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IMDbPro

Tarnished Angel

  • 1938
  • Approved
  • 1h 7m
IMDb RATING
5.8/10
195
YOUR RATING
Paul Guilfoyle, Lee Bowman, Sally Eilers, Vinton Hayworth, and Ann Miller in Tarnished Angel (1938)
Drama

The ex-fiancée of a young rich man becomes the companion of a jewel thief, forming a vaudeville act with face "cure", but after she discovers, that she can really cure people, she decides to... Read allThe ex-fiancée of a young rich man becomes the companion of a jewel thief, forming a vaudeville act with face "cure", but after she discovers, that she can really cure people, she decides to quit.The ex-fiancée of a young rich man becomes the companion of a jewel thief, forming a vaudeville act with face "cure", but after she discovers, that she can really cure people, she decides to quit.

  • Director
    • Leslie Goodwins
  • Writers
    • Saul Elkins
    • Jo Pagano
  • Stars
    • Sally Eilers
    • Lee Bowman
    • Ann Miller
  • See production info at IMDbPro
  • IMDb RATING
    5.8/10
    195
    YOUR RATING
    • Director
      • Leslie Goodwins
    • Writers
      • Saul Elkins
      • Jo Pagano
    • Stars
      • Sally Eilers
      • Lee Bowman
      • Ann Miller
    • 10User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos22

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    Top cast31

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    Sally Eilers
    Sally Eilers
    • Carol Vinson, aka 'Sister Connie'
    Lee Bowman
    Lee Bowman
    • Paul Montgommery
    Ann Miller
    Ann Miller
    • Violet 'Vi' McMaster
    Alma Kruger
    Alma Kruger
    • Mrs. Harry Stockton
    Paul Guilfoyle
    Paul Guilfoyle
    • Edward 'Eddie' Fox
    Jonathan Hale
    Jonathan Hale
    • Detective Sgt. Edward Cramer
    Vinton Hayworth
    Vinton Hayworth
    • Dan 'Dandy' Bennett
    • (as Jack Arnold)
    Cecil Kellaway
    Cecil Kellaway
    • Reginald 'Reggie' Roland
    Janet Dempsey
    • Jane Thompson
    Hamilton MacFadden
    Hamilton MacFadden
    • Reverend Summers
    Byron Foulger
    Byron Foulger
    • Second Cripple
    Hugh Chapman
    • Boy in wheelchair
    • (uncredited)
    Lew Davis
    • Nightclub Waiter
    • (uncredited)
    John Dilson
    John Dilson
    • Mr. Greer
    • (uncredited)
    Helen Jerome Eddy
    Helen Jerome Eddy
    • Mrs. Thompson
    • (uncredited)
    Robert Gleckler
    Robert Gleckler
    • Checkers, Casino Owner
    • (uncredited)
    William Gould
    William Gould
    • Jewelry Fence
    • (uncredited)
    Eddie Hart
    Eddie Hart
    • Eddie, Detective
    • (uncredited)
    • Director
      • Leslie Goodwins
    • Writers
      • Saul Elkins
      • Jo Pagano
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews10

    5.8195
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    Featured reviews

    6SnoopyStyle

    like the first half

    Police detective Cramer is obsessed with finding jewel thief Checkers and pursues nightclub performer Carol Vinson (Sally Eilers). He gets tricked and ridiculed in the press. Carol leaves town with her two performing friends. They walk into a revival meeting and she has an idea. She decides to work the revival circuit as Sister Connie. She raises the stakes by being a faith-healer and gets the best of Cramer again.

    The idea is ripped from the headlines. While she is morally compromised, she is still intriguing as the central lead. I would have liked a darker journey, but this is post-Code at this point. She needs to Break Bad for a more compelling story. The second half is a bit meandering and the story loses steam. It's too bad. I really like the first half.
    7BrentCarleton

    Compelling expose of fake evangelist perked by Miller song and dance.

    Sally Eilers proves genuinely convincing as a woman who poses as a Protestant faith healer in order to dupe a gullible public. To this end, she fills theaters with a ticket buying public by affecting Kathryn Kuhlman style robes and hieratic mannerisms, which reach their emotional pitch when her "stooge" rises up and walks.

    Her plans go awry, however, when her better nature becomes emotionally involved in the life of a rich benefactress, and it is she herself, who is exposed. The film's most gripping moment comes when Miss Eilers desperately tries to actually make a crippled child walk.

    Ann Miller, playing a nightclub chanteuse, (at age 15!), opens the film with a beautifully delivered swing song, "It's the Doctor's Orders" that demonstrates even at this young age, that she possessed oodles of showmanship and a fine singing voice. Her fans will not be disappointed in the one dance she is allotted either.
    4bkoganbing

    The Revival Racket

    Nightclub entertainers Sally Eilers, Paul Guilfoyle, and Ann Miller elude a nightclub raid and become the special project of Detective Jonathan Hale. Failing to find work they end up at a revival meeting of Earl Hodgins where Eilers is convinced there's a better way to work this game. So the former Broadway chorus girl becomes a regular Aimee Semple McPherson, a regular Tarnished Angel.

    Of course with the Code now firmly in place there were now certain parameters that dictated how the plot would go. Our three miscreants try to be bad but can't help being good. In fact Jonathan Hale makes a career bust and his good name is restored.

    The pre-Code <iracle Woman was a lot better with the same subject matter though Ann Miller has a nice dance number.
    8planktonrules

    I might have given it a 9...but the ending was a tad disappointing.

    There's a context to "Tarnished Angel" that many folks today might miss. In the 1920s, the biggest traveling evangelist was Aimee Semple McPherson. She was HUGE but ultimately many folks came to doubt her sincerity and allegations of all sorts of naughty behaviors reduced much of her fame and public adoration. As a result, a few years later, Frank Capra and Barbara Stanwyck made "The Miracle Woman" (1931)...an exposee of a lady evangelist who was in reality a fake. It was obviously modeled after McPherson, but for legal reasons they denied it was a veiled biography of her and her work.

    In addition to this influence, I think the early Claude Rains film, "The Clairvoyant" (1935) must have influenced the writing of "Tarnished Angel". Rains plays a fake mentalist who, inexplicably, develops the real ability to tell the future...which horrified him when he saw death in some of his patrons! This sort of revelation is important to "Tarnished Angel".

    "Tarnished Angel" begins with a police raid on a gambling clip joint. Carol (Sally Eilers) manages to escape and the man behind the raid is intent on catching her one day, as she is a crook. Later, Carol attends an evangelistic meeting just for the free food. After all, she is really down and out. But the meeting gives her the idea to reinvent herself....posing as a fake miracle worker who can heal the sick. Not surprisingly, she pays shills to pretend to be disabled and in the meetings she 'heals' them! But 'Sister Connie' is no dummy and soon is able to gain respectability...and even admits in one of her meetings that she was once a 'bad girl' named Carol! This fake sincerity act works like a charm....and soon all sorts of people believe in her and her cause....except for that cop who knows what sort she really is. Where does all this go next? See the film.

    While the film did pull its punches at the end, this is an excellent B-movie. While the budget was relatively low, the actors mostly second-tier and the running time just over an hour (all hallmarks of a B), it is far better than you'd expect. It also is rather timeless, as the story, sadly, isn't so unusual today with some very famous fake faith healers being exposed in recent years.

    By the way, the word 'cripple' is used a lot. Of course it's not politically correct to say that...but crooks would use words like that, so it added to the realism.
    horn-5

    Taglines told all.

    One didn't have to pay the admission price to this film in 1938 to know all about the plot, and if all of the posters were read before entering,there wasn't much chance of getting surprised i.e,; Sensational Expose of "Miracle Racket." Thrilling drama of show girl who turned "revivalist" for money gives inside stuff on phoneys. Fake evangelism exposed in a sensational story of Crime and Faith. She Lived A Scarlet Lie! Broadway show girl becomes revivalist..in a drama of night clubs and camp meetings that packs a mighty heart wallop. (and for those who couldn't guess the ending); She laughed at "suckers" who fell for her "line"...and fell herself for the oldest "line" of all. Monogram and PRC had better ideas regarding taglines on their posters; write something enticing that had nothing at all to do with the film being shown.

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The costumes worn by Sally Eilers as "Sister Connie" resembled those worn by Aimee Semple McPherson, also known as Sister Aimee, a well-known evangelist at the time.
    • Goofs
      The car chase after the raid at the club goes past the Mayflower doughnut shop on the corner of 8th Street and South Broadway in Los Angeles three times, and much too quickly for the chase just going around and around the block. They are finally pulled over in front of the May Department Store at the same intersection.
    • Soundtracks
      It's the Doctor's Orders
      (1938)

      Music by Sammy Fain

      Lyrics by Lew Brown

      Played during the opening credits and at the end

      Sung by Ann Miller at the Club Tally-Ho

      Reprised on piano by Sally Eilers while Ann Miller tap-danced

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    Details

    Edit
    • Release date
      • October 28, 1938 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Miracle Racket
    • Filming locations
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, USA(Studio)
    • Production company
      • RKO Radio Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 7m(67 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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