Pas de pitié pour les maris

Rosalind Russell is the Judge in "Tell it to the Judge," a 1949 film also starring Bob Cummings, Marie McDonald and Gig Young. Russell plays Marsha Meredith, a recently divorced woman up for a judgeship, encouraged in her career by her judge grandfather (Harry Davenport). The ex-husband, however, Pete Webb (Cummings) wants her back. The two are still in love. The divorce was basically a misunderstanding - Webb was working with a beautiful blond witness (McDonald) and Marsha mistook it for something else. Even though it puts her career in jeopardy, Marsha remarries Pete. On their wedding night, her grandfather kidnaps Pete so that Marsha thinks he's up to his old tricks. She then takes off and announces to the press that she's married to someone else, and makes up a name. When Alexander (Gig Young), a man she met previously appears, she has him play the part of her husband.

This is a typical screwball comedy centering around the struggle that the independent woman has between being a career person and a wife - and apparently back then, it was one or the other. I thought Russell was fine as Marsha, unlike another reviewer - I've seen her miscast, and I didn't think she was this time - but I agree with another remark the poster made, that Bob Cummings steals the movie. Cummings is thought of as a bland film actor, and perhaps he was. What made him a tremendous television star was his sense of comedy, which he didn't get to use much in films but which was his strength. Here he gets to show it off, and a few years later, he made his mark in television.

A fun movie, not earth-shattering, as films were going through a difficult transition. So apparently were women, and in the '40s, they lost the career battle, only to pick it up again a couple of decades later.

This is absolutely my favorite film of Robert Cummings. He's hysterical and lovable in every scene he is in. Bob plays a lawyer who is newly divorced from Rosalind Russell, and is determined to win her back. She on the other hand is determined to become a federal judge and wants nothing to do with him. A typical setup for the divorce-remorse films that came along in the 40s.

Then there's Gig Young as the rival for Russell's affection, Clem Bevans as Mr. Roogle (it rhymes with bugle) and Marie McDonald adding a funny twist as the witness who keeps stalking Bob. For the most part, the cast is on top of their game and has some great moments. However, be forewarned, this is not Rosalind Russell's best work by a long shot. Despite the fact that she's given some wonderful performances (Auntie Mame, Trouble With Angels, etc) she's not very strong here and this is one situation where I really think another actress should have been cast. (Too bad Carole Lombard was already gone - she would have been PERFECT.) Some time the twists go a bit too far and get rather tedious on repeat watchings, but this is the screwball genre - it's not supposed to be realistic. It's a fun movie that still makes me laugh no matter how many times I see it. What more can you ask for?

I watched this film again last night and turned in for the night in a thoroughly good mood. Not a character out of place, the players were perfectly chosen for their roles and on top of that, everyone is terrifically likable! Comments regarding thin plots or unnecessary scenes be darned, this film accomplishes what it sets out to do. Tell It To The Judge provides 87 mirthful minutes of diversion, taking the viewer from Washington D.C., to Miami and all the way back to the Adirondacks for it's mixed up, misunderstood and downright happy ending.

Probably my favorite romantic comedy, sharp dialogue, crazy twists, adorable characters and all.

It is not too difficult to see why Robert Cummings is often cast in light comedic fare such as this. His facial expressions alone are worth the price of admission in Tell It to the Judge. And there's something hysterical about seeing him dressed as a train attendant, though it would also have been fun to see Cary Grant in that get-up.

The only part that drags is the sequence at the lighthouse, which has the film's most unfunny business: something about chopping off the head of a fish. But the film quickly redeems itself, and it reaches its peak with a delightful ski sequence later on. Overall, a fun film with some inspired comic bits by Cummings and costar Rosalind Russell.

The usual misunderstandings and bickering between husband and wife keep things adrift in TELL IT TO THE JUDGE, a comedy that actually sparkles once in awhile but is sometimes too trite to be more than a passable screwball comedy.

The most charming sequence involves Russell and Cummings finding themselves on the doorstep of a lighthouse run by CLEM BEAVER and having to stay the night, sleeping apart, with Cummings forced to spend much of the night shooing away the huge dog that takes a liking to him. But most of the time, the comedy gets bogged down in a series of misunderstandings that could easily have been cleared up if somebody told the truth once in awhile.

ROSALIND RUSSELL, as the judge trying to protect her reputation, does her usual fine job with a comic flair that has her handling fast dialog with her usual dexterity. But in this case, it's ROBERT CUMMINGS who gets some of the best moments, proving how adept he was as the bumbling kind of man who gets caught up in screwy situations.

The breezy script has them fighting throughout before the misunderstandings can be cleared up. MARIE McDONALD and GIG YOUNG are thoroughly wasted in supporting roles, but it doesn't matter because most of the comedy is carried by ROBERT CUMMINGS in one of his best light comedy roles. GIG YOUNG does manage to be amusing in a couple of well played sequences but fortunately had better roles in romantic comedies later on in his career.

Passes the time pleasantly enough with some nice chemistry between Russell and Cummings.