Tu seras jugé

Circuit judge rides into town and finds that a killing has taken place that no-one wants to investigate. He soon finds that the killer is the son of the local landowner who basically owns the town. The film relates the story of the judge's attempts to bring him to justice. Although this is a fairly cliched story, it is made with panache, and with a running time of a little over an hour, it does not outstay it's welcome. Miroslava, with her eastern European looks and accent, is a striking presence in the film. Her tragic death after the film was completed was a sad loss. I saw this movie on Movies4Men and wouldn't mind having a DVD of it, and having found that it is available as part of a box set called Darn Good Westerns 1 I have ordered it through amazon.

Stranger on Horseback is directed by Jacques Tourneur and adapted to screenplay by Herb Meadow and Don Martin from a story written by Louis L'Amour. It stars Joel McCrea, Miroslava Šternová, John McIntire, Kevin McCarthy, John Carradine, Nancy Gates and Emile Meyer. Music is scored by Paul Dunlap and cinematography by Ray Rennahan.

Joel McCrea stars as Circuit Judge Richard Thorne, who rides into a town to find it is entirely owned by the Bannerman family, headed by Josiah Bannerman (McIntire). Initially only there to check over the town's books, it comes to light that Josiah's son Tom (McCarthy) has killed a man in cold blood under the guise of self defence and never been brought to trial. Thorne arrests him, and in a town of few friends, sets about staying alive long enough to ensure Tom Bannerman does indeed go to trial.

A mighty unusual judge, Sir.

Clocking in at just 66 minutes long, Stranger on Horseback is very much a quintessential B Western. Filmed in beautiful Sedona, Arizona, picture makes the most of having McCrea in the lead. Where many of the other characters are drawn as standard Western fodder, McCrea really gives a characterisation that is easy to jump on board with. He is like a one man army, but he doesn't need to go all guns blazing, he has his law book and his wits, he knows how to charm the ladies, he is tough and throws a good punch, but he mellows to give a child a silver dollar. He is a man that men want to be and a man that the women want to wed. It's meat and drink for McCrea, with straight back and piercing eyes, his shoulders packing some brawn, it is he that is primarily the reason why the film is so enjoyable.

The story is simple and played out as such, with echoes of High Noon and the like. Friendless man of the badge has to go it alone to ensure what is right is actually achieved. Along the way people will be either hurt or awakened from their stupors, enemies confronted, a lover gained and a finale plays out when it all comes together in a triumphant whirl of machismo. Tourneur and Rennahan ensure the second half of the picture is picturesque, the characters finally out in the open and framed wonderfully against the vistas, while the writers come up with a couple of nifty turn of events to keep the narrative interesting. Away from McCrea the fun turn comes from Carradine, while McIntire and Meyer are as reliable as ever. McCarthy is passable as a Western weasel and Miroslava, who would sadly commit suicide the same year of the film's release, turns up and with a sexy glint in her eye and manages to say her lines correctly.

It's not pushing the boat out or trying to redirect the direction of the 50s Western, but it's one of the more enjoyable B Westerns from that decade. McCrea and Rennahan ensure that is the case. 7.5/10

According to the Films of Joel McCrea series book, McCrea liked so much working with Jacques Tourneur on one of his best films Stars In My Crown that he signed eagerly to do this adaption of a Louis L'Amour novel of a western circuit riding, gun toting judge. This is a man who backs up his decisions.

No one has been to this town recently when McCrea rides in and he quickly discovers the place is run top to bottom by the local Ben Cartwright played by John McIntire. McCrea discovers quickly enough that McIntire's punk son has been responsible for several non-natural deaths and no one has seen fit to prosecute. McCrea orders cynical marshal Emile Meyer to arrest Kevin McCarthy. Soon enough though it's pretty obvious that no fair trial can be obtained in McIntire's town so a change of venue is ordered. The rest of the film is McCrea, Meyer, McCarthy and a few others making the journey for said change of venue with McIntire on their heels.

Stealing every scene he's in is John Carradine playing a rather cheerfully corrupt prosecutor in McIntire's town. He reminds me so much of Cassius Starbuckle the cattleman's mouthpiece in The Man Who Shot Liberty Valance. His role here could be a younger version, a dress rehearsal for the John Ford classic.

Playing McIntire's niece is Czech/Mexican actress Miroslava who would do only one more film before committing suicide at the age of 30. She was one sexy alluring creature who tries her ways on McCrea. He's tempted to be sure.

Stranger On Horseback is short and taught western with maximum editing skills applied by its director. McCrea's character might well have been transferred to television for a series about a circuit riding judge. I'm surprised no one saw the possibilities.

The review by Tom Slaback (tom-374) from Prescott, AZ says that he's only seen this film in black & white and wanted to know if a color version is available. Well, I rented the DVD and it IS is color, though the DVD indicates that there is no surviving negative and the copy is not optimal. In other words, while it's in color, the colors are a bit off (everybody appears sunburned because of the over-saturation of reds) and the print is a tad fuzzy.

The film begins with a new federal circuit judge (Joel McCrea) arriving in a western town. The first thing he notices is that all the businesses in town are owned by a man named Bannerman. The second thing he notices is that the sheriff and prosecuting attorney in town are bought and paid for by Bannerman--and he and his family can pretty much do as they please. It's obvious that there will soon be a showdown between the judge and Bannerman--and it's a fairly typical sort of plot for a western.

At times the plot is a lot like a lower budget "5:10 to Yuma" as well as "High Noon"--awfully good company in which to place any film. Despite having many familiar elements, Joel McCrea is so good in the film and the movie is made economically (not just cost but a lot of bang in such a short film), it's well worth seeing.

Stranger on the Horseback is the first and less seen of the three westerns Jacques Tourneur directed in the 1950s, the other two being Wichita and The Great Day in the Morning. And in my opinion is the best of them.

This time the main character is not a sheriff, but a judge Rick Thorne (Joel McCrea) who comes to the small town in the west with the intent of establishing the thing that simply didn't exist there before - the law. Very soon he's joined by Colonel Streeter (John Carradine) who offers Rick his help.

The town is completely under control of a rich and powerful cattle baron Josiah Bannerman and his family gang. But Rick's determination is unshaken.

Soon Rick discovers that a little time before his arrival into town a man was killed by Josiah Bannerman's son - Tom. Tom claims that it was self defense, but Rick begins to conduct his own investigation with the intent to find witnesses and bring Tom to trial. Meanwhile he meets a beautiful Josiah Bannerman's daughter - Amy (Miroslava Stern) who falls in love with him.

Stranger on the Horseback is the best western Jacques Tourneur ever directed. Smoothly paced, with interesting characters, finely acted and with intelligent and witty dialogs it's a pleasure to watch from the beginning to the end. 8/10