Un envoyé très spécial...

The kings and queens of comedy are here in this 1930s comedy-exotic-travel-adventure. Walter Connelly is the newspaper boss who has sent on-scene action reporter Hunter (Clark Gable) overseas to China to get the latest, hot, south seas action caught on film. Hunter's nemesis is Bill Dennis (Walter Pidgeon), and every scene is a competition to see who can top who, or who can put one over on the other. If Clark Gable is present, then Myrna Loy must be in here too, and she is... as Alma Harding. A fun, fast paced good-natured contest between the two reporters. Alma's brother is missing, and she talks Hunter (Gable) into helping to find him. Did you spot Marjorie Main as the secretary in the newsroom? She was only 48 in this one... she would go on to be nominated for Ma Kettle ten years later! Gable had recently gotten HIS Oscar for It Happened One Night. Myrna Loy received an honorary Oscar for lifetime achievement. Even Walter Pidgeon was nominated for TWO Oscars in the 1940s. What a cast of pros! Obviously, they never left the back lot of Hollywood, but for the general public who had never traveled very far, this would have been very exciting and exotic. Of course, Hunter gets caught up in his own web of deception, but he must figure out how to win back the lady, as well as his job. This is a fun, exciting story, and worth every minute. Shown on TCM now & then. Directed by Jack Conway, MGM bigshot who made TONS of stuff with Gable and Loy. Catch this one when you can! You won't be sorry.

Okay, this isn't Shakespeare. Clark Gable and Myrna Loy were the number one box office draws of 1938 and it seems that what made them famous was not believability but that their films were so much fun. Gable's films were always high on the action, romance and fun while Ms. Loy became famous for her wonderful banter in the THIN MAN movies. So, in this case, you merge the two into a very light adventure film filled with laughs and some marvelous dialog--and a romance that doesn't always work. It's certainly NOT the best film they did together, nor is it the worst and fans of both are sure to enjoy the film because it is pure "1930s MGM formula". Now modern viewers might not find the film so magical--after all, the plot is pretty tough to believe and the characters seem pretty cartoonish. But, given my love for this genre and these actors, I don't mind terribly. Sure, it's not super-memorable, but it was more than worth the energy I spent watching the film.

Clark is a "get it at ANY cost" cameraman for a company specializing in newsreels. He meets Loy my accidentally causing her plane to crash. Instead of being mad, she unbelievably praised Clark for saving her life (hey lady, it was HIS obnoxious actions that CAUSED the plane crash in the first place!). The rest of the film is on again/off again romance between them with Walter Pigeon trying to horn in between them. It's not at all believable and awfully silly, but the action and comedy bits are pretty cool, so they make up for the deficiencies and result in a decent and watchable flick. But, for persnickety people like me who delight at spotting problems with movies, take a look at the Amazonian villagers. They are all Black Americans who look and dress EXACTLY like extras from a TARZAN movie--and look not one bit like South American Indians!

A sometimes thrilling adventure that is first and foremost a Clark Gable vehicle. He's as cocky and quick-witted as ever. There are some good lines and a few good laughs, but his performance completely dominates and overshadows this movie, even when he's in a chicken suit. You would think that a movie with Myrna Loy would have some great zingers back and forth with the male lead. This happens too few times, however, and Loy looks like she doesn't want to be in this movie. This is some of the least amounts of chemistry from either of these two actors that I've ever seen.

I liked the story a lot, with its focus on the "backstage" of early newsreels. Much of the satire is still true today, and this movie doesn't look dated because of it. There are some holes and only Gable is truly worth watching. There are also a few too many racist references that might make a modern viewer uncomfortable.

It's still worth watching though, even if just for the antics of Gable and the jokes about the news business.

The epitome of the madcap comedy/adventure genre! From the Japanese invasion of China to the bustle of midtown Manhatten to the Amazon jungle, never a dull moment. This could have served as the prototype for the "Indiana Jones" films or "Romancing the Stone".

War correspondent Gable is not beyond inventing a scoop if none is readily available. Myrna Loy, playing a sort of Amelia Earhart role, is duped by a rival news organization into a ploy to beat Gable at his own game. How the action moves from China to New York to a burning ship off the east coast to South America is....too complicated to describe in a short review. This may not be the best Gable film or the most convincing role ever played by Myrna Loy (although it's quite similar to her "Thin Man" roles), but it is highly entertaining. Both the filming and the story may be a little simplistic for today's taste and is certainly a far fetched plot but it's a good rip-roaring yarn nevertheless. I'll downgrade it to a 9 out of 10 only because the transfer that I saw wasn't up to the highest standards.

I happen to be a big fan of old newsreels. From the dawn of sound films until around the mid-60s the newsreel was the source for visual news coverage. After that television and then cable television took over. I look at the educational channels when they have old 30s and 40s newsreels running.

The cameramen played by Clark Gable and Walter Pidgeon are not too different from the print reporter characters that are a staple character in Hollywood films. These two have a friendly rivalry trying to scoop each other for news. The rivalry gets a little intense when aviatrix Alma Harding (Amelia Earhart) played by Myrna Loy gets ensnared in the rivalry and becomes the focus of their hormones.

The writing is sparkling with zingers and the direction is crisp. The plot moves from one madcap situation to the next. Among the supporting cast I should single out Walter Connolly and Henry Kolker as the rival bosses of Gable and Pidgeon who are driven to their respective wits end by the antics of their cameramen.

I defy anyone to watch this film and not split a gut laughing.