Joies matrimoniales

When I put this movie on I was drowsy, and depressed. It did two things for me after I put it on. It kept me awake, thus entertaining me, and it put a smile on my face.

There are some genuine laughs in this movie, and the comedy is spread between all the characters. Robert Montgomery is extremely funny, with both excellent physical comedy, and great comedic timing with his dialogue. What surprised me most was the excellent comedic timing of Carole Lombard. She is extremely funny, but her chemistry with Montgomery in their scenes together is fantastic.

The direction, of course, is excellent. Not standard Hitchcock suspense, but classic Hitchcock comedy and romance, elements of his film making that a lot of people overlook.

Honestly, this is a fun movie. The humor is intelligent and never sinks to an infantile level. I had never heard of this movie until about two days ago, and I watched it and I was pleasantly surprised. 8 out of 10.

Even the talents of Lombard, Montgomery and Raymond can't really save this Hitchcock screwball comedy-curio. Some scenes are priceless - the scene in the Florida Bar where Robert Montgomery tries to make Carole Lombard jealous, and the scene where Carole Lombard gets Gene Raymond drunk are of the first rank - but more often than not the comedy falls flat. Whilst the plot of a comedy shouldn't have to bear too much scrutiny it should have its basis in truth, and unfortunately, here the characters fail to convince; in fact they become rather irritating and dislike-able. With Hitchcock directing and such a stunning ensemble of actors on show this has all the feel of a missed opportunity - its sum never fulfilling the promise of its parts. Shame. Though maybe worth watching just to see Lombard et al, strut their stuff.

Mr. Surif was wrong when he calls this Hitch's only venture into comedy, for "The Trouble With Harry" falls into that category as well. Not having seen all of Hitch's films, there could be others, for all I know.

Unlike "Harry", in which the peripatetic corpse gives the otherwise bucolic goings-on a zanily ghoulish air, "Mr. & Mrs. Smith" is an exercise in pure romantic comedy. Montgomery and Lombard work beautifully against each other, and the script is elegantly and effervescently witty. The opening scene, in which Hitchcock suggests the aftermath of a protracted and clearly energetic sexual romp, is surprisingly risque for its time, and far more erotically suggestive than some of the blatant stuff we see nowadays.

My only quibble is what I feel to be a rather unsatisfactory and hasty conclusion.

This is a good example of a movie that could be quite disappointing for anyone who had too many or too specific expectations for it. It's an Alfred Hitchcock movie, but it's not at all like any of his better-known films. The offbeat premise leads you to expect a 1930s-style screwball comedy, but instead it has a different brand of humor altogether.

The tone of the film blends together the screwball plot idea with Hitchcock's dry sense of humor and the upbeat charm of Carole Lombard. It's something of an odd combination, but it works all right as long as you don't have too many preconceptions.

Lombard and Robert Montgomery work well as "Mr. & Mrs. Smith", who find out at the beginning of the movie that they are not really married. Most of the story that follows moves at a decent pace, and although there are never any big laughs, there is some good material. It never really hits high gear, but once you get used to the pace, most of it works well enough.

It does slow down quite a bit towards the end, as things run out of steam, and this keeps the movie from being better. A grand climax in the screwball tradition might have made it a very good movie. Instead, as it is, "Mr. & Mrs. Smith" is a pleasant, generally amusing, slightly above-average romantic comedy.

It's unfair to look over this film because it is not a true Hitchcock film. It's still a great film, and a great screwball comedy. It is very funny and contains at least two of the funniest scenes I've ever seen, the one where Robert Montgomery plans to have premarital sex with Lombard, thinking she doesn't know that they aren't married, and the restaurant scene, where Montgomery pretends to talk to a really pretty girl who's sitting next to him. You can just barely see Hitchcock in this film - there are a few marvelous camera movements and angles that seem like Hitchcock was sighing, saying, "God, I'm bored!" The two leads, Carole Lombard and Robert Montgomery, are wonderful. Everyone else, Gene Raymond as Jeff and Jack Carson as Chuck (he's especially hilarious; I wish he had had even more scenes!), and everyone else, too, is constantly hitting bullseyes.

Unfortunately, in the last 20 or 30 minutes of the film, it begins to fall apart, after the plot moves to Lake Placid. First off, it's begins to grow tiresome. Lombard is starting to come off as unnecessarily cruel. The faux drunken mumblings of Montgomery aren't as funny as they're supposed to be. Jeff's parents are getting in the way. At least the final scene makes up for some of that! 8/10.