Sérénade à Mexico

Very cute movie! Movies that are this simple are very comforting. Life and people should be this simple, where a clunk on the head is all it takes to realize true love. There's something very blissful about the simplicity in that. Most people try to complicate everything, but these old movies were known for being comforting, because I guess they largely didn't try to complicate anything. Bread and butter kind of film.

And while it does have a lot of wacky trouble throughout, it all culminates to a very beautiful speech given by the older man in the film, summarizing perfectly, how older people wish to get back to youth , and the youth wish to rush to maturity. It is a bittersweet monologue on how there really is no perfect point in time, except where we are at the moment. True perfection is to live blissfully in the moment.

Wow, who would've thought such a simple kind of slapstick romcom could hold such a valuable life lesson?! As I've said before, there really is no such thing as a bad golden age of Hollywood movie. This is proof - being one of them that has been labeled with the BAD title- how good it actually is! If this is what constitutes a bad movie by old Hollywood standards, then what does that say about today's new movie standards?! Seriously!

On another note, Shirley Temple is so beautiful in this film! Yes, there is beauty in every age, but looking at her perfect features, unmarred by the wrinkles of time, I admit it does make me wish that at least those of us of the fair sex could stay perpetually maiden like.

Anyway, good film! Very good film.

"Honeymoon" is a bad film. It's not terrible, but it is bad--mostly because the humor is very forced and the film seldom entertaining. More bluntly put, it tries way too hard to be kooky.

The film begins with an annoying young lady (Shirley Temple) coming to Mexico to marry a serviceman. However, through a long series of unbelievable and annoying situations (mostly caused by her), instead of the marriage coming off successfully, the diplomat who tries to help her (Franchot Tone) ends up getting in very hot water with everyone--particularly his fiancée who THINKS he's making time with this other woman.

The film is bad--mostly because the studio didn't seem to know what to do with Temple. While she possessed great talent, here they made her character really annoying and shrill--so much so that America's Sweetheart is now an annoying lady who seems to behave like a 14 year-old suffering through her first crush. She is supposed to be a woman...but rarely seems anything like one.

This is an engaging little trifle, the kind of innocuous fluff that was a staple of the studios during the Golden Age.

Shirley Temple's films as a young adult are a mixed lot at best but this one does show off her genuine gift for comedy, certainly not as well as her next film The Bachelor and the Bobbysoxer would but she does handle her role here with a deft touch. Made when she was just eighteen it also shows that as a young girl she was quite a lovely lass.

Franchot Tone, that marvelous actor so often ill used by Hollywood, brings his exasperated charm to bear on his role of a put upon diplomat trying to help out Shirley and the young and impossibly handsome Guy Madison. Speaking of Guy, his role of the frustrated prospective groom doesn't really require much of him but earnest attractiveness and he fills that well.

All in all silly and light as a feather this confection breaks absolutely no new ground but does showcase its stars to pleasing advantage. What more can you ask from a slight entertainment like this.

Pretty teenager Shirley Temple (as Barbara Olmstead) arrives in Mexico City, where she is to marry handsome young Guy Madison (as Phil Vaughn). At the station, Ms. Temple reads a "Mexican Guide" which explains, "In Mexico almost everyone speaks Spanish," and advises her tipping is "not in vogue." After absorbing this helpful information, Temple learns Mr. Madison's flight has been delayed, from suave American consul Franchot Tone (as David Flanner). Madison arrives, and begins looking for Temple.

Meanwhile, Temple has forgotten to eat. She faints from hunger, and is rescued by Mr. Tone. After he feeds her, Temple finds herself oddly attracted to the "old-fashioned" older Tone, calling him the "Walter Pidgeon type." Then, they jitterbug.

The film continues to tease you about a sexual attraction between Temple and Tone. All along, you're fairly certain she will marry Madison. Confusion and misunderstanding between the threesome tries to make you laugh out loud. At best, the film filled theaters with a few tepid chuckles. The plot supposes Temple falls in love by landing on her man in a swimming pool. This is how she relates meeting Madison; the film's climax occurs when Temple, in a very modest two-piece, has a similar encounter with Tone.

*** Honeymoon (5/17/47) William Keighley ~ Shirley Temple, Franchot Tone, Guy Madison, Lina Romay

Frothy, bubbly romantic comedies are supposed to get off the ground and sail into the air with ease. No such luck with 'Honeymoon'. The whole story is a trivial bit of nonsense about a girl who elopes to Mexico City to find her serviceman husband and get married. When a vice consul attempts to help her, he gets caught in romantic complications of his own with a jealous fiance. And that's it.

The slim plot gets adequate performances from the three leads: Shirley Temple, Franchot Tone and Guy Madison. Madison is less wooden than usual and manages to add a likeable personality to his handsome good looks. Shirley pouts and speaks childishly of her love for him until she starts to fall for Tone. It's all very silly and quite predictable. All it does is pass the time in a modestly entertaining way but don't expect anything special. Shirley is even given a romantic ballad to sing but it doesn't sound like her own voice. Since this was made before Marni Nixon got busy, you have to wonder who it was.

Summing up: Passes the time pleasantly enough but worthwhile only for true Temple fans who want to see her as a pretty young woman.