L'aigle des mers

What really makes "The Sea Hawk" good is the great adventurous story. It's filled with action, romance and adventure. A true swashbuckler.

Errol Flynn really is one superb hero. Not only has he got the right looks but he also was a very talented actor who unfortunately died far too early at the age of 50.

I also love how the rest of the characters are portrayed such as Elizabeth I and the 'gentleman' villains. Also the love story is done good in a non-distractive way and Brenda Marshall really was one beautiful woman!

Still its funny to see how much more polite the English are portrayed than the Spanish. Not only do they politely capture all the Spanish soldiers but they also find time to free all the galley slaves and take them ALL on their ship back to England. It really is funny to see how black and white the story is at times. But this is really my only small point of critic about this movie.

A very entertaining adventurous swashbuckling movie with some wonderful music by Erich Wolfgang Korngold. After more than 60 years it hasn't lost any of its power and therefor is recommendable to everyone, even those who aren't familiar with 'classics'.

9/10

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It's Erich Wolfgang Korngold who carries "The Sea Hawk". He picks it up at the first frame with a rousing trumpet fanfare; he follows the story all the way from England to Panama, where a kind of syncopated not-jazz-exactly with saxophones makes its way into the score; he even bursts into song (well, not him personally) when Captain Thorpe's and his crew win through to freedom - and, after so much musical participation, that moment when the sailors become a chorus never strikes me as unnatural.

Korngold's brisk motion would count for nothing if the actors or the direction or the story were lethargic, of course - and they aren't. Errol Flynn plays an "I know I'm breaking international law, but hey, I'm charming and dashing and the Spaniards aren't" role - and hey, he IS charming and dashing, and the Spaniards aren't. A lot of films are described as roller-coaster rides. Many of them are just one thing after another, and don't feel at all like a single ride in a single vehicle. With "The Sea Hawk", I'm not sure about the vehicle, but we ARE taken on a single, swift ride. Few adventure films can beat it.

In "The Sea Hawk", hero Errol Flynn, director Michael Curtiz, and composer Erich Wolfgang Korngold provide great entertainment very similar to that in their earlier classic that starred Flynn as Robin Hood. Supporting actors Alan Hale, Claude Rains, and Una O'Connor also are back, joined by Brenda Marshall, Flora Robson, and Henry Daniell. The movie provides rousing action, a good story, and some memorable characters.

Flynn's character is Geoffrey Thorpe, who is a "sea hawk", a privateering ship captain in the late 1500's indulged by Queen Elizabeth (Robson) and allowed to raise havoc with Spanish shipping in a time when Spain's dominance was at its peak. The story in "The Sea Hawk", like the action in "The Adventures of Robin Hood", is loosely based on historical circumstances, although this time the tone is often more serious. This film is in black-and-white instead of Technicolor, giving it a different feel. (There is a very nice touch when the scenes in the New World are tinted in golden-brown, an effective way of emphasizing the different setting.) There are also extensive scenes of the suffering and humiliation experienced by the English galley slaves imprisoned by the Spanish fleet, instead of the very brief scenes of Saxon suffering in "Robin Hood". But the main emphasis is still on the swash-buckling action that made Flynn so popular.

There are ship-to-ship fights, chases, escapes, and of course sword fights. Flynn's charisma and infectious good nature are usually enough to carry even far-fetched action, and here the story itself is more than good enough to be worthwhile in its own right. "The Sea Hawk" is good, classic entertainment.

What a year for swashbucklers 1940 was!

Fox made THE MARK OF ZORRO with Power, Rathbone, and Cavens, and

Warners made THE SEA HAWK with Flynn, Daniell and Ralph Faulkner.

The Sea Hawk offers much to delight the audience -- most of the team from the

Adventures of Robin Hood are here again in top form.

Most notable, of course, is Errol Flynn. Appearing here in a more mature

incarnation than Captain Blood or Robin Hood and before the dissipation

of his later years set in, this is THE Errol Flynn.

Based on the exploits of Sir Francis Drake, The Sea Hawk unfurls its flag

against the backdrop of England's struggle against the Spanish armada, (and

more pointedly, the Allies' struggle against the Axis, as evidenced by Elizabeth's

final speech). Superb BW cinematography, Korngold's magnificent score, lavish

sets and costumes, and the intrigue-laden script make this a perfect film for a

popcorn night on the sofa with your significant other, all punctuated by great

battle sequences and that blinding final rapier duel between Thorpe and

Wolfingham. If at all possible find the restored British print with 18 additional

minutes and the Panama sequence in sepia tone.

While among the finest of Hollywood's swashbuckling classic films, the fine performances of its stars are still eclipsed by the rousing musical score of Erich Korngold. His music is timeless and an outstanding example of Hollywood's least appreciated contributors- the composers of film music. The art of film scoring, matching each scene with just the right music, has never received the recognition and accolades it truly deserves. The contributions of Korngold, Alfred Newman, Victor Young, John Barry, Henry Mancini, Maurice Jarre, John Williams and countless others are incalculable to the success of the films they scored. When Dorothy Hamill won her Gold Medal for Ladies Figure Skating at the Winter Olympics, she skated to music from "The Sea Hawk." Korngold's classic score was still fresh and stirring decades later.