Les révoltés de la Claire-Louise

Jim Corbett (Glenn Ford) frees four prisoners to help him navigate the Honduran jungle. He's looking for a band of rebels he intends to help. To be successful and stay alive, Corbett and Co face a number of obstacles, including: pumas, piranhas, soldiers, insects, and each other.

I know it was a mistake to do so, but I was so hoping Appointment in Honduras would be as entertaining as the similarly named Affair in Trinidad - also with Glenn Ford. I know that film has its detractors, but I always find it so much fun. Unfortunately, the similarity in names is where the comparison of these films ends. Overall, I found this one an underwhelming, fairly dull trudge to get through. Scene after scene of Corbett hitting the jungle growth with a machete or yelling at the other members of his party got old pretty quick. It didn't take long for me to stop caring about which characters were killed and which survived. The final gun battle wasn't as entertaining as it should have been. The way it was filmed, it was difficult to determine character positioning in relation to each other. Very substandard directing and editing as far as I'm concerned. Finally on my list of complaints, there's Ann Sheridan. Annoyed doesn't begin to describe my feelings toward her and her character. I know she was meant to play the Rita Hayworth role (same red hair and all) opposite Glenn Ford that had been so successful before (see the previously mentioned Affair in Trinidad for example), but she's a poor imitation.

One interesting thing for me at least was the presence of a very young Jack Elam. He doesn't do much, but it was pretty cool all the same.

4/10

It was with some interest that I read that Appointment in Honduras was shot in the Los Angeles Botanical Gardens serving as the Central American jungle. We should probably be grateful that RKO did spring for color and did not use the old King Kong set once again.

I can see the minds at RKO now (read Howard Hughes). Rita Hayworth is Harry Cohn's main meal ticket at Columbia, no getting here, but we can probably get Glenn Ford's services. Since they were such a popular screen team, we can team Ford with another redhead and see if the public will buy it. Ann Sheridan was past her best days and she'd work cheap, so the team of Ford and Sheridan was sent to the tropics.

Central America was in the news at the time. The Central Intelligence Agency had a big hand in overthrowing the government in Guatemala of Jacobo Arbenz. Ford's role is rather unclear in this film. At the end he identifies himself as a planter, but I suspect he's probably got some CIA involvement.

The film opens with Ford on a tramp steamer off Central America. He's got a mission of some kind and HAS to get off there, but the captain won't stop. So Ford's got some bad choices to make. He frees some convicts headed by Rudolfo Acosta to help him get ashore. They in turn take quarreling couple, Zachary Scott and Ann Sheridan along as hostages. Acosta's idea, not Ford's.

After that it's a competition between the steamy jungle and the steamier romance heating up between Ford and Sheridan. The two of them do their best, but they're not Ford and Hayworth. It's definitely not Gilda, it's not even Affair in Trinidad.

Some nice color cinematography of the Los Angeles County Arboretum and Botanical Gardens is the best thing about Appointment in Honduras. Maybe it might stimulate one to go there to see where a Thanksgiving beauty was shot.

There are eight passengers aboard the ship when it puts in at port in Nicaragua: Zachary Scott, his wife, Ann Sheridan, five men bound for prison, and Glenn Ford, carrying money for a Honduran revolution. He's denied entry, so Ford frees the prisoners, and they escape into the jungle, headed for Honduras, carrying the married couple with them as, well, plot points.

Most of the movie is about getting through the jungle and its deadly fauna. Ford plays his role close to his vest so it's impossible to tell whether he's a good guy, or a bad guy. Either way, he clearly lusts for Miss Sheridan, Scott lusts for the cash he's carrying, and the escaped prisoners want the money, a gold mine Mr. Scott knows the location of, and to get out of the country,

Director Jacques Tourneur clearly views this as a job for hire, getting over the plot points, having DP Joseph Biroc point the camera to point out the lush jungle in the Los Angeles Botanical Gardens, and stages, and so forth. Scott, playing one of his weak-but-greedy characters, offers a good performance. Ford seems disengaged, and the Central American criminals, including Jack Elam, ham it up.

This movie has an interesting plot. A wealthy couple is taken hostage and taken through the jungle of Honduras by bandits and Corben, a man that tries to set the group to his hand with promises and lies if necessary. They don't only have to fight the dangers of a jungle, but there's also a strong film noir element going on with the characters. They are all different and have all different plans with their future, but have to put up with each other to survive the jungle. It's a bit like how the characters in Ford's Stagecoach are played out against/for each other. The movie feels somewhat dated since it's so obvious it is recorded in studios, but like most Tourneurs, it's fine for a late rainy night at home. APPOINTMENT IN HONDURAS couldn't get my attention throughout the whole movie though, but I'll keep the video tape still. 5/10

Director Jacques Tourneur was not only excellent in the horror element: CAT PEOPLE, LEOPARD MEN, NIGHT OF THE DEMON; western: WICHITA, WAY OF A GAUCHO; crime thrillers: OUT OF THE PAST ; but also in adventures: FLAME AND THE ARROW, ANNE OF THE INDIES, and this one, despite the obvious settings without any locations, but a simple studio lot in Los Angeles. This is full of charm, tension, character depiction, supporting roles which are exquisite to watch. Ann Sheridan brings her delightful touch to this men's tale, and Zachary Scott is as convincing as ever in the villain role. An important film in Jacques Tourneur's filmography.