Hello Frisco, Hello
- 1943
- Tous publics
- 1h 39m
IMDb RATING
6.5/10
588
YOUR RATING
In turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress... Read allIn turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress.In turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress.
- Won 1 Oscar
- 3 wins & 1 nomination total
Featured reviews
Alice Faye and John Payne shine in a gloriously tuneful Fox musical shot in breathtaking Technicolor
Of all Alice Faye's 20th Century-Fox musicals, "Hello Frisco, Hello" is probably my favorite. It is certainly the one that deserves to be called enchanting. The only other memorable Faye musicals that come to mind are "On the Avenue"(1937), "Alexander's Ragtime Band"(1938), "That Night in Rio"(1941) and "Wake Up and Live"(1937). "Hello Frisco" is a feast for the eyes and ears, breathtakingly photographed in Technicolor. The colors, the period costumes, and director Bruce Humberstone's nostalgic evocation of San Francisco's Barbary Coast at the turn of the century - are sublime. It also abounds in one gloriously tuneful song or dance number after another. There are lots to choose from including "Strike Up the Band," "Has Anybody Here Seen Kelly?" and "Ragtime Country Joe", but Faye's memorable rendition of "You'll Never Know" is the best of them all. IT works as a perfect combination of Faye's sweet vulnerability and honesty. Faye's co-star John Payne is equally marvellous as Johnny Cornell. Contrary to a previous reviewer's remarks about Payne's stiffness, I didn't find him really that stiff. A bit stoic, maybe, but his Johnny Cornell is in perfect harmony with Faye's sweet Trudy Evans. And I can't imagine anyone else playing that role or doing a better job.
In all, a Glorious delight.
In all, a Glorious delight.
I don't know what is wrong with Leonard Maltin, giving this 2 stars and calling it a big comedown for the stars. This is one of my favorite musicals starring Alice Faye and she has never been so beautifully filmed in technicolor. Her costumes, hair styles and hats, are gorgeous as is the way she is made up.
Jack Oakie and June Havoc are joyous in their comic musical numbers. John Payne plays his ambitious, clueless, social climbing saloon keeper well enough. The opening number "Hello, Frisco, Hello" going right on into "You'll Never Know" is beautifully staged. Forever after this song was introduced in this film, it was Alice Fayes signature song and thousands of WWII couples danced and dreamed to it. Lynn Bari is also gorgeous as the rich femme fatale from Nob Hill that comes between Payne and Faye. But the story is secondary to the songs and stars.
A real pleasure that I keep in my permanent collections of films of the Golden Era. 8/10
Jack Oakie and June Havoc are joyous in their comic musical numbers. John Payne plays his ambitious, clueless, social climbing saloon keeper well enough. The opening number "Hello, Frisco, Hello" going right on into "You'll Never Know" is beautifully staged. Forever after this song was introduced in this film, it was Alice Fayes signature song and thousands of WWII couples danced and dreamed to it. Lynn Bari is also gorgeous as the rich femme fatale from Nob Hill that comes between Payne and Faye. But the story is secondary to the songs and stars.
A real pleasure that I keep in my permanent collections of films of the Golden Era. 8/10
Unlike many musicals from Warners and MGM, the scenes of stage performance in those from 20th Century Fox look as though they could actually be performed on a stage, with straight front shooting, and relatively little camera movement, except for close-ups. This approach works, if you have actors who can draw you in simply by their talent, Talent is abundant here, and the musical numbers are believably staged. Fortunately, there are many of these: enough to carry the hackneyed plot. After more than twelve years in films, Jack Oakie could still do comic dance and joke routines far superior to those of most; and is helped wonderfully by June Havoc, who should have received one of the co-star billings in the titles, instead of being listed second in the supporting cast. John Payne was the studio's dependable leading man, in both musicals and light drama. The beautiful Lynn Bari, who never broke through to star status, shines in the thankless role of the selfish society girl.
But Alice Faye is at her best in her last major musical for Fox. It's easy to see why Archie Bunker occasionally referred to her as his feminine ideal. She is gorgeous in Technicolor close-ups. Here, as in other films she wears period costumes more convincingly than most other actresses, who seem to be dressing up for a costume party. Her voice was unique, and her delivery understated; unlike many of her contemporaries, she can still be heard on CDs. I didn't count, but she must have sung ten or more numbers, alone or with Payne. Oakie and Havoc, including an opening and closing rendition of her signature "You'll Never Know". In a years later TV interview, she commented that toward the end of her Fox career she was being replaced by Betty Grable, whose more overt sex appeal made her famous during the war years, but whose career as a top attraction did not last as many years as Faye's (about ten) What impressed me was that she made that comment without any tone of bitterness. Incidentally, this is not a criticism of Grable, who had a winning, self-deprecating personality in later years. In another TV interview, when she was asked how she became a star, she responded: I could sing a little, dance a little, and act a little, but I had great-looking legs. I can't help comparing these two ladies, both of whom had long-lasting show business marriages, and both of whom seemed to be nice persons, with some contemporary "stars".
But Alice Faye is at her best in her last major musical for Fox. It's easy to see why Archie Bunker occasionally referred to her as his feminine ideal. She is gorgeous in Technicolor close-ups. Here, as in other films she wears period costumes more convincingly than most other actresses, who seem to be dressing up for a costume party. Her voice was unique, and her delivery understated; unlike many of her contemporaries, she can still be heard on CDs. I didn't count, but she must have sung ten or more numbers, alone or with Payne. Oakie and Havoc, including an opening and closing rendition of her signature "You'll Never Know". In a years later TV interview, she commented that toward the end of her Fox career she was being replaced by Betty Grable, whose more overt sex appeal made her famous during the war years, but whose career as a top attraction did not last as many years as Faye's (about ten) What impressed me was that she made that comment without any tone of bitterness. Incidentally, this is not a criticism of Grable, who had a winning, self-deprecating personality in later years. In another TV interview, when she was asked how she became a star, she responded: I could sing a little, dance a little, and act a little, but I had great-looking legs. I can't help comparing these two ladies, both of whom had long-lasting show business marriages, and both of whom seemed to be nice persons, with some contemporary "stars".
One of the best musicals ever to come out of Fox and one of the top Alice Faye showcases. Never mind the plot, just set back and enjoy the sultry velvety voice of the most beautiful Alice Faye, the finest song stylist ever to come out of Hollywood .
This beautiful film introduced the Academy Award winning song-"You'll Never Know" which Faye sings three times in the picture. This haunting song was reprised the following year by her in the wartime musical "Four Jills in a Jeep". It has been recorded countless times, however no one sings it like Faye. She pulls the heart strings in a professional fashion.
If you are not familiar with Alice Faye, do yourself a favor and discover why she was the Number #1 Box-Office star over Bette Davis in the early 1940's. I highly recommend this lavish musical entertainment.
This beautiful film introduced the Academy Award winning song-"You'll Never Know" which Faye sings three times in the picture. This haunting song was reprised the following year by her in the wartime musical "Four Jills in a Jeep". It has been recorded countless times, however no one sings it like Faye. She pulls the heart strings in a professional fashion.
If you are not familiar with Alice Faye, do yourself a favor and discover why she was the Number #1 Box-Office star over Bette Davis in the early 1940's. I highly recommend this lavish musical entertainment.
Charming period musical with Alice Faye as a saloon singer in love with social-climbing John Payne who has his eyes on Lynn Bari. The Barbary Coast is aglitter in Fox's brightest technicolor. The slim plot allows Alice to sing one of her most famous songs: "Hello, Frisco, Hello" which won the 1943 Oscar for best song.
With a sparkling supporting cast including Jack Oakie, June Havoc, Laird Cregar and Ward Bond, it is probably the best film teaming Faye with one of her favorite leading men, John Payne. He doesn't get as many chances to sing as she does, but he was regarded as Fox's most dependable leading man in musicals and matches her every step of the way. But it's her wistful rendering of the title tune, photographed in loving camera close-ups, that shows what star quality is all about.
Pleasant and tuneful, this is what war-weary audiences wanted back in 1943. A nice comeback for Faye who had been off the screen for a year.
With a sparkling supporting cast including Jack Oakie, June Havoc, Laird Cregar and Ward Bond, it is probably the best film teaming Faye with one of her favorite leading men, John Payne. He doesn't get as many chances to sing as she does, but he was regarded as Fox's most dependable leading man in musicals and matches her every step of the way. But it's her wistful rendering of the title tune, photographed in loving camera close-ups, that shows what star quality is all about.
Pleasant and tuneful, this is what war-weary audiences wanted back in 1943. A nice comeback for Faye who had been off the screen for a year.
Did you know
- Trivia"I've Gotta Have You" (music by Harry Warren, lyrics by Mack Gordon), sung by June Havoc, was deleted from the movie. Miss Havoc's pre-recording was released 1976 on the Out Take Records LP (which later would be reissued by DRG), "Cut! Out Takes From Hollywood's Greatest Musicals, Volume One."
- GoofsThe billboard on the opera house advertises the opera "Hansen and Gretel" instead of "Hansel and Gretel."
- ConnectionsFeatured in Alice n'est plus ici (1974)
- SoundtracksHello, Frisco!
(uncredited)
Music by Louis A. Hirsch
Lyrics by Gene Buck
Sung by a chorus during the opening credits
Performed by Jack Oakie, Alice Faye, John Payne and June Havoc
Played often throughout the picture
Details
- Release date
- Country of origin
- Language
- Also known as
- Hallå, Frisco!
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,400,000
- Runtime1 hour 39 minutes
- Aspect ratio
- 1.33 : 1
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