Pinocchio

Last night I watched Pinocchio, Disney's second feature-length film and in my opinion one of the studio's best features. Based on the 19th century book by Carlo Collodi, but not half as unpleasant, Pinocchio combines winning animation with great humor and excitement. There are songs, but they're never like the huge production numbers that last four minutes and feature the voice of some up-and-coming princess of pop (who'll be gone in a year) that the studio later adopted with the applicable exception of When you Wish Upon a Star. My favorite song is "Little Wooden Head" which is featured in the beginning and is a truly wonderful scene as Gepetto and Figaro play happily with the new puppet.

The movie takes a sadistic, cruel, heartless little wooden boy (Collodi's character) and turns him into an interesting, 3-dimensional kid with a good heart but who is weak-willed and doesn't always listen to reason. The animation makes brilliant use of the multiplane camera, featuring a sprawling opening sequence in which the viewer practically sees the entire village at night. The characters are colorful and fun (I especially love Honest John Foulfellow and his sidekick Gideon) and the story has never a dull moment. This film is a reminder of the sort of efforts Disney put int o their films; the man himself had a great storytelling passion that was lost in later works (Alice in Wonderland, 101 Dalmatians). Pinocchio was never as famous as some of the others, and this is unfortunate because it is his masterpiece.

Pinocchio is a true classic in the world of movies. Pinocchio is based on the Italian story about the puppet who became a real boy. Pinocchio is one of Disney`s finest and it beats all the new ultracommercial cartoons, which the company produces nowadays. The story is good, the characters are very likable and warmhearted, and the music is sheer perfection. These old Disney classics are cartoons that are suitable for the WHOLE family, not just the small kids. Watch it, and prepare to be stunned! 9/10

Darker in tone than most Disney animated features (except for 'Hunchback of Notre Dame'), 'Pinocchio' came shortly after 'Snow White' and showed marked improvement in the art of animation technology to produce startling special effects.

The first twenty-five minutes alone raise the film to the level of true animation art. Gepetto's inventive clocks come to life as realistically as any real-life photography could do. The warmth and cosiness of his dwelling and the charming shenanigans of Figaro the kitten and Cleo the goldfish, are all perfectly realized. The imaginative use of music and animation art is never finer than in these opening scenes.

Afterwards, as the plot thickens, the special effects are just as impressive. The scene of Gepetto searching for Pinocchio with a lantern on a rainy night after he has been captured by Stromboli is unforgettable imagery. The wagon lurching along roads with Pinocchio in a cage is a frightening thing. Even darker are the adventures that await Pinocchio when he reaches Pleasure Island. The scene of the boys turning into donkeys is probably one of the most awesome and frightening moments in the film.

Altogether charming are the underwater sequences before the meeting of Monstro the Whale. The climactic chase after the escape from the belly of the whale is handled brilliantly. The music perfectly accents the dramatic chase for this sequence and the songs throughout are in keeping with the mood and characters of the story. It is the sharp contrast between the lighter moments and the darker ones that gives the film a correct blend of fantasy and horror.

Parents should be cautioned that very young children may be frightened. Has to be considered one of the most beautifully animated Disney features of all time. A treasure to see again and again.

I think Pinocchio is Disney's best animated movie ever made (as already speculated by many other cartoon fans). The movie just so happens to be an artistic advancement over Snow White, the movie of which the Disney artists initiated their most expensive animation techniques at the time. Pinocchio is partially known as the film of which they successfully mastered the multi-plane camera filming, which gives the background art breathtaking strokes of realism.

Pinocchio has much more than beautiful artwork. It also has creative writing (borrowed respectively from the original novel), great character development, fresh humor, wonderful music, and emotional impact.

Every character, ranging from Pinocchio and Jiminy Cricket to Stromboli, the Coachman, and Monstro, has helped make this a milestone in American filmography. I like Pinocchio, because his innocence is used instead of ignorance as the cause for his downfall in both incidents (first with Stromboli, and later with his trip to Pleasure Island). This personifies how many bad things we might do in life are derived from our GOOD intentions, instead of bad. But my favorite character would have to be Jiminy Cricket, who's probably the smartest character in this whole presentation.

The story itself is so emotionally compelling, one would wonder if Carlo Collodi used the Bible for a little inspiration. A lot of what we see in Pinocchio would seem like it. The protagonist (Pinocchio) is brought to life upon his dad's (Geppetto) wish, but must prove himself a good person before he can become a real boy. The one who witnesses his coming-to-life (Jiminy Cricket) is appointed his conscience by the life-bearer (The Blue Fairy). Pinoke is tempted to do bad, what seems good at the time (by Honest John, Gideon, Stromboli, and the Coachman), and befriends one who is eventually condemned from following the wrong path (Lampwick). Pinoke narrowly escapes from being completely condemned, and has to use his mind to save his father from the beast (Monstro). Along with Figaro & Cleo as supporting players, this storyline goes on and on bringing joy where there's joy, grief where there's grief, fear where there's fear, and so on, to the point of stimulating the notion that Pinocchio is a morality tale derived from the Bible. We may never know for sure.

Walt Disney has conquered the art of retelling classic novels more than twice, and here he especially succeeds with flying colors. Pinocchio went on to win 2 Academy Awards following its 1940 debut, and several other states of recognition as recently as the mid-1990's. This is also one of the many pieces of evidence proving how wonderful Walt was (despite scorn from cynics, serious critics and fun-hating intellectuals).

Pinocchio truly is a milestone, not just in American animation, but American filmography in general. But beware: the current Disney Studio has been churning out terrible sequels to vintage animated films. They already got Peter Pan, Cinderella, and Lady and the Tramp, and more are due in the near future. We must make sure that Disney doesn't destroy this movie. As I said in my Sleeping Beauty review, some people just don't know when to LEAVE WELL ENOUGH ALONE. Again, Pinocchio is a masterpiece that has touched the hearts of the past few generations, and will continue to do the same for many future generations.

Pinocchio is my favorite movie since I was a child. We can learn many important things that we living for a human from this movie. For example, we donft tell a lie, we don't escape toward an easy thing and what we have courage and so on. I'll never forget the goddess of star say One lie leads to another, and you don't cover the lie in the end. I felt that I don't wont to tell a lie in my childhood. My favorite scene is the scene where Pinocchio go help his father Gepetto in the sea. I think that it is brave of him to fight with a monster whale because he helps his father. And I was impressed with cricket of Pinocchio's conscience. He always helps Pinocchio and lead Pinocchio for good way. It is superb what the goddess of star is always watching Pinocchio in the night sky too. I rated this movie at 9/10.