Margie Blake, who wants to get married young and have two dozen kids, has a flat tire and traveling salesman Tom Wilson, who believes in "loving 'em and leaving 'em" stops to help.Margie Blake, who wants to get married young and have two dozen kids, has a flat tire and traveling salesman Tom Wilson, who believes in "loving 'em and leaving 'em" stops to help.Margie Blake, who wants to get married young and have two dozen kids, has a flat tire and traveling salesman Tom Wilson, who believes in "loving 'em and leaving 'em" stops to help.
- Director
- Writers
- Stars
Edward Gargan
- Chuck
- (as Ed Gargan)
Carlyle Blackwell Jr.
- Hotel Guest
- (uncredited)
Marjorie Deanne
- Hotel Guest
- (uncredited)
Joseph Depew
- Elevator Boy
- (uncredited)
Dudley Dickerson
- Hotel Janitor
- (uncredited)
Jack Egan
- Hotel Guest
- (uncredited)
Bud Geary
- Man Driving Goose Truck
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This appears to be two movies spliced into one. In the first, ZaSu Pitts is a renegade in a small town. She wants to help the romantic life of Marjorie Woodworth. OK: I'd never heard of her before either. But she and Pitts are in both parts of this concoction.
Before we know it, Pitts is no longer Miss {Polly. She is Emmie. I had to rewind to see if I'd fallen asleep somewhere. I hadn't. She no longer in a small town but on her way to the title Honeymoon destination.
The movie has some cute moments. The first part is better, with roles for what seems to be every third-rate character actress working in Hollywood at the time.
And what of Ms. Woolworth? She sounds a little like Betty Hutton. She sounds a little like Marie Wilson. She's pretty, certainly. But she's no comedienne.
Pitts often was used in very small roles. Here she has the largest role. She's always fun, though this movie made me wonder if a little of her doesn't go quite a long way. (As a comic. When she was a tragic actress in Von Stroheim silents -- "The Wedding March" and Greed" are the two I have seen -- she was brilliant.)
Before we know it, Pitts is no longer Miss {Polly. She is Emmie. I had to rewind to see if I'd fallen asleep somewhere. I hadn't. She no longer in a small town but on her way to the title Honeymoon destination.
The movie has some cute moments. The first part is better, with roles for what seems to be every third-rate character actress working in Hollywood at the time.
And what of Ms. Woolworth? She sounds a little like Betty Hutton. She sounds a little like Marie Wilson. She's pretty, certainly. But she's no comedienne.
Pitts often was used in very small roles. Here she has the largest role. She's always fun, though this movie made me wonder if a little of her doesn't go quite a long way. (As a comic. When she was a tragic actress in Von Stroheim silents -- "The Wedding March" and Greed" are the two I have seen -- she was brilliant.)
This weak little effort doesn't begin to use a fraction of the ability of its two leads, Slim Summerville and Zasu Pitts, in no small part because too much of the story concerns the two good-looking but uninteresting juveniles. The picture is one of Roach's one-hour 'streamliners' that he was concentrating on in this period; it took World War Two and contract work to stabilize the studio.
However, the little time they do get together -- in this honeymoon hotel movie -- is time well spent. The two were in ten movies together -- if you don't count ALL QUIET ON THE WESTERN FRONT, where they reshot all of Miss Pitts' scenes with another actress -- and they certainly worked together well. This was their last movie together. A pity they couldn't end on a higher note.
However, the little time they do get together -- in this honeymoon hotel movie -- is time well spent. The two were in ten movies together -- if you don't count ALL QUIET ON THE WESTERN FRONT, where they reshot all of Miss Pitts' scenes with another actress -- and they certainly worked together well. This was their last movie together. A pity they couldn't end on a higher note.
Being a fan of ZaSu Pitts comedies, I thought this one looked like it was worth a try. I was quite disappointed.
(The version I saw was on TCM, but consisted only of the Niagara Falls movie; the Miss Polly movie was absent.) The talents of the actors, who give fine performances, is wasted on one of the stupidest stories I have ever had the misfortune of sitting through.
Tom Brown (Tom Wilson) surprised me by being the strongest actor in the show, but the spotlight is hogged by Slim Summerville (Sam Sawyer), who, if he has any talent, didn't demonstrate it here.
ZaSu Pitts (Elly Sawyer) is great, but doesn't have near big enough a part. The biggest laugh in the movie is when she ends up under Sam under a table.
The only one in the movie who has any sense at all is Tom Wilson. Margie (Marjorie Woodworth) is unreasonable in general. While she is physically quite attractive, her personality and attitudes make her completely undesirable. Elly, Sam, and the hotel desk clerk are just complete fools.
Sam and Elly give up their honeymoon suite in the crowded hotel for Tom and Margie. But then they take it back. Sam ends up imprisoning Tom and Margie in their room. Most of the movie is them trying to break out, but Sam, using a rifle, always puts them back again.
Towards the end comes the worst part. Tom, who is finally about to make good his escape, runs into a minister on a lower floor of the hotel. Now the guy, who, as I said, is the only one in the whole movie who has a head on his shoulders, suddenly, for absolutely no reason at all, decides he has to marry Margie!
He drags the minister up to the room he has just escaped from, but Margie doesn't want to marry him. He gives her a kiss, and now, after one kiss, she feels compelled to marry him.
Finally, Sam has the nerve to say to Tom, "You deceived me," when practically the only line Tom had to Sam earlier was, "We're not married," to which Sam replied, "You think I'd believe that?"
Idiotic.
(The version I saw was on TCM, but consisted only of the Niagara Falls movie; the Miss Polly movie was absent.) The talents of the actors, who give fine performances, is wasted on one of the stupidest stories I have ever had the misfortune of sitting through.
Tom Brown (Tom Wilson) surprised me by being the strongest actor in the show, but the spotlight is hogged by Slim Summerville (Sam Sawyer), who, if he has any talent, didn't demonstrate it here.
ZaSu Pitts (Elly Sawyer) is great, but doesn't have near big enough a part. The biggest laugh in the movie is when she ends up under Sam under a table.
The only one in the movie who has any sense at all is Tom Wilson. Margie (Marjorie Woodworth) is unreasonable in general. While she is physically quite attractive, her personality and attitudes make her completely undesirable. Elly, Sam, and the hotel desk clerk are just complete fools.
Sam and Elly give up their honeymoon suite in the crowded hotel for Tom and Margie. But then they take it back. Sam ends up imprisoning Tom and Margie in their room. Most of the movie is them trying to break out, but Sam, using a rifle, always puts them back again.
Towards the end comes the worst part. Tom, who is finally about to make good his escape, runs into a minister on a lower floor of the hotel. Now the guy, who, as I said, is the only one in the whole movie who has a head on his shoulders, suddenly, for absolutely no reason at all, decides he has to marry Margie!
He drags the minister up to the room he has just escaped from, but Margie doesn't want to marry him. He gives her a kiss, and now, after one kiss, she feels compelled to marry him.
Finally, Sam has the nerve to say to Tom, "You deceived me," when practically the only line Tom had to Sam earlier was, "We're not married," to which Sam replied, "You think I'd believe that?"
Idiotic.
Slow moving Slim Summerville and fidgety and flibberty gibbet Zasu Pitts did a series of B film comedies for Hal Roach. This is the first of them I've seen. I'm betting some of the others are better for both these performers.
I doubt anyone got near Niagara Falls for shooting, it just looked like a lot of background shots used.
Slim and Zasu are looking to recapture some of their youth in that most romantic of places Niagara Falls. Along the way they meet a young couple who've been thrown together by chance, Tom Brown and Marjorie Woodworth. Slim and Zasu get the idea these two are prospective bride and groom. Take it from there in this comedy of errors.
I have to say that Summerville was the most insistent of busybodies. Today no one would care if Woodworth and Brown were getting married or just shacking up. But it was a different age and that's what dates this film so.
What you normally see from Pitts and Summerville you get in Niagara Falls. For fans of the leads.
I doubt anyone got near Niagara Falls for shooting, it just looked like a lot of background shots used.
Slim and Zasu are looking to recapture some of their youth in that most romantic of places Niagara Falls. Along the way they meet a young couple who've been thrown together by chance, Tom Brown and Marjorie Woodworth. Slim and Zasu get the idea these two are prospective bride and groom. Take it from there in this comedy of errors.
I have to say that Summerville was the most insistent of busybodies. Today no one would care if Woodworth and Brown were getting married or just shacking up. But it was a different age and that's what dates this film so.
What you normally see from Pitts and Summerville you get in Niagara Falls. For fans of the leads.
First I want to start by saying that Niagara Falls is lovely even in black and white. Zasu Pitts and Slim Somerville play anxious newlyweds Sam and Emmy Sawyer...a farmer and a farmer's daughter who have wanted to marry for twenty years and finally did it. They arrive at the beautiful Niagara Falls misunderstanding a bickering young couple for newlyweds like themselves, Sam gives them their honeymoon suite thinking it will help solve their problems. Not only are the two not married but they don't get along, which they found out on the road where they met over a flat tire.
"Get away from me you wolf! You picked the wrong little red riding hood."
"Why I wouldn't pick you up if I was starving and you were a ham sandwich!"
He is a young bachelor enjoying being young and playing the field..."he who loves and leaves learns to love another day"...and she wants to get married young and have "oodles and oodles of children" with no divorce.
Misunderstandings abound as everyone thinks the young bickering couple is married...Sam goes so far as to lock them in the honeymoon suite together thinking this will help them work out their differences.
This was so great! Good comedy and an underlining love story. It's a short...and I just wanted more!
"Get away from me you wolf! You picked the wrong little red riding hood."
"Why I wouldn't pick you up if I was starving and you were a ham sandwich!"
He is a young bachelor enjoying being young and playing the field..."he who loves and leaves learns to love another day"...and she wants to get married young and have "oodles and oodles of children" with no divorce.
Misunderstandings abound as everyone thinks the young bickering couple is married...Sam goes so far as to lock them in the honeymoon suite together thinking this will help them work out their differences.
This was so great! Good comedy and an underlining love story. It's a short...and I just wanted more!
Did you know
- TriviaThis is one of the "streamliners" produced by Hal Roach in the '40s. He thought this new format of short features running roughly 45 minutes was the wave of the future. He was so sure that he discontinued the Our Gang and Laurel & Hardy series.
- GoofsWhen Slim Summerville is pulled off Zazu at about the 24-minute mark, she yells, 'Slim' instead of calling him by his character name, Sam.
- ConnectionsFollowed by Miss Polly (1941)
Details
Box office
- Budget
- $105,770 (estimated)
- Runtime
- 43m
- Color
- Aspect ratio
- 1.37 : 1
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