Des jupons à l'horizon

A very dull musical, not comparable with what director Sidney Lanfield had made at 20th.Century Fox in the thirties. No wonder this was his last picture. An example of the difference between what the Freed unit and the Pasternak unit were doing at MGM at the time. Of course, Esther Williams was as beautiful as ever.

Esther Williams is top-billed and dripping-wet as usual (an underwater ballet with two cloying kiddies is especially hard to take), but the truly frightening presence here is that of Vivian Blaine, fast on the heels of her Broadway triumph in "Guys and Dolls." She had been a likeable but unremarkable singer at 20th in the 40s, then "G&D" gave her a new persona in the character of Adelaide, the adenoidal, Brooklynese nightclub dancer. Here she's Adelaide in all but name, and her rambunctiousness makes Betty Hutton look timid. Her overemphatic line readings and hoydenishness quickly become wearing, but you don't forget her.

Esther, who sang acceptably and had a nice comic sense in addition to her aquatic gifts, is a gracious presence and has more to act than usual. Here she's a headstrong rich girl who learns humility--not exactly a fresh idea, but it's spun out gracefully by screenwriter Isobel Lennart, and given some appealing feminist filigrees. The songs are OK, second-lead Joan Evans is dull, and the nearly two-hour running time feels padded out, especially with a couple of specialty numbers thrown in. But it's a decent Technicolor time-passer, with all that postwar Hollywood patriotism that seems to be coming back in vogue.

This movie isn't terribly accurate as to actual Boot Camp life, they had MUCH more freedom than we did, but it was filmed at Great Lakes Naval Station about 10 years before I was stationed there in 1962-3. The barracks, the furnishings, everything in the background shots look just the way they did when I was there. We also lived in those same WWII temporary barracks. I thoroughly enjoy this movie every time I watch it just for the memories and to see those wonderful uniforms that I really liked! My favorite part of the movie each time is the Drill Team scene, they do some of the very same routines that we did when I was on the Boot Camp Drill Team at Bainbridge, Maryland in 1962.

this movie was a disaster.the plot if there was one was pathetic. considering that many name stars were in this film it is amazing that it could be done so poorly.if boot camp were this easy we would lose all future wars. do yourself a favor don't watch this or your review might be worse than mine. to call this movie bad would be too polite.

SKIRTS AHOY! (1952) is musical-comedy fluff aimed mostly at a female audience, but it's not too bad. It's pleasant enough and some of the songs by Harry Warren and Ralph Blane are fun ("What Makes a Wave?", "What Good Is a Gal?"). MGM's swimming superstar Esther Williams, "Guys and Dolls" standout Vivian Blaine, and Joan Evans join the Navy to escape their man troubles. Esther Williams performs a couple of dry-land musical numbers, but the script still finds time for her to visit the pool. In one scene she's accompanied by a couple pint-sized swimming prodigies (brother and sister Russell and Kathy Tongay). Keenan Wynn, Debbie Reynolds, and Bobby Van make celebrity cameos.