Calling Philo Vance

This remake of Kennel Murder Case, The (1933) has some good points, but James Stephenson is not one of them. He plays it too impersonal for my taste and pales by comparison with William Powell, who played Vance in the original. But the screenplay, which was updated for the war that loomed on the horizon, was nicely developed, concerning plans for a warplane. The setting was switched to the State Department, with Vance an employed investigator instead of a private eye. I really enjoyed how he used diagrams to explain the movement of the people involved in the murder of the warplane designer, so that in the end, the actions of all were clear. The film also had the advantage of having Edward Brophy in the Sergeant Heath role (here he's called Ryan), bringing comedy without the stupidity of the Heath character. It was rather fun to watch.

Warner Brothers probably of all the studios loved remaking its films. I guess Jack Warner thought it saved on buying new properties. Calling Philo Vance after a brief prologue updating the story to have Vance working for the State Department investigating the theft of airplane designs, it becomes almost a word for word remake of The Kennel Murder Case. Even the character names remain the same. Whole bits of dialog from the original are reused in this one.

Too bad they couldn't have gotten William Powell as well. But he was over at MGM keeping Nora and Asta in line. So James Stephenson became the latest in a long line of Vances. Philo Vance would soon fade from the screen.

Stephenson is serviceable, but lacks Powell's unique debonair charm. And of course we've seen it all before.

This is a very cheaply made and predictable programmer--predictable since its plot is taken, almost verbatim, from two earlier films. It was literally like splicing two old movie together to make a new film!

The first 15 minutes of the film is lifted right out of PRIVATE DETECTIVE 62 (1933--starring William Powell), though the hero was stealing information from a French safe in the original film and in CALLING PHILO VANCE it involved stealing from an Austrian one. In both, he was working for the state department (though they denied this) and in both cases he was deported back to the US--only to have the boat's captain be told to return the man just as they are pulling into New York harbor--at which point the man jumps overboard and the rest of the film begins. It's so exact that they are practically the same film in the first reel.

Following this narrow escape, the plot is THE KENNEL MURDER CASE (also starring Powell). I am sure of this because I just saw both 1930s films in the last month. In fact, in many places it was word-for-word the same--so much so that I couldn't stand watching the film again--especially because James Stevenson on his best day doesn't even come close to the charm and style of William Powell's version of Philo Vance. It's like having Lee Majors play the lead in High Noon instead of Gary Cooper (this DID happen) or Timothy Dalton play "Rhett Butler" instead of Clark Gable (this, sadly, also DID happen)!! So, unless you've never seen the near-perfect KENNEL MURDER CASE (which earned a well-deserved 9 from me), don't even bother with this by-the-numbers re-make. It just isn't worth your time. And, for that matter, PRIVATE DETECTIVE 62 is also quite superior to CALLING PHILO VANCE. In fact, just WHO is this James Stevenson and why is he stealing from William Powell?!

This is an adequate afternoon B-feature that probably served more as a warning against fifth-columnists than it actually entertained anyone. It all centres around attempts by the Axis powers to obtain access to the designs of "Archer Coe" (the briefest of appearances from Richard Kipling). Now he has an exclusive arrangement with the Americans so when he is found murdered, it falls to the wily, suspicions and tenacious "Vance" (James Stephenson) to find out who the killers were and on whose malevolent behalf they were working? Did they manage to steal his secret plans? Now this is just a substantial reworking of "The Kennel Murder Case" (1933) - even down to whopping great chunks of the script being transferred, albeit updated, to allow for it's WWII scenario. Although all pretty lightweight and devoid of any real sense of jeopardy, Stephenson is actually quite engaging and there is a decent supporting effort from Edward Trophy ("Ryan") delivering some fun to this rather dry, procedural, crime drama. It's only an hour, and if you like the genre then there isn't really anything not to like - or memorable - about this.

This is a remake of the "Kennel Murder Case" with Philo Vance (James Stephenson) going after some U. S. airplane plans sold to a foreign nation; the designer of the plans and his brother both wind up murdered, and there are plenty of suspects.

William Powell was probably the best Philo Vance - he had the requisite charm. Stephenson, who started in films late in life after stage work, was on his way to a big career when he made "Calling Philo Vance" - unfortunately, he died the next year, at the age of 53.

As with "The Dragon Murder Case" with Warren William as Vance, the supporting players have the good lines and the energetic roles. Stephenson doesn't have a lot to work with, but he's okay.

Parts of this film are interesting, it's a little better than "The Dragon Murder Case," which isn't really saying much.