arizona but she said no. Her son the editor Christopher Rouse also tried unsuccessfully to get her to San Francisco. Oh well it was still a lot of fun.
Did you know
- TriviaRejected by the British Board of Film Censors on 11 November 1953, the film waited some 18 months for a London press showing. It was finally screened (whilst still uncertified) at United Artists' Own Theatre in Wardour Street on 13 May 1955. Press reaction was unusually hostile, with Kinematograph Weekly commenting: "Having turned it down, the censor should have sent it to a desert island." And the Monthly Film Bulletin reviewed it in July 1955 only because "it has been shown in some districts by permission of the local authorities." After five years, the distribution passed to New Realm Entertainments who resubmitted it to the BBFC on 30 May 1960 where it passed with an "X" certificate after cuts. Unfortunately, it tended to be shown at struggling independents such as Derby's soon-to-be-demolished Coliseum in January 1961.
- GoofsAbout twenty minutes into he movie, you can clearly see the silhouette of a cap-wearing crew member reflected in a mirror behind the bar.
- Quotes
Matt Bannister: You know, you've got more guts than any dame I ever saw.
- ConnectionsReferenced in Pour que vivent les hommes (1955)
- SoundtracksWicked Woman
Written by Buddy Baker and Joseph Mullendore (as Joe Mullendore)
Sung by Herb Jeffries
Heard over the opening and closing credits
- How long is Wicked Woman?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Wicked Woman
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 17m(77 min)
- Color
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