A reporter investigates a pair of deaths connected to an antique chest falsely believed to be a counterfeit made by a forger known as the "Black Parrot."A reporter investigates a pair of deaths connected to an antique chest falsely believed to be a counterfeit made by a forger known as the "Black Parrot."A reporter investigates a pair of deaths connected to an antique chest falsely believed to be a counterfeit made by a forger known as the "Black Parrot."
Charles Waldron
- Paul Vantine
- (as Charles D. Waldron)
Sidney Bracey
- Ship's Steward
- (uncredited)
Kenneth Harlan
- Ship's Captain
- (uncredited)
Jack Mower
- Steamship Company Manager
- (uncredited)
Louis Natheaux
- Theophile Daurelle
- (uncredited)
Featured reviews
Fast-paced mystery programmer that times in at exactly one hour, this one doesn't give you any time to grow bored, as a piece of forged Chinese furniture turns out to be real. Eddie Foy Jr. is great as the fast-talking sidekick and the plot veers in unexpected direction. William Lundigan is earnest and stiff as always, but even the butler speaks fast in this one.
...not great. The premise of a stolen antique is somewhat different for this low budget war-era mystery. Could have been better, but the leading man is too stiff and the murders come too late despite the fast pace. Worth it only to see some ingenious means of death by furniture and to learn why the name of the criminal is the Black Parrot.
In the 1930s and 40s, Hollywood made hundreds, if not thousands of cheap B-mystery movies. Most have a certain sameness about them--and "The Case of the Black Parrot" is no exception. What do they have in common? Well, usually the police are pretty dim and it takes a non-professional (often a newspaper man or woman) to solve some murders. They also usually have the most convoluted plots and schemes. Because this film is so typical, I cannot highly recommend it...but it's not terrible.
The case involves a piece of furniture being shipped from France to the Unites States. But later, folks involves with it start dying...with marks much like snake fangs on the back of the hand of the victims. So, it's up to (naturally) a bright newspaper man (William Lundigan) to put the clues together and capture the baddie...though the baddie pretty much just turns himself in at the end. Few real surprises and, of course, a fantastical sort of way of killing people.
The case involves a piece of furniture being shipped from France to the Unites States. But later, folks involves with it start dying...with marks much like snake fangs on the back of the hand of the victims. So, it's up to (naturally) a bright newspaper man (William Lundigan) to put the clues together and capture the baddie...though the baddie pretty much just turns himself in at the end. Few real surprises and, of course, a fantastical sort of way of killing people.
Lacklustre whodunit from Warners. Plot concerns a valuable antique cabinet being brought back from France to US. The furniture item appears a mysterious piece of work that may or may not be a copy of the real thing. Reporter Moore (Lundigan) and ditzy photographer Tripod (Foy Jr.) get involved with the cabinet and an exotic someone calling himself The Black Parrot. Soon a series of mysterious deaths occur surrounding the furniture piece. Is the Parrot responsible and just who is he really.
It's a typical amateur sleuth programmer from that period. Unfortunately, the results are dimmer than most. Only the unknown method of killing registers as imaginative. Otherwise, the acting, visuals, and script are pedestrian, at best. Moreover, I don't recall a single scene not taking place on a set. It's a real cheapo for the otherwise respectable Warner Bros. I suspect the project was mainly to showcase pretty boy Lundigan-- who parades through his part-- in hopes of advancing his career. If so, I doubt that it worked for him any better than it does for the audience.
It's a typical amateur sleuth programmer from that period. Unfortunately, the results are dimmer than most. Only the unknown method of killing registers as imaginative. Otherwise, the acting, visuals, and script are pedestrian, at best. Moreover, I don't recall a single scene not taking place on a set. It's a real cheapo for the otherwise respectable Warner Bros. I suspect the project was mainly to showcase pretty boy Lundigan-- who parades through his part-- in hopes of advancing his career. If so, I doubt that it worked for him any better than it does for the audience.
A stylish programmer. William Lundigan is always appealing and Maris Wrixon is generally fun to have around, if only for her name (though here she is quite good.)
The plot is elaborate and somewhat preposterous. And I guessed the mystery within the first few moments. But it's chic and nicely turned out for a cheapie.
The plot is elaborate and somewhat preposterous. And I guessed the mystery within the first few moments. But it's chic and nicely turned out for a cheapie.
Did you know
- TriviaThis was one of the rare leading roles offered to Lundigan under his long-term Warner Brothers contract. Most of his assignments were supporting roles alongside such better known Warner names as Erroll Flynn and Olivia de Havilland.
- GoofsIn the first ballroom scene, when Colonel Piggott fills his pipe and is manipulating it to be lit, tobacco can be seen flying out of the top of the pipe.
- Quotes
Tripod Daniels: Jim, don't go in there alone. Here, take my gun!
- ConnectionsRemake of The Pursuing Vengeance (1916)
Details
- Runtime
- 1h(60 min)
- Color
- Aspect ratio
- 1.37 : 1
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