The Garden Murder Case

S.S. Van Dine must have been a shrewd businessman in dealing with Hollywood. Most of the film series' from the studio days were usually confined to one or two studios. But apparently Van Dine must have sold his rights to each book about Philo Vance one at a time. Note that Paramount, MGM, Warner Brothers, and more all released Philo Vance films. Only Tarzan seemed to get around Hollywood more.

MGM produced the Garden Murder Case and starred Edmund Lowe as the fashionable detective. Of course MGM had the screen's original Philo under contract at the time, but Bill Powell was busy doing The Thin Man at the time and I guess Louis B. Mayer decided to concentrate him there.

Edmund Lowe is a pretty acceptable Philo Vance. Lowe had started out pretty big at the tail end of the silent era with What Price Glory and then with a string of films with Victor McLaglen with their Flagg and Quirt characters. But after McLaglen got his Oscar for The Informer, Lowe seemed to fade into the B picture market.

The Garden Murder Case involves three separate victims, Douglas Walton, Gene Lockhart, and Frieda Inescourt. The sinister atmosphere around the perpetrator kind of gives it away, the mystery is really how all the killings are connected and how they are accomplished.

I will say this though. Vance takes a very big chance in exposing the villain and the last 15 minutes are worthy of Hitchcock.

This mystery involves the death of three people that may be suicides and again might be murder. The dead are - a jockey, a wealthy corrupt man who was hated by many, including his own family, and a woman who called the police and said she could tell them something about the death of the corrupt man.

These Philo Vance mysteries from 1930 to 1940 are all over the place as far as the persona of the titular character, the pace, and even the studio at which they were made. In this entry, Philo Vance is played by Edmund Lowe who gives a dapper and restrained performance, much along the lines of William Powell's interpretation of the character in the four Philo Vance films in which he starred. Lowe's portrayal brings out the detective's wit, charm, and sharp intellect, capturing the essence of Vance's original literary persona. Also, this Philo Vance loves dogs!

A negative aspect of the production is the pacing occasionally slows down in certain scenes. Additionally, a few characters receive less development than others, leaving their motivations feeling slightly underexplored. A positive aspect is that in this film Vance's resolution to the mystery does come from the various clues he uncovers, not pulled from almost thin air as was the situation in the Dragon Murder Case.

I really liked the performances in this one, especially Edmund Lowe as Vance although I couldn't figure out why he would begin to fall for the murdered Hammle's niece and heir, Zalia. At best she is someone who blows hot and cold on relationships - she impulsively breaks an engagement with somebody because he is a bit naive. And at worst she could be the murderer!

Philo Vance is back with a new face and minus that thick accent he had in the last film (ha!). This time Vance is investigating strange suicides. The best part of the movie is the return of Etienne Girardot as coroner Dr. Doremus. This wonderful actor steals every scene he's in. He was previously in two Philo Vance films in a row, The Kennel Murder Case and The Dragon Murder Case. But then he was noticeably absent in The Casino Murder Case. His part was played by a dull actor with no flair for comedy. This marks his return to the role but sadly is also the last time he'll play it. By coincidence or not, the three Vance films Girardot are in also happen to be the best three of the series.

The rest of the cast is solid. Edmund Lowe is not as well-known as William Powell or even Warren William, but he's charming and good with comedy. If you get a chance to see it, check out the underrated gem Espionage (1937) that he stars in. He's wonderful in that. The supporting cast here is pretty impressive. Great character actors Nat Pendleton, Gene Lockhart, H.B. Warner, Jessie Ralph, Henry B. Walthall, and Grant Mitchell -- nice lineup. Also beauties Virginia Bruce, Frieda Inescort, and Benita Hume, who would go on to be Mrs. Ronald Colman and then Mrs. George Sanders! This also happens to be the film debut of Kent Smith, leading man of the Cat People movies. This is a good B detective flick with a short runtime and quick pace. It's not the best of the series but it's up there. It's a shame Lowe didn't play Vance anymore. The series badly needed a steady actor in the role.

EDMUND LOWE (who reminds me somewhat of Warren William), heads the nice cast of an interesting little mystery that moves at a brisk pace and runs just a little over an hour.

Douglas Walton plays the unlucky jockey who appears to be intent on his own demise (hypnotism, anyone?), and the suspects include a good number of the supporting cast--everyone from Virginia Bruce, Kent Smith, Frieda Inescourt, Gene Lockhart, Jessie Ralph, Benita Hume, Rosalind Ivan and H.B. Warner. As an added bonus, there's Nat Pendleton as a dimwit detective--and furthermore, get a load of that art deco set decoration for the fancy interiors of a wealthy home. Must have been a set that was used in many a subsequent film.

On the plus side, the mystery is not so complicated that anyone can follow the plot with reasonable assurance of not being too baffled. It's all suddenly clear to detective Philo Vance--and then he has a final confrontation with the murderer that gives the film a nifty five minutes of unmitigated suspense.

Nicely done and passes the time in an entertaining manner.

Depressed race jockey Floyd Garden falls off his horse. His dying words are, "I've got to fall... I've got to break my..." Gentleman detective Philo Vance (Edmund Lowe) investigates the apparent suicide. A shot rings out and Edgar Lowe Hammle is found dead. It's another assumed suicide.

It is a lot talking in an old fashion whodunit mystery. Edmund Lowe is a playing classy older gentleman. He has little flourishes, but it is mostly a gentlemanly front. He and Zalia Graem are a fine coupling, but not anything great. I don't think that I'm following every detail, but the general idea is fine. There are so many characters. This is fine.