IMDb RATING
7.0/10
1.3K
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The career of a German officer shown as flashbacks from his trial as a war criminal.The career of a German officer shown as flashbacks from his trial as a war criminal.The career of a German officer shown as flashbacks from his trial as a war criminal.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 1 nomination total
Fred Aldrich
- Man at Ceremony
- (uncredited)
Felix Basch
- Nazi Official
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
...not because it is boring and tedious, but because it spends the last 40 minutes of its 90 minute run showing the raw cruelty of Nazi rule over one Polish village - the Jews sent on railroad cars to concentration camps without food or water, the old men forced to do hard labor until they collapse and are shot, the girls put into forced prostitution at the Nazi officers' club.
What does the first 50 minutes do? It shows the creation of a monster - Wilhelm Grimm (Alexander Knox), a German who was teaching in Poland before WWI, went to fight with his fellow Germans and lost a leg, and returned from war a bitter man. He already felt superior to the Poles before he was bitter. His fiancee (Marsha Hunt) decides she doesn't want to marry him because he has returned from war with hate in his heart, and he becomes even more angry because he thinks she has rejected him because of his lost leg and his poverty. He then commits an unspeakable act, escapes to Germany, discovers Nazism, and the rest is literally history.
The entire story is told in flashback at a war crimes trial. It was inspired by FDR's promise to try those responsible for the evil they did during the war.
What is remarkable about this film besides the acting and the noirish cinematography is that this was made a year before the war was over in Germany. In fact it was released four months before D Day so there was no detailed information about what had happened in Europe, not even information about the fate of the Jews. So the whole production ends up being so oddly prescient.
Alexander Knox is terrific as Wilhelm Grimm, the Nazi officer who returns to this small Polish town, where he taught school years before, as a ruler representing the Third Reich. Knox played many roles as a good guy and protagonist, but he always had that school marm way about him in his performances, and it works for him here. As Grimm he's never playing a good guy, but he does go from bitter to evil very convincingly. Marsha Hunt - She's a revelation here. I had only seen her performances at MGM where she got roles that were rather bland and attenuated. She really breaks out of that MGM box in this film. I'd highly recommend this B film from little Columbia that packs an A list punch.
What does the first 50 minutes do? It shows the creation of a monster - Wilhelm Grimm (Alexander Knox), a German who was teaching in Poland before WWI, went to fight with his fellow Germans and lost a leg, and returned from war a bitter man. He already felt superior to the Poles before he was bitter. His fiancee (Marsha Hunt) decides she doesn't want to marry him because he has returned from war with hate in his heart, and he becomes even more angry because he thinks she has rejected him because of his lost leg and his poverty. He then commits an unspeakable act, escapes to Germany, discovers Nazism, and the rest is literally history.
The entire story is told in flashback at a war crimes trial. It was inspired by FDR's promise to try those responsible for the evil they did during the war.
What is remarkable about this film besides the acting and the noirish cinematography is that this was made a year before the war was over in Germany. In fact it was released four months before D Day so there was no detailed information about what had happened in Europe, not even information about the fate of the Jews. So the whole production ends up being so oddly prescient.
Alexander Knox is terrific as Wilhelm Grimm, the Nazi officer who returns to this small Polish town, where he taught school years before, as a ruler representing the Third Reich. Knox played many roles as a good guy and protagonist, but he always had that school marm way about him in his performances, and it works for him here. As Grimm he's never playing a good guy, but he does go from bitter to evil very convincingly. Marsha Hunt - She's a revelation here. I had only seen her performances at MGM where she got roles that were rather bland and attenuated. She really breaks out of that MGM box in this film. I'd highly recommend this B film from little Columbia that packs an A list punch.
Never viewed this film until recently on TCM and found this story concerning Poland and a small town which had to suffer with the Nazi occupation of the local towns just like many other European Cities for example: Norway. The First World War was over and people in this town were still suffering from their lost soldiers and the wounded which War always creates. Alexander Knox, ( Wilhelm Gimm)"Gorky Park" returns from the war with a lost leg and was the former school teacher in town. He was brought up a German and was not very happy with the Polish people and they in turn did not fully accept him either. As the Hitler party grew to power Wilhelm Grimm desired to become a Nazi in order to return and punish this small Polish town for their treatment towards him which was really all in his mind. Marsha Hunt,(Marja Pacierkowski),"Chloe's Prayer", played an outstanding role as a woman who lost her husband and was romantically involved with Whilhelm Gimm. There are many flashbacks and some very real truths about how the Nazi destroyed people's families and their entire lives. The cattle cars are shown in this picture with Jewish people heading to the Nazi gas chambers. If you have not seen this film, and like this subject matter, give it some of your time; this film is very down to earth for a 1944 film and a story you will not forget too quickly.
This was a wonderful little American propaganda film that is both highly creative AND openly discusses the Nazi atrocities before the entire extent of the death camps were revealed. While late 1944 and into 1945 would reveal just how evil and horrific they were, this film, unlike other Hollywood films to date, is the most brutally honest film of the era I have seen regarding Nazi atrocities.
The film begins in a courtroom in the future--after the war is over (the film was made in 1944--the war ended in May, 1945). In this fictitious world court, a Nazi leader is being tried for war crimes. Wilhelm Grimm is totally unrepentant and one by one witnesses are called who reveal Grimm's life since 1919 in a series of flashbacks. At first, it appears that the film is going to be sympathetic or explain how Grimm was pushed to join the Nazis. However, after a while, it becomes very apparent that Grimm is just a sadistic monster. These episodes are amazingly well done and definitely hold your interest and also make the film seem less like a piece of propaganda but a legitimate drama.
All in all, the film does a great job considering the film mostly stars second-tier actors. There are many compelling scenes and performances--especially the very prescient Jewish extermination scene towards the end that can't help but bring you close to tears. It was also interesting how around the same point in the film there were some super-creative scenes that use crosses in a way you might not notice at first. Overall, it's a must-see for history lovers and anyone who wants to see a good film.
FYI--This is not meant as a serious criticism of the film, but Hitler was referred to as "that paper hanger". This is a reference to the myth that Hitler had once made money putting up wallpaper. This is in fact NOT true--previously he'd been a "starving artist", homeless person and served well in the German army in WWI. A horrible person, yes, but never a paper hanger!
The film begins in a courtroom in the future--after the war is over (the film was made in 1944--the war ended in May, 1945). In this fictitious world court, a Nazi leader is being tried for war crimes. Wilhelm Grimm is totally unrepentant and one by one witnesses are called who reveal Grimm's life since 1919 in a series of flashbacks. At first, it appears that the film is going to be sympathetic or explain how Grimm was pushed to join the Nazis. However, after a while, it becomes very apparent that Grimm is just a sadistic monster. These episodes are amazingly well done and definitely hold your interest and also make the film seem less like a piece of propaganda but a legitimate drama.
All in all, the film does a great job considering the film mostly stars second-tier actors. There are many compelling scenes and performances--especially the very prescient Jewish extermination scene towards the end that can't help but bring you close to tears. It was also interesting how around the same point in the film there were some super-creative scenes that use crosses in a way you might not notice at first. Overall, it's a must-see for history lovers and anyone who wants to see a good film.
FYI--This is not meant as a serious criticism of the film, but Hitler was referred to as "that paper hanger". This is a reference to the myth that Hitler had once made money putting up wallpaper. This is in fact NOT true--previously he'd been a "starving artist", homeless person and served well in the German army in WWI. A horrible person, yes, but never a paper hanger!
One can only wonder why this movie has been so little seen and given so little credit for its powerful message. This is the film Henry Travers (Clarence the angel in It's a Wonderful Life) should be remembered for; his portrayal of a Polish village priest is understated and unsentimental. Made in 1944, before World War II ended, it puts to rest the notion that the world did not comprehend the magnitude of Nazi evil. It's all here: Polish women forced into sexual slavery, Jews rounded up and murdered, young German men enamored with their cowardly power, the resistance, and the vain hope of ordinary people that such monstrous horror could never overtake a "civilized" world. The story is told in courtroom flashbacks comprising testimony during the trail of a Nazi officer, with convincing village scenes portraying life in the small town of Lidzbark, Poland, 70% of which was destroyed during the war. Made seventeen years before the release of the most widely recognized film about Nazi war crimes, "Judgment at Nuremburg," "None Shall Escape" is still difficult to find online, but it is one of the most astonishing screen achievements of World War II. Writers Alfred Neumann and Joseph Than were nominated for an Academy Award for Best Story ("Going My Way" won).
The only reason I give this movie an 8 out of 10 is because there are few movies, in my opinion, that are perfect. This little B picture is a taut story, well told. I've always been intrigued by Alexander Knox, but have seen him very few movies. Here he plays Wilhelm Grimm, a sad little man who turns into a monster. He betrays everything and everybody without an ounce of remorse. The performance is one of the most chilling performances I've ever seen. Since World War 2, actors who played Nazis or other evil types in films have occasionally been nominated for Oscars. I imagine that since this was made during the war, the Academy felt like honoring a performance like this would have been like honoring evil. But Knox puts in that kind of performance--a man so bitter and consumed by guilt that he thinks nothing of making others suffer. I still can't get over it.
Marsha Hunt, who usually plays the filbert gibbet or social butterfly, is cast against type in probably the best performance I've ever seen her give, too. Maybe not Oscar worthy, but the best of her career. Nothing against her; I have enjoyed her in those "slight" roles she often played. But here she proves she up to the task of heavier drama.
If you like human drama stories, or stories about the fates of those who suffered at the hands of the Nazis, I highly recommend this fine little film.
Marsha Hunt, who usually plays the filbert gibbet or social butterfly, is cast against type in probably the best performance I've ever seen her give, too. Maybe not Oscar worthy, but the best of her career. Nothing against her; I have enjoyed her in those "slight" roles she often played. But here she proves she up to the task of heavier drama.
If you like human drama stories, or stories about the fates of those who suffered at the hands of the Nazis, I highly recommend this fine little film.
Did you know
- TriviaDirector De Toth was doing only his second feature for Columbia with "None Shall Escape" and the studio wanted him to use Paul Lukas, who had recently enjoyed a great success in a similar role with "Watch on the Rhine." De Toth wanted a lesser-known star and campaigned for Alexander Knox, whom he had seen on Broadway in Chekhov's "Three Sisters." When Knox was hired and was told who was directing, he objected that De Toth was unknown and insisted on Lewis Milestone. Harry Cohn reportedly berated Knox for his selfishness and ingratitude. According to De Toth, he and Knox ended up as friends, and worked together on subsequent films.
- GoofsWilhelm Grimm initially appears in the uniform of the SS and then later appears in a Wehrmacht uniform. This is unlikely. It was more likely to be the other way around towards the end of the war when SS soldiers tried to hide their SS involvement by disguising themselves as ordinary solders.
- Quotes
Wilhelm Grimm: The future lies in victory not in freedom. The war will be continued until it's won, that's our destiny.
- Crazy creditsOpening credits prologue: The time of this story is the future.
The war is over.
As we promised, the criminals of this war have been taken back to the scenes of their crimes for trial.
In fact, as our leaders promised--
NONE SHALL ESCAPE
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "IL PROCESSO DI NORIMBERGA (1946) + NESSUNO SFUGGIRÀ (1944)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsFeatured in Red Hollywood (1996)
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Details
- Release date
- Country of origin
- Language
- Also known as
- None Shall Escape
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 25 minutes
- Color
- Aspect ratio
- 1.37 : 1
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