La grande caravane

Jubilee Trail represented one of the last attempts of Herbert J. Yates to get the American movie public to accept his wife Vera Hruba Ralston as a star. Again she didn't score with the public and pretty soon Vera and Republic Pictures were history.

Actually Republic Pictures really ended the day that John Wayne got shed of his long term contract with Republic. Yates made more money loaning him out to other studios than he did with the films that actually starred the Duke. After all, Duke's loanout services were pure profit, no overhead expenses involved in producing high budget epics that befit his growing star status.

John Wayne couldn't have saved Jubilee Trail because the central characters here are two women, Vera and Joan Leslie. Vera's running from a mysterious past in New York and she hooks up with Joan and her new husband John Russell. Russell is traveling west with a pack train of supplies for he and his brother Ray Middleton. Russell also has a past himself that involves some kanoodling with the owner of a local ranchero and a small bundle of joy he only finds out about just as he's starting west.

Middleton's real upset about the marriage as they've ruined plans for a merger between the two families. He takes an unreasoning dislike to Joan Leslie and is determined to gain control of the child she's carrying now after Russell is killed.

It really is more soap opera than horse opera. There's an Indian attack sequence, but I'm sure it's in there so western fans can have a little action. There's also a nice gun battle between Forrest Tucker and two bad guys in Middleton's employ looking to steal Leslie's child after it's born. Middleton is the kind of villain you are more likely to see on daytime soaps.

Tucker has the hero role, but he really does little between the action sequences but look solemn and declare his love for Leslie. Pat O'Brien has a supporting part as a cashiered army surgeon who drinks to forget his troubled past. And presiding over it all once they reach California is Vera at Jim Davis's saloon.

Vera's got the Marlene Dietrich part here, but Jubilee Trail would have been a whole lot better if Yates had gotten Marlene Dietrich for the part.

I was unfortunate enough to see this last week. The book has long been a favorite of mine; the movie is a disaster.Garnet, Florinda, and Oliver were completely miscast---poor Gwen Bristow must still be whirling in her grave after seeing what Hollywood had done to her wonderful saga. Some of the minor roles (John Ives, the Handsome Brute) were adequate as were the sets and costumes. However,the main characters completely failed to resemble their literary counterparts, and their acting was wooden and totally unconvincing. The book is a wonderful story brimming with action and should have made an exciting and colorful movie. Instead, it is incredibly boring and tedious. What a shame!

In once again reviewing a movie or TV appearance of a cast member of the original "Dallas" in chronological order, I'm now at 1954 where Jim Davis is once again in a Republic production directed by Joseph Kane. He plays Silky, a bar owner who's friends with the main characters played by Joan Leslie, Vera Ralston, Forrest Tucker, and Pat O'Brien. The story moves along briskly with occasional stops for action and music. The Trucolor scenery is nice to look at. Victor Young's music score is also enjoyable to listen to. Really, I don't have a thing to complain about. I do wonder if the novel this movie was based on had even more that happened that they couldn't show here due to time constraints...

If we can call this movie a western. Me, I hardly call it a western; nothing to do with THE SEARCHERS, BATTLE AT APACHE PASS, or any other real western. It takes place in the secOnd part of the nineteenth century and in America, that's all. But Republic pictures already gave us such items, music hall, burlesque "westerns" with a bit of intrigue, gun duel not far from the Mississippi river or on San Francisco harbor. Universal pictures also made such movies in the late forties, and not only: MISSISSIPPI GAMBLER for instance, or RAWIDE YEARS, which was however a bit tougher than this one. Not my favourite from Jospeh Kane, from wich I prefered BRIMSTONE, MAVERICK QUEEN...Real westerns this time.

Unusual and charming western, though it is really more of a romantic costume film. The sets and costumes are glorious, as others have noted. Very unusual color combinations for the ladies. Great authenticity to the sets. Lots of Spanish being spoken, without translation. The acting is good and the story is not at all the usual wagon train picture. I did not care so much for all of the singing. It was a little distracting. Filler if you will. But the romance was good. It was kind of an old fashioned melodrama actually. Well just watch it, but do not have expectations ahead of time because it is not at all what you would expect.