The Extraordinary Seaman

The Extraordinary Seaman finds David Niven once again carrying the burden of a really botched film concept with his extraordinary charm. No actor was ever asked to work with less material than Niven did in his whole career.

The film is best described as a combination of The Ghost And Mrs. Muir, The Canterville Ghost and The African Queen all taking place in the Pacific Theater during World War II. Four American seaman Mickey Rooney, Jack Carter, Mana Tupou and their Lieutanant Alan Alda are on a life raft after their ship was sunk. They drift to a small island in the Phillipines and find a beached craft from the previous war with its captain David Niven who looks positively immaculate in his dress whites from the British Navy considering the heat and humidity of the tropics.

With a battery borrowed from plantation owner Faye Dunaway who would like some transport to Australia for her efforts, the American sailors set sail with Niven who will take them, providing he gets the opportunity to sink a Japanese warship. Trust me, Niven's got some really good reasons for wanting this so badly.

This dud of a film is a surprise coming from someone like John Frankenheimer who did such things as Birdman Of Alcatraz, The Train, Grand Prix, and Seven Days In May to name a few. Frankenheimer comes up so short in The Extraordinary Seaman as compared to those masterpieces and others. The situations are forced and labored and the comedy falls flat. Not enough use was made of Mickey Rooney and Jack Carter, both of them extraordinarily funny people.

But there's nothing extraordinary about The Extraordinary Seaman.

TCM recently ran the legendary EXTRAORDINARY SEAMAN with David Niven Alan Alda and Faye Dunaway, not to mention Mickey Rooney and a few other great character actors.

This is a really bad movie, not fun, just bad. The premise has Niven as a dead sea captain haunting a boat until he does a heroic act (Its WW2 and he's been dead since WW1). He's always in white and constantly drinking and never eats. Eventually he confesses his state to Alda who is a high strung CPA who can't figure out whats wrong with the Captain. Intercut with the funny footage is newsreel material cut mixed with witty lines and odd music. Its almost like MASH in some technical ways (the camp announcements say relating to the newsreel narration) but the effect is a stone faced silence. I kept going on with the film to see what was wrong, and its purely the fault of the direction which treats the material too realistically, and Alda who's patented shtick and mannerisms are completely wrong (think MASH at his silliest). How Alda survived this horrible miscasting amazes me, but then weirder things have happened.

Not quite one of the all time stinkers that the Medveds once dubbed it in their 50 Worst Films book, but its bad

John Frankenheimer directed some truly great films in the 1960s, including BIRDMAN OF ALCATRAZ (1962), THE MANCHURIAN CANDIDATE (1962), SEVEN DAYS IN MAY (1964), and THE TRAIN (1964). THE EXTRAORDINARY SEAMAN (1969) is a rare foray into comedy for the director, who'd found such success with dramas and thrillers.

THE EXTRAORDINARY SEAMAN is one of those sloppy experimental comedies from the 1960s. An anti-"war movie" (rather than an "anti-war" movie). Irreverent, satirical, but a bit messy and undercooked. It's certainly not a great film, but it has its merits. The stylistic conceit of incorporating vintage newsreel footage (with faux newsreel narration) into the story is an interesting touch. The patriotic newsreel montages create an ironical juxtaposition with the decidedly unheroic circumstances of the main characters. Maurice Jarre's bouncing score adds a quirky edge to the wartime setting and keeps things lively.

The plot: A motley group of shipwrecked American sailors (led by a young Alan Alda) comes across a dilapidated British naval vessel and its eccentric and mysterious captain, played by David Niven. The lovely Faye Dunaway joins the crew as they pull out of the Philippines and head out to sea during the final days of WWII. Hijinks ensue.

Mickey Rooney plays one of the sailors and suspects that everyone is a Jap spy. Despite a rather weak script, David Niven gives an enjoyable performance. I liked the casual way he'd report that Alda fell overboard.

During the '60s filmmakers liked to experiment with unconventional storytelling. THE EXTRAORDINARY SEAMAN is an atypical film from John Frankenheimer. The novelty of the newsreel footage gives the film a unique personality, but the madcap editing comes off as messy sometimes. There are some good creative ideas, but the finished movie lacks focus. The result is a little-known curiosity with some recognizable names attached. A mediocre movie, perhaps, and certainly not up to the director's standard, but I think the IMDb community is being too harsh on it (a 2.5 rating?!).

Long ago, in a galaxy far, far away, before there was the direct-to-video market, people who made howlingly bad films had just one way of mitigating the financial loss. That was to send bad movies to small towns where people would pay to see ANYTHING at a movie theater, because there was nothing else to do. (We're talking about the pre-cable, pre-VHS, just 6 channels on TV days, folks!)

This is how I came to see "The Extraordinary Seaman" in a double-bill with "Krakatoa East of Java" in Lancaster, California in 1969 when I was 13 years old. This has to rank as one of the most awful pairings of movies of all time.

It's funny, because for all that I can recall this movie as being incomprehensible, boring to the point of inducing numbness, and funny only in unintentional ways, Alan Alda stood out in it as the only bearable element. (I know Faye Dunaway and Mickey Rooney are credited in the movie, but I cannot for the life of me remember anything about what they did, which is probably a good thing.) This is not to say that his performance was good. It wasn't, that was impossible, this movie was so bad. This movie's most redeeming feature was that it inspired practically the whole theater to throw popcorn at the screen and to add an audience soundtrack of groans and hisses and boos and hoots, and that was fun.

What it left me with is an indelible memory of what a backwater Lancaster, California was in the days before the Antelope Valley Freeway was built: we were the kind of small town where bad films were sent to eke out a little revenue for the people involved. I think about that every time I see some direct-to-video movie in the rack at the supermarket check-out stand.

And I'm devoutly thankful for all the options we have now to avoid seeing movies like "The Extraordinary Seaman."

Faye Dunaway may be many things, but "fun" rarely comes to mind. She was seductively clever in Richard Lester's "Musketeers" pictures, she had a squirrelly fashionista presence in "The Thomas Crown Affair", and she projected a loose, warm personality in "Don Juan DeMarco". Here, in her younger years, she's a cool blonde shiver, calculating and aloof. The film, barely released by MGM, involves a group of military personnel circa World War II who are stranded on an island in the Pacific, coming upon a mystical sea captain and his creaky barge. Separated--for no apparent reason--into SIX acts, and interspersed with actual newsreel footage from the period, one has to assume the final cut was taken out of director John Frankenheimer's hands. Most of the actors look positively baffled. As for the placid Ms. Dunaway, she remains shockingly unruffled by the inane plot and the silly dialogue. NO STARS from ****