Pilote d'essai

A good movie but alittle too sappy for my taste. It needed more aerial sequences and less Myrna Loy.

Did you know that in the fly-over showing a ball park has been indicated to be the legendary WRIGLEY FIELD of Chicago, Illinois?

Well, it's actually WRIGLEY FIELD in Los Angeles, California. Which was demolished in 1969.

Sorry, all you Cub fans, but it's not WRIGLEY FIELD in Chicago!

This movie highlights much of the information of early aviation.

As a side note, check out the credits, and you'll notice the name Frank Wead, Naval Academy grad. This dude was a total boss and helped promote United States Naval aviation from the beginning to the end of World War II, Commander Wead even got into writing movies. He consulted in over 30 of them, including the this flick "TEST PILOT".

I just watched this for the first time. It starts as a light romantic comedy and becomes deeper as the story evolves. The dialogue is especially well-written, fast-paced and witty. Myrna Loy's performance is a stand-out - not to slight Gable and Tracy in any way! - with nuance that grows more complex as the movie progresses. I was particularly impressed by the screenwriter's skill in developing the relationships among the three lead characters; Tracy's gradual love and respect for Loy; Gable's discovering the depth of his feelings for her; and her struggle to be the wife of a man who constantly puts himself in harm's way. It's the kind of measured (thoughtful, not boring) film that rarely gets made today, when the emphasis would be on the action scenes. Just an excellent, intelligent film all 'round.

A strange movie from 1938 that has a major white elephant sitting squarely in the middle of the plot that is impossible to ignore from a 2016 perspective.

Clark Gable is the test pilot of the film's title, who falls hard for and marries farm girl Myrna Loy (Loy is about as convincing as a Wichita farm girl as I would be, but this is Myrna Loy we're talking about, so who cares?!!) Their courtship is treated as a screwball comedy, with Gable and Loy generating so much chemistry my television almost malfunctioned. But Loy struggles with the transition back to their everyday married life as she realizes the fear she feels every time Gable goes back to his job is something she has committed herself to for life.

The white elephant in the room is the character of Gable's mechanic and buddy, played with a scowl by Spencer Tracy. I don't know how anyone could watch this movie and not at least entertain the notion that Tracy's love for Gable is more than platonic. He seems to have no interest in women, or indeed in any life that does not include Gable. It's almost as if he and Loy have a tacit understanding that they're in love with the same man and agree to help each other through the trials and tribulations that come with that.

Gable is Gable. Loy has never been better. She wasn't challenged often and was even usually underused in my opinion, but this is her movie and she ably demonstrates her range. Tracy is utterly wasted. Indeed, if the homosexual subtext isn't intentional, then there is literally no reason for him to be in the movie other than to be someone to whom Loy can deliver her lines when she's not delivering them to Gable.

A mood of death and impending destruction overshadows the whole film. Whether or not this was an intentional reaction to world events at the time, it seems appropriate given the gathering shadow of world conflict that was growing in Europe.

"Test Pilot" received no Oscars but was nominated in three categories: Best Picture, Best Original Story (Frank Wead), and Best Film Editing (Tom Held).

Grade: B+

Test Pilot surprised me with how good it is. As a love story, I rank it right up there with The Way We Were.

Clark Gable plays a test pilot, Jim, who lives hard and fast. Like many who live on the edge, he is superstitious and has an addictive personality. To cope with the risks he must take, he never deals with his feelings and drowns his fears in excesses of liquor and women.

Then he meets Ann, played by Myrna Loy--a fresh-faced, wisecracking Kansas girl who falls hard for the guy. Likewise, he falls for her and before you know it, they are married.

After they are married, Ann learns quickly what life with Jim must be like. It is a harsh reality that she cannot shake; she loves the mug.

Jim's sidekick is Gunner, a guy who also loves him but has learned to cope with Jim's short-sighted view of life. When Ann enters the picture, it becomes more than he can bear; he can endure his own pain, but cannot stand to witness hers.

We see a love story that can only end in pain, made all the more painful because all three characters are lovable.

The writing in this movie is among the best I have seen. There is not a false note in the entire film. It's difficult to write this kind of banter without making it seem false or shallow. Later in the film, when the going gets tougher, the writing conveys the feelings deep within even when they are talking only about the mundane.

It has been written that Myrna Loy liked this film best of all she acted in. Personally, I would give her the Best Actress award for this performance, though she was not even nominated.

Gable holds his own. And Tracy plays Gunner with a convincing subtlety.

Victor Fleming, who directed The Wizard of Oz and Gone With the Wind the very next year, had another winner in this one. I am surprised it does not get much mention.

Victor Fleming and the cast were my main reasons for seeing 'Test Pilot', the cast also playing a major part as to why the film is as good as it is. It is hard to resist a director responsible for two of the best films ever made ('The Wizard of Oz' and 'Gone With the Wind'). Nor a cast that includes the likes of Clark Gable, Myrna Loy, Spencer Tracy and Lionel Barrymore, just having one of those four in a film is reason enough to see it but all four in the same film really does wet the appetite.

'Test Pilot' was in no way a disappointment in my view, actually found it on the most part a delight. After seeing so many films etc recently that completely squandered their potential, which always leaves me very frustrated, it was great to see a film that actually lived up to one's expectations. It does fall short of perfection, just, and it is not quite one of Fleming's very finest. 'Test Pilot' does though entertain, move and charm throughout and the cast are on top form here, which does make up for the second half being not quite as good as the first.

Will start with the strengths. Which are a great many, the best brilliantly executed, and vastly outweigh the debits. It looks great, with it being handsomely photographed and the aerial sequences still hold up very well today in this regard. More so than a lot of aerial sequences in a lot of films made in a similar time frame. The music doesn't feel too melodramatic or intrusive, while Fleming directs with an assured hand throughout. The dialogue is very amusing in the first half and when it gets deeper it manages to excel just as much in the dramatic poignancy too. The story always absorbs, with a first half that is genuinely entertaining and also the exciting aerial sequences, sparkling chemistry between Gable and Loy and a charming, sympathetic one between the former and Tracy.

Gable balances authority, humour and pathos beautifully, bringing a twinkle and depth to his role. Loy has perhaps 'Test Pilot's' most difficult role and one of the most demanding in her career, she gives a poignant and sincere performance without going overwrought. Tracy's character is the least interesting of the three but his sympathetic charm is a beautiful match for the chemistry he shares with Gable. Barrymore's crusty demeanour, in a way that only he could do it to this great an extent, really stands out in the acting department.

Sadly, this review is coming onto the debits. As said above, the not as entertaining and deeper second half is not quite as good. It's well meaning and moving, handling seriousness with enough tact, but did find some of the events rushed, the romance (which can lack the same amount of spark that the aerial sequences have) unrealistically so, and the momentum is not always there.

It also did feel a little too much of a different film to the first half, heavier, deeper and more serious, not bad things exactly but tonally it doesn't gel as much as it could have done.

Altogether, delightful on the most part but just falls short of being completely great. Instead settling for a very strong very good. 8/10