The House I Live In

Frank Sinatra starred in this odd little short from RKO that is now in the public domain. The film came out at about the same time the war ended and is a nice plea for religious tolerance.

The film begins with Sinatra on stage singing. After leaving the stage, he walks out into the alley and finds a group of kids picking on another because of his religion. Instead of yelling at the boys (or helping them for that matter), Sinatra delivers a nice civics lesson on religious toleration and equates prejudice with fascism. The kids seem to get the lesson but then, out of the blue, Sinatra begins singing a song that, frankly (get it?), kids would have hated. He had a lovely voice but unfortunately I think this detracted from the excellent message he gave to the kids about tolerance. It's a case of a good message with too much singing--even if the guy singing is Frank Sinatra. It's also an interesting curio--a nice historical piece that is often overlooked...plus it's quite touching even if it seems a bit schmaltzy.

An RKO Short Subject.

A group of rowdy little bullies are given a lesson in tolerance by crooner Frank Sinatra, who compares America to THE HOUSE I LIVE IN.

This little film delivers a pertinent message about the evils of prejudice & bias. Sinatra is an absolute natural in front of the camera; intense & sincere, he is the perfect spokesperson for the values espoused here.

Sinatra sings ‘The House I Live In,' by Lewis Allan & Earl Robinson. This fine tune, with a solid, pro-American message, is being given something of a comeback since the horrendous events of September 11, 2001.

After Pearl Harbor, Hollywood went to war totally against the Axis. Not only did many of the stars join up or do home front service, but the output of the Studios was largely turned to the war effort. The newsreels, of course, brought the latest war news into the neighborhood theater every week. The features showcased battle stories or war related themes. Even the short subjects & cartoons were used as a quick means of spreading Allied propaganda, the boosting of morale or information dissemination. Together, Uncle Sam, the American People & Hollywood proved to be an unbeatable combination.

This eleven minute film that came out toward the end of WW2 conveyed a message of religious tolerance and acceptance of people's differences.

It's notable in that it featured a young Frank Sinatra, singing two very beautiful songs, "If You Are But a Dream" and the title song. Both have rich orchestral arrangements by Alex Stordahl, one of Sinatra's favorite music directors at the time.

Earl Robinson, composer of the title song, was also noted for his "Ballad for Americans," which Paul Robeson made famous. In spite of these two nobly patriotic compositions, Robinson was one of the "blacklisted" artists (along with Robeson) by the House of Un-American Activities, which today seems ironic.

Not available on DVD or VHS at this writing, "The House I Live In" was seen on tv following a showing of Sinatra's debut film, "Higher and Higher." Although Frank's voice is lighter here than generally remembered, it still exhibits his trademark smooth lines, firm breath control and clear diction. His acting forecasts his later work, and the film makes its admirable points within a short time frame.

This is a very excellent movie. Although it is very short (10 minutes or so) it shows an ideal of America. Frank Sinatra used this vehicle to show his attitude toward this ideal of tolerance and understanding. It is worth seeing by just about anyone but I would especially like to see it shown to young people. It is probably too short to ever be a commercial success and I have not been able to find a VHS or DVD copy of it anywhere. I have only seen it twice and heard the complete sound track (not just the music, but the entire dialog as well) twice. I would certainly like to have it in my personal collection.

"The House I Live In" is a movie which everyone ought to see ... not just for its substantial entertainment value, but for its true depiction of what it means to be an American. (I came to the U.S.A. from elsewhere as an adult, so I know how precious American citizenship is.) After the world changed forever on September 11, 2001, "The House I Live In" is more relevant than ever before.

Frank Sinatra plays himself in this film. He encounters a group of street boys who are bullying another boy because they don't like his religion. Sinatra handles this issue intelligently and logically, offering some ideas that the boys haven't thought about. (For instance: What if one of your relatives got a blood transfusion from someone who has the "wrong" religion?)

To top off his argument, Sinatra sings "The House I Live In", a song which is often incorrectly identified as "What Is America to Me?" This is a good song by any standards - nice tune, pleasant lyrics - but it's also one of the most moving statements of the American identity I've ever encountered. The usual flag-waving tactics of most patriotic film are completely absent here.

Frank Sinatra was a complex man. His flaws were often displayed in public, while his virtues (such as his many philanthropic acts) were usually exercised only in private, without publicity. In "The House I Live In", Sinatra seems to exhibit his sincere belief in America's deepest values. And if it isn't sincere, then Sinatra was a better actor than he ever let on. Whatever else he may have been, Frank Sinatra was a patriotic American.

There are many excellent films, but very few truly great ones. "The House I Live In" is a great film about the greatest nation in the world.