Tout le monde chante

-Shy singer Danny Miller (Frank Sinatra) musters out of the army and returns home to Brooklyn. He ends up rooming with school janitor Nick (Jimmy Durante), while romancing music teacher Anne (Kathryn Grayson). A love triangle forms when Danny's acquaintance Jamie (Peter Lawford) comes over from England in order to try his hand in the music business.

There's a lot of music, and fans of early Sinatra will find much to enjoy. He attempts a semi-operatic duet with Grayson which was ill-advised. Grayson naturally gets a showcase operatic number late in the film during which the momentum screeches to a halt. Durante is amusing, and gets a couple of duets with Frank. Gloria Grahame makes the most of her small role as an army nurse at the film's start.

As it happens this writer made his earthly debut in 1947 in Brooklyn, so I have a soft spot for this film.

Considering that this was all done in Hollywood, the film does have a nostalgic glow to it as it recaptures Brooklyn of 1947. Interspersed throughout the film are references to Brooklyn places and streets that a native would immediately know. There is a scene towards the beginning of the film when Frank Sinatra first meets Kathryn Grayson and she gives the newly discharged soldier a lift to the armory and in the background they pass shots of rows and rows of brownstone houses. Looks just like Park Slope on the way to the armory located there.

Sinatra has his personal songwriting team of Jule Styne and Sammy Cahn come up with a good selection of tunes for him. Time After Time was the biggest hit out of this film and that song is also repeated in good style by Kathryn Grayson. He does I Believe with Jimmy Durante and young Bobby Long who sings and dances up a storm in number done at a school gymnasium. It's a philosophical song in the style that Sinatra's rival Bing Crosby normally would have sung. He also sings a song Brooklyn Bridge, dedicated to same, on the footpath across. The footpath is deserted which is impossible. And there's another ballad entitled It's the Same Old Dream.

Jimmy Durante is the kindly school custodian who takes Sinatra in. I found this part of the picture sad. Durante has an apartment right on the public school premises and Sinatra moves in with him because he has no family at all. I guess he loved Brooklyn a lot because normally someone with no family and recently discharged from the service would have had the world to choose from in where to settle. Durante and Sinatra have a great old time with The Song Gotta Come From the Heart.

They did love sopranos over at the Lion studio. In addition to Grayson at one time they had Jeanette MacDonald, Ann Blyth, and Jane Powell all at the same time. Grayson had a porcelain delicacy to her and her voice that was magnetic, never more so here. She sings the Bell Song from Lakme and makes it memorable. Sinatra shows some guts here also as he and Grayson tackle La Ci Darem la Mano from Don Giovanni. Grayson and Mozart took it easy on Frank. Grayson did three films with Sinatra and in only one did she wind up with him.

Peter Lawford plays the shy gentlemanly scion of an aristocratic family who Sinatra befriends while in England. This was years before the Rat Pack was started and before Lawford married into the Kennedy clan. The role was no stretch for Lawford since that's what he was in real life. I wonder if Peter Lawford would still be here and have a career if the Kennedys and Sinatra had never entered his life.

And there were only minimal references to the Dodgers for a film about Brooklyn in a year they won the pennant.

"It Happened In Brooklyn" is so good-natured and cloying you can't help but like it. It's about a soldier (Sinatra) just discharged from the army after WW II to find a girl friend and a life. He disembarkation point is England, and after making friends with Peter Lawford, off he goes, returning to Brooklyn. From here the plot is so contrived it is hard to recount due to the lack of believability, and the story can barely drag its carcass from one song to the next, so shameless are the screenwriters.

But the songs. They are exquisite, written by Sammy Cahn and Jule Styne, and the main reason for my rating. Sinatra is in fine voice, and Jimmy Durante has been irreplaceable on America's stellar list of entertainers. "Time After Time', "It's the Same Old Dream" are two of Frank's better numbers, but the piece de resistance is Sinatra and Durante doing, " It's Gotta Come From The Heart". Priceless. There are a couple of opera numbers for Kathryn Grayson, so there is something for everyone in this picture.

It is a flag-waver and a preposterous tall tale, but it all works. All you have to do is wait for the musical numbers. And they are worth waiting for.

FRANK SINATRA's voice was in a warm and mellow tone when he did IT HAPPENED IN BROOKLYN and this little musical uses him musically in a nice way. He gets to warble an invigorating ditty as a serviceman joyous to be back in Brooklyn, so he belts out "Brooklyn Bridge" with baritone finesse. It almost sounds like a number out of ON THE TOWN. But it's his mellow rendering of "Time After Time" that brings back memories of how he crooned his way to stardom and became a teen idol in the early '40s.

Frank is a kind of shy guy here, but gets to loosen up after awhile thanks to the friendship of JIMMY DURANTE as a fellow Brooklynite, a janitor who lets Frank share his apartment until he can find a job. KATHRYN GRAYSON is the pretty girl Sinatra takes up with, both of them with singing aspirations. He even does a "Don Giovanni" duet with Grayson and it's not bad at all. Grayson does a nice solo spot on "The Bell Song" from Lakme and handles her acting chores in a pleasant enough manner. Likewise, even PETER LAWFORD gets to belt out a number for a bunch of record fans in a music store, loosening up to a little ditty called "Whose Baby Are You?" with a swing beat.

Durante and Sinatra have fun on a number called "The Song's Gotta Come from the Heart" and Sinatra is at his best crooning a ballad called "It's the Same Old Dream."

True, it's all rather formula as far as the storyline goes, but it's done in such an unpretentious way that it manages to charm most of the time. GLORIA GRAHAME has a small role at the beginning as a nurse from Brooklyn who doubts whether Sinatra hails from that borough.

I can't say much for the direction of Richard Thorpe. It moves at a snail's pace through its running time of one hour and forty-five minutes.

Most MGM musicals of the late 1940s were lavish, Technicolored extravaganzas, which is why this modest, low-keyed, filmed in glorious black-and-white effort has always been overlooked. A pity, because it's one of the most endearing, enduring musicals of all time. Firstly, it has a plot--a bittersweet Isobel Lennart screenplay about an ex-soldier (Frank Sinatra) returning from WWII to his beloved Brooklyn, and realizing it is not the same as he remembered it. Secondly, that dream cast working together in perfect dramatic and vocal harmony--Sinatra (never more likeable and sweet-natured); Kathryn Grayson (whose charming down-to-earth sincerity truly makes the screen glow); Peter Lawford (has anyone ever given this actor the credit for the class and gentlemanly warmth he brought to every film he was in?), and, of course, the immortal Jimmy Durante (bolstering all of his co-stars with his brilliant comedic and dramatic talents). And thirdly, an immortal Jule Styne score to die for. "Time After Time" ranks as one of the most poignant, melodic ballads ever composed. Many artistic greats have recorded it, but no one has ever interpreted it with the wistful perfection of Grayson and Sinatra. Add Sinatra's "The Brooklyn Bridge" and "It's the Same Old Dream". Lawford's delightful jive turn "Whose Baby Are You?" And the rousing Sinatra/Durante showstopper "The Song's Gotta Come from the Heart" (excerpted in "That's Entertainment II"). "It Happened in Brooklyn" is a wistful, rueful, enchanting musical the likes of which MGM (nor any other studio) ever made nor even attempted. A buried treasure occasionally unearthed by TCM! See it, tape it, and savor one of the most loving and lovely movie-musicals ever made!