Pour que vivent les hommes

Nicely cast melodrama from the 1950s with the notable exception of Robert Mitchum in the lead. Despite the miscasting, Mitchum does deliver a strong performance, but I think Kirk Douglas would have done far more with the role of Lucas Marsh.

Olivia DeHavilland has a very convincing Swedish accent in her role as the 30s something nurse who marries Mitchum for love when he's courting her for her money so he can finish medical school. And that's really where the story begins. Mitchum's Lucas Marsh wants that medical career so bad, he'll do anything for it. He's arrogant, self-centered, and when he falls away from the ideal that he sees himself as, it's a come down. Whether having to apologize to Whit Bissell when he challenges him in class, or giving way to passion when he's unfaithful to DeHavilland with Gloria Grahame, he destroys himself bit by bit. When Mitchum makes a mistake in an operation that costs the life of his benefactor Charles Bickford, he's close to suicidal. In the end we're really not sure he's going to live with himself.

The rest of the cast is outstanding. Frank Sinatra in a role similar to Angelo Maggio in From Here to Eternity functions well as Mitchum's conscience. I also have to single out Lon Chaney, Jr. who in his one scene in the movie as Mitchum's father, delivers one of his best performances.

In the recent biography of Robert Mitchum, Baby I Don't Care, the author says that Stanley Kramer unknowingly assembled one of the biggest group of booze hounds in Hollywood. Robert Mitchum, Frank Sinatra, Broderick Crawford, Myron McCormick, and Lon Chaney, Jr. were all legendary in the drinking profession. But God Bless Stanley Kramer who managed to get them all working on a good piece of film making.

"Not as a Stranger" is an old fashioned medical melodrama. The basic plot involves a young man (Mitchum) who is obsessed with becoming a doctor. Unfortunately, his obsession causes pain and unhappiness for the people around him.

Naturally, much of the medical material is out of date. Some commonplace matters in 1955 now strike us as incredible: a medical class with no women in it; doctors and nurses casually smoking; doctors who ride on ambulances.

The "small town" to which Mitchum moves after graduating from medical school is portrayed as isolated and rural. What we see is clearly a small city--bad choice of location.

In the context of the film,we have to accept Olivia de Havilland as plain and unsophisticated. Quite a suspension of disbelief.

However, Mitchum is excellent as the young physician who expects perfection from himself and all those around him, and Frank Sinatra is a good choice as Mitchum's cynical--but caring--friend.

Broderick Crawford as the medical professor Dr. Aarons, and Charles Bickford as Dr. Dave Runkleman, Mitchum's senior partner, both turn in solid performances.

Gloria Grahame is perfect as the wealthy widow, Harriet Lang, who oozes sexuality out of every alcoholic pore.

Watch for the dramatic scene when Crawford throws Grey's Anatomy at Sinatra. (Although beware the message that great medicine is synonymous with great memory. Memory is where great medicine starts, not where it ends.)

Two scenes need special comment:

When Mitchum tells a patient with a facial mole, "This kind is best left alone," he is wrong, wrong, wrong.

When Mitchum takes over the care of a critically ill patient of another doctor, Mitchum is right, right, right.

This movie is dated, but it is still worth seeing. Rent it and find out!

Olivia deHavilland, Robert Mitchum, Frank Sinatra, Gloria Grahame, Broderick Crawford, and Charles Bickford star in "Not as a Stranger," the story of an arrogant young man (Mitchum) and his quest to become a great, godlike doctor. Along the way, he learns something about becoming a human being.

What a cast - Lon Chaney, Jr. even has a minor role as Mitchum's drunken father. Mae Clarke is a nurse. Harry Morgan plays a big eater, Virginia Christine his wife. If you look fast, you'll spot Lee Marvin and also Jerry Paris from "The Mary Tyler Moore Show." Mitchum and Sinatra are old to be medical students - Sinatra was 40 and Mitchum, 38. Mitchum is nevertheless very effective as an arrogant but poor man desperate to become a doctor - so desperate, in fact, that when he finds out that nurse deHavilland has $4,000 in the bank, he romances and marries her. Once out of medical school, he joins a country practice headed by Charles Bickford and meets sexy, lonely Gloria Grahame - and you nearly can see the sparks. Both actors had hot presences, both oozed sex appeal - I would have loved to have seen them in a star teaming instead of a subplot.

This is a very good film - perhaps overly long - but it still holds interest because of the performances and the characters they play. It's very much the story of Mitchum's character and evolution and his marriage to deHavilland. In these days of special effects, a character-driven story is refreshing.

All the performances are good, Sinatra supplying the wisecracks as a loyal friend of Mitchum's and the only one who understands him. There have been comments that he was miscast. There is such a thing as a society doctor, however, and the Sinatra character was on the track, so I didn't find his characterization that unrealistic.

The towering performance, of course, comes from Olivia deHavilland as Kris, a simple Swedish nurse who falls in love with Mitchum and marries him, only to find it isn't much of a relationship. I say "of course" because in my opinion, deHavilland was one of the great actresses of the classic era, capable of playing a wide variety of roles and in different genres. Sweet and gentle as Melanie, plain, in love, and bitter in "The Heiress," a petulant ingénue in "It's Love I'm After," a young beauty in "The Adventures of Robin Hood," elegant but tough in "Hush, Hush, Sweet Charlotte," she's letter-perfect as Kris. She is believable from the time she comes on camera with her unattractive blond hairdo, her accent, her plain ways, and her shyness. As Sinatra points out, she's not doctor's wife material - no parents who belong to a country club, no class - "She should marry a farmer," he says. 38 when the film was made, deHavilland is totally sympathetic as Mitchum criticizes her for not being smart and turns his back on her, not realizing her value as a wife and as a woman.

A very good movie. Recommended.

I'm a general practitioner and I can tell that this kind of doctoring regretfully does not exist anymore. I do not mean the business with the mole which, of course by what we know now, was wrong. I mean that these guys were really general practitioners who did almost everything, leaving almost nothing to specialists.

But that's not really why this movie is good. The character that Mitchum plays is a complicated one but still his motive is to be somebody that matters in this world, to be a genuinely worthy doctor. He doesn't lack heart but he lacks tolerance.

The reason I like this film is however that it describes people who truly care. Tolerance has a danger to slip into permissiveness, especially concerning power and that has happened too much today. With all it's shortcomings, and there are indeed some, the times that are displayed here still were a lot more decent than what we have today and what makes this film especially precious is that you can see the embryo of more evil times to follow if you are attentive enough.

A film to learn from in many ways.

Stanley Kramer made his directorial debut here, following the journey of a medical intern who marries for money, later becoming a country doctor with an unhappy love life. Surprisingly involving adaptation of Morton Thompson's novel is both cynical and humorous, and Kramer really excels in the scenes behind hospital doors, particularly in the patient montages. He takes a good while to warm up however, and the actors also struggle getting into character. Robert Mitchum is generally miscast--he doesn't strike me as the medic type--as is Frank Sinatra, cutting up à la Jack Lemmon (Sinatra nevertheless gives the film some bounce). Olivia de Havilland does her usual good work in the romance department. Second-half of the picture is more assured, if more routine, but the film is quite entertaining on the whole. One Oscar nomination: Best Sound. **1/2 from ****