Deux nigauds aviateurs

One of the funniest of Abbott and Costello's early Universal films was Keep 'Em Flying which stuck with the tried and true formula established by Buck Privates.

The boys are working at a carnival with their pal Dick Foran who's a stunt flier. After a disagreement with management, all three of them quit and wind up in the Army Air Corps.

For Foran he gets to renew a personal rivalry with William Gargan who's an instructor who had fired Foran once before in a civilian flying job. They're both interested in the lovely Carol Bruce who sings great and is a USO hostess.

The boys are up to their usual monkeyshines. Seeing both of them on the back of a speeding torpedo was as funny as when they repeated the same gag on the back of a bucking bronco in Ride 'Em Cowboy. And seeing them hit the silk at the end of the film is indescribable.

Martha Raye plays a dual role in the film as twin sisters, one of whom likes Abbott and the other Costello. Of course poor Costello doesn't realize they're twins and Martha's on and off attitude towards him is baffling. Later on the same twin gimmick was used by Betty Hutton in Here Come The Waves.

Gene DePaul and Don Raye wrote the original songs for this film and actually came up with an Academy Award nomination for one of their songs, Pigfoot Pete which Martha Raye sings and which is incorrectly credited in Academy records to another Universal Film, Hellzapoppin'. It's not bad, but it's really a poor man's Boogie Woogie Bugle Boy. The best song in the film is one interpolated for Carol Bruce when we first meet her as a nightclub singer, the Tommy Dorsey standard, I'm Getting Sentimental Over You.

Keep 'Em Flying is right in the great tradition of Buck Privates and In the Navy and still as funny today as when first made.

Out of Universal Pictures comes Keep 'Em Flying starring the comedy team of Abbott and Costello with support from Martha Raye, Dick Foran and Carol Bruce. It's directed by Arthur Lubin with music by Charles Previn and was filmed on location at the Cal-Aero school in Ontario, California. Plot sees the bumbling duo and their stunt pilot pal Jinx Roberts (Foran) join the Army Air Force after getting fired from their positions at a carnival & air show. High jinx and love interests will of course follow.

The fifth film outing for Abbott and Costello, and their third featuring the armed forces after Buck Privates & In The Navy, Keep 'Em Flying is one of their better feature length productions. Tho somewhat surprisingly rather thick on plot, the piece is all the better for some narrative substance in that it lets us savour the slaphappy antics of the intrepid duo when their routines come alive. Action sequences to savour here include a runaway torpedo, a spooky carnival fun house and a short sharp shock treatment of Lou falling over his ankle grabbing pants. While there's quality in a dialogue driven skit that the boys perform in a Café-where we are introduced to the bright and bubbly Raye; playing twin sisters who each end up dating the boys. There's also some nice tunes penned by Don Raye & Gene de Paul, with the stand out being "Pig Foot Pete" that was famously nominated for an Academy Award but for the wrong movie (Hellzapoppin').

Funny, daft and even romantic, Keep 'Em Flying soars high enough to entertain the masses. 8/10

Their fourth starring vehicle of 1941, "Keep 'Em Flying" shows the wear and tear of the duo's busy year. The films production values are more skimpy; evidently by filming on location at Cal-Aero in Ontario, California, the producers felt they could cut costs. This doesn't help A&C's flying sequences with their poor rear projection or the rescue sequence at the end, with all-too-obvious miniatures. The real flying stunt sequences sandwiched around them, however, are done well.

What saves the film are A&C's performances and the interplay between Costello and Martha Raye, who plays twins in the film. There are some truly funny moments, but not enough to elevate the film among their best. 6 out of 10.

Blackie (Bud Abbott) and Heathcliff (Lou Costello) are the ground crew for barn storming pilot Jinx Roberts. They join the Air Corps as ground crewman where the fall for twin USO hostesses (Martha Raye).

The guys are still fun but they are stuck in a propaganda film for the military. I don't care about the Jinx story. So the movie is split into two. I enjoy the boys but when they're not on the screen, the movie stalls out. I also enjoy Martha Raye playing the duo role. She's great with the guys. I like half of this movie.

KEEP 'EM FLYING (Universal, 1941), directed by Arthur Lubin, marks the fifth screen collaboration of the popular comedy team of Bud Abbott and Lou Costello who, in this venture, take to the air and have quite a time staying on the ground. Previously appearing in the Army in BUCK PRIVATES (1941) and IN THE NAVY (1941), each featuring the Andrews Sisters, what logical choice to find them back in peacetime military comedy, this time with the Army Air Corps, with Martha Raye and Carol Bruce stepping in for the Andrews Sisters.

The story begins in a carnival where Jinx Roberts (Dick Foran) works as a daredevil stunt pilot. After getting fired by his boss, McGonigle (William B. Davidson), Jinx, along with his two assistants, Blackie (Bud Abbott) and Heathcliff (Lou Costello) enlist at the army air corps at Cal-Aero Academy. While there, Jinx immediately meets and falls in love with Linda Joyce (Carol Bruce), a USO hostess and singer, who has a jealous boyfriend (William Gargan) and brother (Charles Lang), who disapproves of him dating his sister, while Jinx and Heathcliff encounter confusion after meeting up with Gloria Phelps, who happens to have a twin sister, Barbara (both played by Martha Raye). In between these love matches comes a handful of Abbott and Costello routines and stunts that keep this film going at a fast pace for 86 minutes. There is also time out for music, featuring some popular 40s tunes of the day by Don Raye and Gene DePaul including: "I'm Getting Sentimental Over You" (written by Ned Washington and George Bassman/ sung by Carol Bruce); "Pig Foot Pete" (Sung by Martha Raye); "Keep 'Em Flying" (sung by Dick Foran); "The Boy With the Wistful Eyes" and "Keep 'Em Flying" (reprise).

Aside from the romantic subplots, the movie relatively belongs to Abbott and Costello who supply the story with their comedy highlights: The "Go ahead, order something" routine where Blackie and Heathcliff only have a quarter to their name and go to a diner where Blackie orders only a turkey sandwich and a cup of coffee, with the intention of splitting the order with his partner, but whenever the waitress (Raye) asks for Heathcliff's order and says he doesn't want anything, it is Blackie who coaxes him to order something, only to give him a slap in the face and tell him that no matter how much he coaxes him, he should refuse. This routine is further developed when the daffy waitress (Raye) gives Heathcliff a piece of cake on the house, and when she goes to the kitchen, the other, her serious-minded twin sister (Raye) returns to find Heathcliffe with the cake and insisting that he'd pay for it. Other highlights include Heathcliff in the tunnel of love with one of the twin sisters; Blackie and Heathcliff riding on a runaway torpedo all over the base, followed by a couple of scenes involving the comedic dual taking to the air via plane and creating unintentional stunts of their own before parachuting to safety. In spite of obvious rear projection backgrounds, these faults should be overlooked and simply enjoyed as originally intended.

Featured in the supporting cast are: Truman Bradley as Butch, and Freddie Slack and his Six Hits. Martha Raye, who adds twice as much fun playing twin sisters, each partnered with Bud and Lou, works well with the team. It seems a pity that she didn't get to work with Abbott and Costello again for that they make a wonderful trio. While a formula movie the plays strictly for laughs, it is Costello who gets his rare opportunity on screen to show himself on the serious side in one scene early in the story when he pleads with a major to give him a job so that he could serve his country. This sequence could have been a low point, but funny man Costello manages to make this brief moment followed by a patriotic speech believable and moving. He certainly was an original.

While KEEP 'EM FLYING might be considered extremely dated by today's standards, it still ranks one of the funnier comedies of the 1940s. KEEP 'EM FLYING is available on video cassette through MCA Home Video. Once presented on the cable television's The Comedy Channel in the early 1990s, it resurfaced on New Year's Eve, December 31, 2000, on American Movie Classics where it played occasionally for almost two years. (***)