IMDb RATING
6.6/10
5.2K
YOUR RATING
A doctor washes ashore on an island inhabited by little people.A doctor washes ashore on an island inhabited by little people.A doctor washes ashore on an island inhabited by little people.
- Nominated for 2 Oscars
- 2 wins & 2 nominations total
Jessica Dragonette
- Princess Glory
- (singing voice)
Lanny Ross
- Prince David
- (singing voice)
Pinto Colvig
- Gabby
- (voice)
- (uncredited)
Cal Howard
- Prince David
- (voice)
- (uncredited)
Jack Mercer
- King Little
- (voice)
- (uncredited)
Joseph Oriolo
- Italian Barber
- (uncredited)
Sam Parker
- Gulliver
- (voice)
- (uncredited)
Tedd Pierce
- King Bombo
- (voice)
- (uncredited)
Livonia Warren
- Princess Glory
- (voice)
- (uncredited)
Featured reviews
10Hup234!
Talk about unforgettable music! I saw "Gulliver's Travels" forty years ago on Saturday-afternoon television, and I can STILL hum much of the Ralph Rainger/Leo Robin score, especially "Faithful", "Forever", "Faithful Forever", "We're All Together Now", and "Orchids in the Moonlight". What a songwriting team they were.
It's impossible to not compare "Gulliver's Travels", and its songs, to today's animated product, and it's sad when I try. The knack seems to be lost in all regards.
Lanny Ross and Jessica Dragonette, top radio stars of the period, actually enunciate the lyrics, and in tune, and with varying dynamics. What a relief to remember a time when that was mandatory in film music.
And we can also luxuriate in the well-drawn visuals, which allows the audience time to wallow in the rich colors and narrative (without the slam-bang short-attention-span cutting that sea-sickened me during "Atlantis" and similar Y2K material).
Give the youngsters a taste of the Golden Age of animation, songwriting and storytelling with "Gulliver's Travels", and take the time to enjoy it with them.
Highest recommendation. ****
It's impossible to not compare "Gulliver's Travels", and its songs, to today's animated product, and it's sad when I try. The knack seems to be lost in all regards.
Lanny Ross and Jessica Dragonette, top radio stars of the period, actually enunciate the lyrics, and in tune, and with varying dynamics. What a relief to remember a time when that was mandatory in film music.
And we can also luxuriate in the well-drawn visuals, which allows the audience time to wallow in the rich colors and narrative (without the slam-bang short-attention-span cutting that sea-sickened me during "Atlantis" and similar Y2K material).
Give the youngsters a taste of the Golden Age of animation, songwriting and storytelling with "Gulliver's Travels", and take the time to enjoy it with them.
Highest recommendation. ****
Just throw any negative comments you read here from IMD comment contributors in the wastebasket. I don't know what they were smoking.
Gulliver's Travels is beautiful! It is just as beautiful now as it was 60-plus years ago when it premiered, perhaps even moreso with the wonderful restoration we have now on DVD. This film doesn't have to compete with anything by Disney, and I don't see how this story has anything to do with Snow White. It stands on its own two feet as a captivating and charming classic story that children can enjoy over and over again, made when animation was really animation, and all the cells were handpainted by artists, instead of slopped together on boring, cookie-cutter computer models.
The storyline is perfect and has an anti-war undertone that was a bit daring for its time, made on the eve of World War Two. Even Disney's Snow White didn't have the guts to do that! So kudos to the Fleischer Brothers!
The songs are all wonderful and the soundtrack sounds marvellously enhanced on the new DVD version. "We're All Together Now", "All's Well", "It's A Hap Hap Happy Day", "Bluebirds In The Moonlight", and especially the haunting "Come Home Again, Sailor Man" are all perfect and flow into the action of the film, instead of being placed there with no relevance just to try and get a hit song. These sheet music pieces always sell well on Ebay, highlighting the fact quite clearly that this is one of the most beloved animation movies of all time.
Gulliver's Travels is beautiful! It is just as beautiful now as it was 60-plus years ago when it premiered, perhaps even moreso with the wonderful restoration we have now on DVD. This film doesn't have to compete with anything by Disney, and I don't see how this story has anything to do with Snow White. It stands on its own two feet as a captivating and charming classic story that children can enjoy over and over again, made when animation was really animation, and all the cells were handpainted by artists, instead of slopped together on boring, cookie-cutter computer models.
The storyline is perfect and has an anti-war undertone that was a bit daring for its time, made on the eve of World War Two. Even Disney's Snow White didn't have the guts to do that! So kudos to the Fleischer Brothers!
The songs are all wonderful and the soundtrack sounds marvellously enhanced on the new DVD version. "We're All Together Now", "All's Well", "It's A Hap Hap Happy Day", "Bluebirds In The Moonlight", and especially the haunting "Come Home Again, Sailor Man" are all perfect and flow into the action of the film, instead of being placed there with no relevance just to try and get a hit song. These sheet music pieces always sell well on Ebay, highlighting the fact quite clearly that this is one of the most beloved animation movies of all time.
I haven't read Jonathan Swift's story for a long time, but I remember loving it very much. This 1939 animated film mayn't be the best, definitive or the most faithful version, but can I be honest, it's actually my personal favourite. I don't know why, maybe because of nostalgia, this was a favourite of mine when I was a kid and I still love it. It is so warm, entertaining and beautiful, and might I say I consider it timeless too? The animation is actually really lovely, not tedious, undistinguished or dated as it has been criticised as. Instead it is beautiful and colourful. The colours are lavish, the backgrounds are mellow and the character designs are typical Fleischer, while the use of the Roto-Scope is incredibly effective.
I also love the story. As I have said it is not the most faithful to the original story, but it is still a great and sweet one. It is one that tells of love, hope, friendship, adventure and even humour, all those qualities that makes an animated film so great. In some ways the first half-hour is better than the rest of the film, however the film is full of charming moments such as when Gabby pleads not to be eaten, when Gulliver brings David and Glory together, "there's a giant on the beach", the interaction between the spies and of course my favourite the really touching ending. There is a bit of Romeo and Juliet too, with the idea of the feuding kingdoms and I think it works.
The script is really nice too, I admit I've heard better dialogue but there are much worse as well. Anything Gabby says cracks me up and Gulliver says some interesting things too. In fact, there is a perfect balance of humorous lines and touching sentiment. And I love the characters as well.
Gulliver apparently was made to look like a real person, a bold and ambitious move and one that pays off, is it me or isn't he handsome and I love his rich baritone voice, reminds me of Emile from South Pacific. The King of Lilliput is also a nice character, bumbling and humorous, same with Bombo who appears to be rather mean but there is a small part towards the beginning that suggests otherwise. David is someone we don't see much but he is very handsome with a kind presence with a voice that takes you to another world. My favourites though are Princess Glory and Gabby. Princess Glory is absolutely beautiful, and while she has a quivering vibrato(like Snow White does) she has a very limpid and pleasant voice. And what do I need to say about Gabby? There may be times in his cartoons where Gabby comes across as selfish, mean and unapologetic, but we see a different Gabby here. A somewhat funnier Gabby, and in some ways you feel sorry for him too.
The voice acting is also top notch for the time. Pinto Colvig, the wonderful voice actor he was, is great as Gabby, and Jack Mercer has fun as the King. Jessica Dragonette and Lanny Ross provide the voices of Glory and David beautifully, while Sam Parker is interesting as Gulliver. The pacing is brisk too, so the film never feels tedious or draggy, and while Gulliver's Travels is short it is very fulfilling.
But do you know what my favourite part was? It was the music. It's all an acquired taste of course, but I absolutely love this sort of music, the mellow and rich sounds that are almost reminiscent of Rodgers and Hammerstein. "All's Well" has had me humming the tune for days on end, "It's a Hap Hap Happy Day" is quirky and upbeat and "We're All Together Now" is wonderfully uplifting and memorable. "Come Home Again" is hauntingly beautiful, while "Forever" and "Faithful" are sweet and romantic.
In conclusion, beautiful, timeless and I think underrated film. 10/10 Bethany Cox
I also love the story. As I have said it is not the most faithful to the original story, but it is still a great and sweet one. It is one that tells of love, hope, friendship, adventure and even humour, all those qualities that makes an animated film so great. In some ways the first half-hour is better than the rest of the film, however the film is full of charming moments such as when Gabby pleads not to be eaten, when Gulliver brings David and Glory together, "there's a giant on the beach", the interaction between the spies and of course my favourite the really touching ending. There is a bit of Romeo and Juliet too, with the idea of the feuding kingdoms and I think it works.
The script is really nice too, I admit I've heard better dialogue but there are much worse as well. Anything Gabby says cracks me up and Gulliver says some interesting things too. In fact, there is a perfect balance of humorous lines and touching sentiment. And I love the characters as well.
Gulliver apparently was made to look like a real person, a bold and ambitious move and one that pays off, is it me or isn't he handsome and I love his rich baritone voice, reminds me of Emile from South Pacific. The King of Lilliput is also a nice character, bumbling and humorous, same with Bombo who appears to be rather mean but there is a small part towards the beginning that suggests otherwise. David is someone we don't see much but he is very handsome with a kind presence with a voice that takes you to another world. My favourites though are Princess Glory and Gabby. Princess Glory is absolutely beautiful, and while she has a quivering vibrato(like Snow White does) she has a very limpid and pleasant voice. And what do I need to say about Gabby? There may be times in his cartoons where Gabby comes across as selfish, mean and unapologetic, but we see a different Gabby here. A somewhat funnier Gabby, and in some ways you feel sorry for him too.
The voice acting is also top notch for the time. Pinto Colvig, the wonderful voice actor he was, is great as Gabby, and Jack Mercer has fun as the King. Jessica Dragonette and Lanny Ross provide the voices of Glory and David beautifully, while Sam Parker is interesting as Gulliver. The pacing is brisk too, so the film never feels tedious or draggy, and while Gulliver's Travels is short it is very fulfilling.
But do you know what my favourite part was? It was the music. It's all an acquired taste of course, but I absolutely love this sort of music, the mellow and rich sounds that are almost reminiscent of Rodgers and Hammerstein. "All's Well" has had me humming the tune for days on end, "It's a Hap Hap Happy Day" is quirky and upbeat and "We're All Together Now" is wonderfully uplifting and memorable. "Come Home Again" is hauntingly beautiful, while "Forever" and "Faithful" are sweet and romantic.
In conclusion, beautiful, timeless and I think underrated film. 10/10 Bethany Cox
7tmpj
I've seen this many times over the years, and it's one of my absolute favorites. Some folks seem to think the Fleischers have to take a back seat to Disney.
NOT !!
They were, in many instances ( such as this one), far more inventive than Disney, and their work did not lose touch with common emotions,and had broad-based appeal to all ages, despite technical complexity.
Mickey Mouse will never go off the air. But neither will Betty Boop or Popeye.
In its own special way, "Gulliver's Travels" rivals the Disney features with its complexity, and its lack of laziness. If you really look at it, and keep in mind that this is animation done by hand...the old fashioned way, you will have a keener appreciation for the hard work that went into it. In those days, Disney and the Fleischers had to run the studios like a factory. It took teams of men in units and working shifts to concentrate on just the movements of the characters to make them appear lifelike (not like the computer animation of to-day, or even the TV animation of UPA or Hanna-Barbera in the 1950s).
"Roto-scoping", a process invented by the Fleischers, made the task that much more daunting. But the Fleischers had to be "perfectionists/masochists". The love of their craft shows in the movements, the backgrounds, the stories, and the music...not to mention the characters.
I am truly taken with the score. It is warm and dreamy and romantic....tearful to some. Some folks can't get with it, but it's a shame we don't don't hear much real music like that anymore in the mainstream.
Win Sharples and Victor Young did a very fine job...one of the best of All cartoon scores. Work on this film appears to have gotten Win Sharples the scoring job for the Fleischers, one he held down after the Fleischers were given the gate by Paramount, and which he continued to hold until Famous Studios was padlocked.
I can't recommend this feature highly enough. It's good clean fun, an accurate character study, terrific music, animation...the "whole nine".
NOT !!
They were, in many instances ( such as this one), far more inventive than Disney, and their work did not lose touch with common emotions,and had broad-based appeal to all ages, despite technical complexity.
Mickey Mouse will never go off the air. But neither will Betty Boop or Popeye.
In its own special way, "Gulliver's Travels" rivals the Disney features with its complexity, and its lack of laziness. If you really look at it, and keep in mind that this is animation done by hand...the old fashioned way, you will have a keener appreciation for the hard work that went into it. In those days, Disney and the Fleischers had to run the studios like a factory. It took teams of men in units and working shifts to concentrate on just the movements of the characters to make them appear lifelike (not like the computer animation of to-day, or even the TV animation of UPA or Hanna-Barbera in the 1950s).
"Roto-scoping", a process invented by the Fleischers, made the task that much more daunting. But the Fleischers had to be "perfectionists/masochists". The love of their craft shows in the movements, the backgrounds, the stories, and the music...not to mention the characters.
I am truly taken with the score. It is warm and dreamy and romantic....tearful to some. Some folks can't get with it, but it's a shame we don't don't hear much real music like that anymore in the mainstream.
Win Sharples and Victor Young did a very fine job...one of the best of All cartoon scores. Work on this film appears to have gotten Win Sharples the scoring job for the Fleischers, one he held down after the Fleischers were given the gate by Paramount, and which he continued to hold until Famous Studios was padlocked.
I can't recommend this feature highly enough. It's good clean fun, an accurate character study, terrific music, animation...the "whole nine".
My mother broght this for me on VHS when I was around six or seven years old.
I watched it so much I wore the tape out.
While shopping in the grocery store last week I happened upon this classic on DVD. I thought this would be a great way to let my children watch something that I used to watch as a tyke.
They loved it.
And I even at 27 years old found myself watching it with the same enthusiasm as I did when I was but a mere pup.
beatufil animation even in the computer age.
Rivals anything done today.
I watched it so much I wore the tape out.
While shopping in the grocery store last week I happened upon this classic on DVD. I thought this would be a great way to let my children watch something that I used to watch as a tyke.
They loved it.
And I even at 27 years old found myself watching it with the same enthusiasm as I did when I was but a mere pup.
beatufil animation even in the computer age.
Rivals anything done today.
Did you know
- TriviaThis was the first animated film in which any actor's voice is credited. Disney did not give screen credit to any of the actors who voiced the characters in their animated films.
- GoofsWhen Gulliver is at the sea side after he tucks King Little and the others in at the table, a lighthouse can be seen to his left. He sits up and puts the lighthouse on his right. All the time Gulliver is seen from the front the lighthouse is there, but when it's moved to a shot from behind him at the end of the scene, the lighthouse disappears completely.
- Quotes
[first title card]
Scroll: I, Lemuel Gulliver, give thee a most faithful history of my most interesting adventure in the south sea. On the 5th day of November, 1699, having reached latitude 30 degrees - two minutes south - a storm of great fury suddenly,
[the rest cannot be seen]
- Alternate versionsMany early UK video prints do not include the scene where Gabby and the townsfolk are standing on a sleeping Gulliver's chest, unaware of their situation and puzzled as to where he has gone. There are also some badly edited UK video prints which run at about 60 minutes.
- ConnectionsEdited into The History of the Hands (2016)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Gulliver's Travels
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $700,000 (estimated)
- Runtime
- 1h 16m(76 min)
- Aspect ratio
- 1.37 : 1
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