Blanche-Neige et les Sept Nains
- 1937
- Tous publics
- 1h 23m
Exiled into the dangerous forest by her wicked stepmother, a princess is rescued by seven dwarf miners who make her part of their household.Exiled into the dangerous forest by her wicked stepmother, a princess is rescued by seven dwarf miners who make her part of their household.Exiled into the dangerous forest by her wicked stepmother, a princess is rescued by seven dwarf miners who make her part of their household.
- Nominated for 1 Oscar
- 13 wins & 6 nominations total
- Snow White
- (voice)
- (uncredited)
- Prince
- (voice)
- (uncredited)
- The Evil Queen
- (voice)
- (uncredited)
- …
- Doc
- (voice)
- (uncredited)
- Huntsman
- (voice)
- (uncredited)
- Dopey
- (voice)
- (uncredited)
- …
- Sleepy
- (voice)
- (uncredited)
- …
- Birds
- (voice)
- (uncredited)
- Sneezy
- (voice)
- (uncredited)
- Happy
- (voice)
- (uncredited)
- Squirrels
- (uncredited)
- Yodeling
- (voice)
- (uncredited)
- Doves
- (uncredited)
- Bashful
- (voice)
- (uncredited)
- Raven
- (uncredited)
- Magic Mirror
- (voice)
- (uncredited)
- Birds
- (voice)
- (uncredited)
Featured reviews
This has classic written all over it. Disney's first major feature, the grand debut, cements the major features of those to come. It draws from very dark but fantastic material, Grimm's Fairy Tales, and alternates scenes of evocative darkness (the Queen's castle, the man sent to cut Snow White's heart out, and the forest that's alive, are some brilliant examples) with scenes of superlative cuteness and song and dance numbers.
Drawbacks:
There are some beautiful compositions, but the movement of the animation is not as fluid as it would become, even with Pinnochio, Disney's very next feature. Plus, the singing styles are very 1930's opera-style. I can see why i always used to just think of songs during musicals as things i had to wait through till the story got going again - its because almost every song in Snow White doesn't advance the story. Great musical numbers, like the ones in West Side Story, do. They don't feel like we're just waiting around. When most of the Snow White songs come on, the story gets put on hold.
Snow White is too naive, plain and perfect a character to hold our interest these days. Contemporary audiences just don't worship "perfect" people like this. Plus, the attempts at animation of real people is not good. Snow White and the Prince in particular just don't work - whereas the cartoony dwarves really come alive. Try watching her face when she talks.
Highlights:
All of the Queen's scenes are absolute gems, actually. And the dwarves are great. Seven great characters.
One of the best things Disney ever did was the Queen's angry walk down the staircase to the dungeon, and her subsequent making of a potion to transform herself into an old witch. The way the liquid she's mixing comes alive is fantastic, and the close-ups on the crow sitting on the skull are a nice touch.
The poison flooding towards the centre of the pot, engulfing the apple, and the jack o'lantern face on it afterwards.
Some of Disney's most classic songs come from Snow White: Whistle While You Work, Heigh Ho (its off to work we go), and one of the most beautiful Disney songs ever, Some Day My Prince Will Come.
There's also a very memorable piece of theme music that plays during the climactic storm scene.
10/10. An essential, marvellous work. A thing to see.
There must have been tremendous pressure on everyone involved in the making of Snow White, but they did not disappoint. The end result includes a timeless story, classic songs, and beautiful imagery that will live on for future generations to enjoy. In fact, this was only the second movie that captured my nieces' full attention spans (The Lion King being the first).
In my opinion, the story was great but not perfect. It's not as exciting or filled with as much witty remarks as today's animated features, but as soon as the dwarfs are introduced, the movie takes on an endearing lighter side. For the record, my favorite dwarf is Doc, because I can relate to him being a strong leader with some very humanistic follies, such as always getting tongue-tied (I do that myself all too often). All the songs stand out in their own way. `Some Day My Prince Will Come' is a classic, fairy-tale ballad. `Heigh-Ho,' `Dig, Dig, Dig,' and `Whistle While You Work' are great songs to pick up your spirits when you have to go to work, do chores, or do homework. And my favorite, `The Silly Song,' is just a great, catchy, and funny song. As for the imagery, it's just breathtaking, especially considering how early it was introduced. The colors are rich and lively, and the multi-plane camera does add some great depth to the movie.
As you can tell, for an animation and Disney fan like myself, Snow White is a perfect milestone in the movie world. Even compared to the animation and storytelling styles of today, Snow White still stands the test of time. Kudos to everyone involved in this picture as their work will live on forever.
My IMDb Rating: 10/10. My Yahoo! Grade: A+ (Oscar-Worthy)
Along with a splendid cast of voices headed by Adriana Caselotti (Snow White) Harry Stockwell (father of Guy and Dean, as the Prince) and Lucille La Verne (The Queen), there are songs which can truly be called timeless: "Whistle While You Work", "Heigh Ho", "Some Day My Prince Will Come", etc.). Much time and effort went toward developing the characters of the Seven Dwarfs and giving each a distinct personality (absent in the original story) which went a long way in making audiences care for Snow White's plight. Interestingly enough, although the fairy tale was toned down considerably to make it more "family friendly", the overzealous way in which the film makers transformed the Wicked Queen into a hideous hag at the climax was the subject of an incredible amount of controversy at the time. In fact, it was under a partial ban in England which made it off-limits to children under 16 years of age! Nevertheless, it was the recipient of a special Academy Award in 1938.
To go on about the impact made by the film would be redundant. It simply must be seen to be appreciated. In 2001, it was released on DVD as the first of Disney's "Platinum Editions". And many months before it was in stores, there was great speculation about the content. All the anticipation was justified when the DVD finally arrived. Critics and consumers were overwhelmed (just like the audiences back in 1937) with both the content and the painstaking restoration (beyond that done for it's 50th anniversary reissue) and made it THE DVD for the subsequent holiday season. Without going into detail, it looks as if it were made yesterday, and sounds better than a film of this vintage could ever be expected to. But the streamlining has not diminished it's charm--only accentuated it. And when you think (before you are drawn into the story, and you ARE) that "Snow White", unlike today's computer-drawn animated features was entirely done by hand, that makes it even more of a miracle.In one scene, when Snow White is scrubbing the steps of the Castle, and pours water from a bucket on them, the effect is remarkable-and that one, near the beginning, is just one small sample of the film's artistry.Back to the DVD. Instead of listing the already well publicized bonus features, let me say that this "Platinum Edition" is like a self-contained history of the film, with hours worth of delights the most astounding being a pieced-together commentary by Walt Disney himself. Out of print for years, it is well worth the effort and expense to find. And although Disney made it a point to announce that they planned to go even further with their subsequent "Platinum Editions", they have yet to top this one. And I doubt they ever will. Incidentally, this year marks the film's 75th anniversary, and I can think of no better way to celebrate this movie milestone than picking up Professor Kaufman's beautiful new books The second volume '' Snow White And The Seven Dwarfs:The Art And Creation Of Walt Disney's Classic Animated film''is also published by Weldon Owen/Disney Press.It's a very extensive and fully detailed catalog of the ''Snow White'' exhibition,(currently at the Walt Disney museum in San Francisco,California).Here, the emphasis is more on the beautiful art as well as rough sketches and background paintings. Along with it's companion book ''The Fairest One Of All'' it will educate and enchant anyone who cares about the history of Film, Disney Animation and especially ''Snow White'' They are, without a doubt,the definitive tributes to a Timeless Classic, and together, they make perfect souveniers for both the film's 75th Anniversary and and a once in a lifetime event.
He usually wrote about politics but on this occasion he took time to devote an entire review to Disney's new film. He called it a "masterpiece" and said that when the projectionist slipped those reels of film on the projector, the audience at the Music Hall witnessed one of the greatest motion pictures ever made.
Coming from him, that was high praise indeed. And seeing the film now, restored for its video bow, we can appreciate his words. There are faults, to be sure, but basically it has to be admired for the innovative techniques it used in the art of animation. There are memorable sequences thanks to daring use of the multiplane camera: Snow White's flight through the woods, the Queen and her Magic Mirror, the Queen in the thunderous transformation scene as the camera seems to whirl around her, the Dwarfs in the mine and their march over the bridge as they sing "Heigh-Ho", the dwarfs chasing the witch in the thunderstorm. Even the rippling effects of the water in the wishing well scene.
And, of course, there are the genuinely comic moments that made even the great Charlie Chaplin applaud in admiration. Dopey's antics are always a delight, as are Doc's and Grumpy's. All of the dwarfs are given inventive and funny things to do.
The music is a standout: Someday My Prince Will Come, Heigh-Ho, I'm Wishing, The Yodel Song, etc. The young in heart will always love this classic. It belongs in the top tier of Disney's crown jewels, along with Pinocchio, Bambi, Sleeping Beauty and Cinderella.
Summing up: an inspired work of art on every level that will remain a timeless classic.
Did you know
- TriviaAt a recording session, Lucille La Verne, the voice of the Wicked Queen, was told by Walt Disney's animators that they needed an older, raspier version of the Queen's voice for the Old Witch. La Verne stepped out of the recording booth, returned a few minutes later, and gave a perfect "Old Hag's voice" that stunned the animators. When asked how she did it, she replied, "Oh, I just took my teeth out."
- GoofsIn the last scene, the Prince shimmies. The cels were not lined up correctly when the scene was shot, and his body shakes. Walt Disney was horrified when he saw the mistake in the color dailies, and wanted it corrected. No money was available to make the correction because the film was already far over budget, so Walt's brother and business partner, Roy O. Disney, declared, "Let the Prince shimmy!" and so he did - until 1993, when the mistake was corrected during Disney's digital restoration of the film.
- Quotes
[first lines]
Queen: Slave in the magic mirror, come from the farthest space, through wind and darkness I summon thee. Speak! Let me see thy face.
Magic Mirror: What wouldst thou know, my Queen?
Queen: Magic mirror on the wall, who is the fairest one of all?
Magic Mirror: Famed is thy beauty, Majesty. But hold, a lovely maid I see. Rags cannot hide her gentle grace. Alas, she is more fair than thee.
Queen: Alas for her! Reveal her name.
Magic Mirror: Lips red as the rose, hair black as ebony, skin white as snow.
Queen: [looking offended] Snow White!
- Crazy creditsNone of the actors in this film were credited.
- Alternate versionsNon-English versions show the names on the Seven Dwarfs' beds and the Evil Queen's spell books written in the language of the country of release (i.e., German in Germany, Italian in Italy, French in France, etc.).
- ConnectionsEdited into 7 Wise Dwarfs (1941)
- SoundtracksOne Song
(uncredited)
Music by Frank Churchill
Lyrics by Larry Morey
Played during the opening credits
Sung by Harry Stockwell
Reprised by Adriana Caselotti
Reprised by Harry Stockwell and Chorus at the end
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Blanche-Neige et les 7 Nains
- Filming locations
- Walt Disney Feature Animation - 500 S. Buena Vista Street, Burbank, California, USA(Walt Disney Productions)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,499,000 (estimated)
- Gross US & Canada
- $184,925,486
- Opening weekend US & Canada
- $6,017,914
- Jul 17, 1983
- Gross worldwide
- $185,098,309
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.37 : 1