C'est pas une vie, Jerry!

I have always been fond of the score of "Hazel Flagg", and I've always liked this film version of it. But what has always puzzled me is that after Sheree North made a big hit on Broadway dancing in the show, they got her for the movie version, and cut her big dance number, the delightful comedy song "Salomee". She could have re-created her dance ! True, she did one of the show's original songs with Jerry, but they should have kept "Salomee." And Janet Leigh did other musicals, so I'm sure she could have handled Benay Venuta's numbers from the show. Hollywood !!! The story about the media, and fame, and paparazzi is even more timely today, so they should definitely do a re-make as "Hazel Flagg" with the original score.

In 1937, William Wellman directed a classic screenplay by Ben Hecht called "Nothing Sacred". This film has become a screwball comedy classic. Doctor Charles Winninger wrongly diagnoses patient Carole Lombard telling her that she has radiation poisoning. New York journalist Frederic March finds out about this and brings Lombard and Winninger to New York as a publicity stunt. March later discovers that Lombard is not going to die, but this does not matter to him; he has fallen in love with her.

Now in the early 1950s, this movie was turned into a Broadway musical called "Hazel Flagg". The score was written by Jule Styne ("Anchors Away", "High Button Shoes", "Gentleman Prefer Blondes", "Gypsy", "Funny Girl") and Bob Hilliard (a Brill Building lyricist). The show was semi-successful, so Paramount decided to use it as a basis for a Martin and Lewis comedy.

Dean is the skirt chasing, incompetent doctor. Jerry is the patient, becoming "Homer Flagg". March's role is given over to Janet Leigh and she falls for Dean. Some of the Broadway song are used: "How Do You Speak to an Angel", "Every Street's a Boulevard", "You're Gonna Dance with Me". Styne and Hilliard also wrote a batch of new songs for Dean and Jerry. In fact, Dean and Jerry handle all of the musical numbers.

Now the movies never really captured the essence of Martin and Lewis. That is only available through kinescopes of their "Colgate Comedy Hour" and a bootleg film of a show at the Copa. The tension between the relaxed crooner-comic (Martin) being upstaged by his ambitious partner with a schizoid personality (sometimes silly juvenile, sometimes savvy show biz comic) is seen in these shows. It is truly fascinating and brings a depth to the partnership of Martin and Lewis that no other comedy team has ever had.

In the movies, Dean was cast as a heel who is reformed by the end of the movie by his partner and his leading lady. Jerry is a magical sprite; he appears to be inept and clumsy, but he is way ahead of every other character in the film. While some of this is seen in "Living It Up", it is blatantly true of "Jumping Jacks". Both Dean and Jerry are full service entertainers. They are funny, the can sing, they can dance, and they can act. The shame of it all is that they broke up before they had really hit their stride. Just imagine films featuring Dean's drunk, sex maniac character which appeared very shortly after the breakup and Jerry's mature schizoid "I'm a famous movie star" clown.

As for "Living It Up", it is a musical comedy which can be viewed again and again. The story is great, the songs are tuneful, and the gags are fast and funny.

I saw this film in Albany, NY while taking a 40' yacht up the Hudson River from New York City. I thought it was very funny. coincidently, I was with the songwriter, Bob Hilliard and his wife Jackie, the night before I left New York. Also, Albany is mentioned in the movie and the Albany audience went wild. I had to take a boat and a bus to Albany to experience this. In the first comment about this film, the writer refers to Bob Hilliard as a "Brill Building Writer." Most writers and musicians worked out of that building in the forties and fifties. Bob wrote a number of hits, including; "Our Day Will Come" "Moonlight Gambler" "Be My Life's Companion" "Money Burns A hole In My Pocket" "In the Wee small Hours of the Morning", and many more. I don't think he should be dismissed as just a "Brill Building Song Writer." You can read more about Bob and see a list of all of his songs by running a search for "Bob Hilliard" in one of the major search engines. There is a website with stories and a list of all of his songs.

LIVING IT UP is a reworking of the Carole Lombard classic NOTHING SACRED now tailored to the talents of the 50's greatest movie team, Dean Martin and Jerry Lewis. Lewis takes on the Lombard role as Homer Flagg, a small town schnook, who after exposure to radiation, believes he is dying and when word spreads all the way to Manhattan of his misfortune, a reporter for a big New York paper decides to treat Homer to a vacation in the Big Apple, sort of a final fling before Homer meets his maker. Martin plays Steve, Homer's doctor, who discovers before the arrival of the reporter, that Homer isn't really dying, but agrees to play along so that Homer can go to New York and is even more willing to play along when he meets the reporter, played by the lovely Janet Leigh. Growing up in the 60's, I had seen Jerry Lewis movies and I had seen Dean Martin movies, but I was almost an adult by the time I learned that they had made movies as a team. This laugh-a-minute comedy was my first exposure to them as a team and it is my favorite outing of theirs and is a part of my permanent video collection. Martin and Lewis are a well-oiled machine and Janet Leigh makes a lovely leading lady There's also a great comic turn by comic veteran Fred Clark as Leigh's boss, whose character name is Oliver Stone! Sheree North also makes a memorable cameo at a jitterbug contest. But this is a Martin and Lewis show all the way, highlights including Dino's crooning of a love song to a photo of Audrey Hepburn and the duo's now classic "Every Street's a Boulevard in Old New York." This is Martin and Lewis in their prime and a comedy classic that's still funny fifty years later.

The strange appeal of the comedy team of Dean Martin and Jerry Lewis can perhaps best be understood in this movie, arguably the least off-putting (to scores of people who cannot abide Lewis) of the 17 films the guys made together. Almost all their films contained music, and Martin was a successful singer in his own right. Here he gets to sing "How Do You Speak to an Angel," and "Ev'ry Street's a Boulevard in Old New York" (with Lewis), songs that were already known from the Broadway show on which it is based, "Hazel Flagg." If you want to sample Martin and Lewis, this is arguably the team at its best.