The Dolly Sisters

Essentially a more lavish Technicolor remake of the 1940 B&W film "Tin Pan Alley", including two of the stars of the original: John Payne and Betty Grable. Both films have their relative pluses and minuses. I enjoyed the many outlandish costumes of the female stars and of the various extras, a common feature of many 1940s musicals. Grable and June Haver are much more of a sister act than Alice Faye and Grable were in the original, when they mostly performed their own numbers. The troubled on again off again romances, which fill in between musical shows, get awfully tedious, more so than in the original. If Alice Faye had taken Haver's part, as originally planned, it would have been interesting to see if she were again cast as the dominant sister(I doubt it). To me, Faye has more charisma than Haver, but the later makes a more look alike sister for Grable. I really missed Jack Oakie in this one. Frank Latimore was simply not an adequate substitute for Oakie's cheerful comic relief from Payne's serious demeanor. Payne's character is much more of a heel than in the original. That poor foxy woman he led on to believe he cared more for than Grable, left alone in the audience in the final scene, when he was reunited with Grable on the stage!

There may be better film musicals out there than 'The Dolly Sisters', but it succeeds very well as colourful fun with enough to put a smile on one's face and clearly knows what it's trying to be and what to do with it.

A huge part of wanting to see 'The Dolly Sisters' was the cast. With the likes of Betty Grable, June Haver, SZ Sakall, Reginald Gardiner, John Payne, there are some talented people here. Also, foibles and all, there is an immense soft spot had for the "Golden Age Hollywood" musicals, a soft spot that has been lifelong held. A fair few of them are flawed in the story department but many are compensated by the music, production values, atmosphere and performances.

While 'The Dolly Sisters' has more merits than it has flaws, the story (if we are to forget that biographically it's very much fictionalised) is as flimsy and predictable as they come and some of the latter parts meander, such as a finale that could have had more oomph. Frank Latimore fails to pass the "remotely amusing" test and further fails to inject much charm or enthusiasm.

Lastly the black face routine is in pretty embarrassing taste now, with a lot of unsubtle and unfunny black stereotypes that feel out of date and not for the easily offended, with very gaudy make-up.

However, the merits that 'The Dolly Sisters' has are numerous. It looks lovely, with only the costumes and make-up in the black face sequence showing signs of cheapness, elsewhere the film is handsomely mounted and photographed beautifully and with such great use of colour. The songs are tuneful and a very pleasant listen, especially "I Can't Begin to Tell You" (Oscar-nominated and not hard to see why) and "I'm Always Chasing Rainbows". They are mostly staged with the right amount of entertainment and intimacy.

Scripting is suitably zesty, and Irving Cummings directs with much assurance. The story is not perfect but has such a cheery charm, a huge abundance of fun and heart that it is difficult to be too hard on it. Betty Grable and June Haver were tailor-made for their roles, and are endearing joys to watch. John Payne sings beautifully and looks more comfortable than in some of his other films, while SZ Sakall is so cuddly and funny and Reginald Gardiner is amusing.

All in all, colourful and cheery fun. 7/10 Bethany Cox

Betty Grable and June Haver are "The Dolly Sisters" in this 1945 film also starring John Payne, S.Z. Sakall and Reginald Gardner. Grable enjoyed an unparalleled run - 10 years in a row - in the Hollywood top ten box office, from 1941 to 1951, yet when Turner Classic Movies published their Unforgettable Leading Ladies of the Studio Era book, Grable was left out. For anyone who believes - erroneously - that Turner Classic Movies has any interest in film history, she was left out - just as Tyrone Power was left out of the leading men book - because TCM doesn't own their films.

Not realizing that for a huge audience later on, it wouldn't exist, 20th Century Fox spared no expense for this lavish color musical about two real-life Hungarian sisters (actually brunettes) who were big entertainers in the beginning of the century. The story focuses on Jenny Dolly (Grable) primarily and her romance and marriage to Ziegfeld performer Harry Fox (inventor of the "fox trot"), played by John Payne, and how World War I and career separations destroyed their marriage.

Grable and Haver look just like sisters and are marvelous together, wearing gorgeous costumes and looking fabulous and radiant throughout. Both bring a lot of energy to their roles. Payne does a good job as Harry, singing and acting well. A versatile actor, he could not only appear in musicals where he did his own singing, but he did plenty of drama and was also a hunk. He was invaluable to Fox during the war years.

This is a very entertaining film, but it's a shame that a film on the true story of the Dolly Sisters has never been made. Jenny and Fox were divorced in 1921. She was indeed involved in a car accident with an ex-boyfriend in 1933 and had to sell her jewels to pay for many surgeries, but unlike the film, she never really recovered. She never reconciled with Fox and in 1941, she hung herself. Rosie did marry a Chicago businessman; she attempted suicide in 1962, though it failed, and she died in 1970. The two women were huge gamblers, only hinted at in the film, and made a fortune: They won $850,000 in one season at Deauville and one evening in Cannes, Jenny won 4 million francs, which she converted to a collection of jewelry, and then went on to win another 11 million more francs.

I suppose during World War II, no one would have been interested in such a downer, so it's just as well that we have this film, which gives us vibrant entertainment in the best 20th Century Fox tradition.

"The Dolly Sisters" is Betty Grable and June Haver's most joyously tuneful musical, a gaudy, loud, exquisitely Technicolored extravaganza of songs, dancing, and romance, the kind of vacuous yet tasteful fluff 20th Century Fox did well with great success. The studio head, Darryl Zanuck intended as a vehicle for Alice Faye & Betty Grable, but he couldn't convince Faye to get out of retirement, so producer George Jessel casted June Haver, and the movie become one of the top grossing pictures of the 1940s.

Grable and Haver (fantastic throughout) are the Hungarian born blonde sisters, Jenny & Rosie that took Broadway by storm. Their story begins with their arrival in New York in 1904, their subsequent rise from vaudeville acts to Broadway & Folies Bergere of Paris. They meet an aspiring composer Harry (John Payne) who arranges a meeting with Oscar Hammerstein to appear his Music Hall. Betty falls in love with Harry while June settles for a far less troubled romance with Frank Latimore. Betty is particularly very revealing, especially when she gets the nervous breakdown. Good performances also by S.Z. Sakall and Reginald Gardiner.

Lots of rollicking, uproarious songs/numbers, including the Oscar-winning "I Can't Begin to Tell You", the haunting "I'm Always Chasing Rainbows", plus some kitschy stuff like "Powder, Lipstick and Rouge", "Give Me The Moonlight, Give Me The Girl".

"Dolly Sisters" can be best appreciated if you see it back to back with June Haver's 1946's musical, "Three Little Girls in Blue", a joyous merriment in need of resurrection.

I was 8 years old when I first saw this movie in 1945. I was so impressed with the blond beauty of both girls and to know that the Dolly Sisters were real people. June Haver and Betty Grable really looked alike. In my childs mind I thought they were my private dancers and I wanted to be just like them. I actually thought I was the only one who knew about them and they were my secret......What a kid! Thanks for listening. Florence Forrester-Stockton