Hell's Kitchen

Crime boss Buck Caesar gets a suspended sentence. Supported by his nephew and lawyer Jim Donahue (Ronald Reagan), he decides to go legit. His criminal minions are not so supportive. Jim suggests contributing to a reform school for boys. Unbeknownst to them, the place is a cruel place run by Krispan. He fires caring teacher Beth Avery which happens to be seen by Buck and Jim. Buck is taking over. He intends to reform the reform school.

It's the "Dead End" kids. It's their third movie. The subject matter is still serious with some moments of humor. It has the stiff acting of Ronald Reagan. He's the quintessential square jaw actor. Leo Gorcey and Huntz Hall are still only two of the boys. It's good standard Dead End Kids.

That doesn't mean "Hell's Kitchen" isn't worth a viewing though. The cast is fantastic, where you have the Dead End Kids, Ronald Reagan, the gorgeous Margaret Lindsey, and other familiar faces. Stanley Fields is a decent mug leaving the rackets, and Grant Mitchell also plays a fantastic evil head of the reform school.

Fields plays Buck, who is on probation and wants to clean up the school. There are some decent curiosities, like hockey footage that resembles a 1939 version of "Slap Shot," and Frankie Burke, the Cagney lookalike (and soundalike) first seen as a young Rocky Sullivan in "Angels with Dirty Faces." His film career lasted only four years but he managed to appear in no less than eighteen films.

As good as Stanley Fields is, it's tough to beat Cagney in "The Mayor of Hell," which also had the advantage of being pre-code. The Dead End Kids take over the movie, with Billy Halop and Leo Gorcey getting the most lines.

Overall, a decent enough movie, but not one you'll be in a rush to view again. Still, decent.

The Dean End Kids are fine - Led by Billy Halop, the "kids" perform well. In fact, they are better in this "juvenile delinquent" genre than many others. Mr. Halop is strong, with Leo Gorcey, Gabe Dell and the others; they work well as a team. It looks like Bobby Jordan is directed (Lewis Seiler) to overplay, but he is endearing.

The "Adults" are not so good. Stanley Fields is okay, but his performance doesn't belong in this movie. Ronald Reagan isn't very good, with a performance that may not belong in any movie. Margaret Lindsay is pretty. Some of the performances are inappropriately comic.

There is a reference in this film to MGM's "Boys Town" (1938), which invites comparisons. It's direct enough for anyone who as seen the "Boys Town" films. The character played by Ms. Lindsay wants to use the techniques successfully employed by Spencer Tracy's character on the "Dead End" kids of "Hell's Kitchen".

The studio took the cheaper route with the "Dead End" series, obviously. The film is not technically competent. For example, a great "West Side Story"-type moment is ruined when the chanting on the soundtrack doesn't match the marching Dead Enders. Actors don't know how to play their parts - or don't play their parts at all. Still, the Dead End Kids make it enjoyable. Their terrific "Trial" for Headmaster Grant Mitchell is a most complete summation of the American justice system. Through all the bad editing, you'll get some suspense and action, too - including a "foul" hockey game, and a fire.

***** Hell's Kitchen (7/3/39) Lewis Seiler ~ Billy Halop, Bobby Jordan, Leo Gorcey

The fact that this is a remake of a 1933 film and a reworking of a film made in 1938 is not that unusual for Warner Brothers. Often they remade films only a year or two or three later. Other studios often did the same but Warner seemed to do it a lot.

In spite of this being a remake, and I usually hate remakes, I found I enjoyed this every bit as much as the other two films--perhaps a little more. This is because instead of the tough guys Cagney or Bogart playing the lead, this one had Stanley Fields who brought an entirely different element. He was much larger and scarier looking but also had a comedic edge to him--sort of like a big criminal teddy bear!! The only part that didn't work for me was the whole hockey team angle--that was weird and the street kids seemed practically like champion skaters almost immediately! Still, this is an enjoyable Warner film and another chance to see the early (and best) incarnation of the Dead End Kids--a group that morphed and changed a lot over the years as the East Side Kids and the Bowery Boys (which were almost like a parody of the Dead End Kids). Well worth seeing.

Once again RONALD REAGAN is involved with The Dead End Kids, only this time the romantic interest is supplied by MARGARET LINDSAY rather than ANN SHERIDAN. Otherwise, the plot here resembles the studio's other Dead End Kids entry, ANGELS WASH THEIR FACES produced the same year, in that the Kids put the bad man on trial and eventually put him out of business.

GRANT WITHERS is the corrupt principal of a reform school who uses dirty tactics to keep his kids in line, even to the point of punishing a sick kid who fails to survive solitary confinement. It's up to Ronald Reagan, on the good side of the law with Margaret Lindsay, to urge the boys not to take vigilante justice.

Warner Bros. apparently intended this to be a showcase, not for Reagan or Lindsay, but The Dead End Kids who get all the prominence in the script. It's all got a familiar ring, but is directed in brisk style by Lewis Seiler and is lively enough to hold the interest.

Nevertheless, it never rises above the ordinary and the overall impression is that of a formula crime melodrama, the kind that Warners churned out pretty frequently in the late '30s and early '40s.