IMDb RATING
6.8/10
2.6K
YOUR RATING
A cowardly actor and a runaway princess are voyaging on a ship that is captured by a notorious pirate who recently buried his treasure on a secretly mapped island.A cowardly actor and a runaway princess are voyaging on a ship that is captured by a notorious pirate who recently buried his treasure on a secretly mapped island.A cowardly actor and a runaway princess are voyaging on a ship that is captured by a notorious pirate who recently buried his treasure on a secretly mapped island.
- Nominated for 2 Oscars
- 2 nominations total
Ernie Adams
- Hold-Up Victim
- (uncredited)
Betty Alexander
- Goldwyn Girl
- (uncredited)
Richard Alexander
- Holdup Thug
- (uncredited)
Gracie Allen
- Gracie
- (uncredited)
Ted Billings
- Citizen
- (uncredited)
Featured reviews
This one is so much better than Hope's later romp in the swashbuckling genre called CASANOVA'S BIG NIGHT.
VIRGINIA MAYO displays comic flair as Princess Margaret, the lovely Technicolor photography doing her full justice as the costumed princess running away from the villains with the cowardly Sylvester the Great (BOB HOPE) at her side. Hope is at his comic best, delivering every line with the sort of casual flair for comedy that served him so well during his early years at Paramount.
But having the most fun are VICTOR McLAGLEN as the hook-bearing pirate with a devilish gleam in his eye; WALTER BRENNAN as the maniacal, half-witted pirate called Featherbrain who relishes every scene and gives one of his best supporting role performances; and WALTER SLEZAK as the wicked man who wants the treasure map and Mayo for his own.
Not to be outclassed by these comic performances, we also have HUGO HAAS as the cabaret owner who shares some priceless one-liners with Hope who auditions for a job in his cabaret. The drinking scene is one of the highlights of the film.
Directed at a frantic pace by David Butler, this is one of Hope's most enjoyable romps and it's all dressed up in fancy Technicolor and lavish sets and costumes.
Not to be missed, if you're a Hope fan.
VIRGINIA MAYO displays comic flair as Princess Margaret, the lovely Technicolor photography doing her full justice as the costumed princess running away from the villains with the cowardly Sylvester the Great (BOB HOPE) at her side. Hope is at his comic best, delivering every line with the sort of casual flair for comedy that served him so well during his early years at Paramount.
But having the most fun are VICTOR McLAGLEN as the hook-bearing pirate with a devilish gleam in his eye; WALTER BRENNAN as the maniacal, half-witted pirate called Featherbrain who relishes every scene and gives one of his best supporting role performances; and WALTER SLEZAK as the wicked man who wants the treasure map and Mayo for his own.
Not to be outclassed by these comic performances, we also have HUGO HAAS as the cabaret owner who shares some priceless one-liners with Hope who auditions for a job in his cabaret. The drinking scene is one of the highlights of the film.
Directed at a frantic pace by David Butler, this is one of Hope's most enjoyable romps and it's all dressed up in fancy Technicolor and lavish sets and costumes.
Not to be missed, if you're a Hope fan.
Hokey parody of swashbucklers, Hope, Crosby, movies, and everything else. Terrible story, ludicrous development, mediocre supporting cast - but great gags, funny and entertaining. It comes off as a fine film, even before "a bit player from Paramount" steals the final scene. I first saw this in 1945, and have seen it four times since, and it retains its comic charm beautifully.
One of an increasingly rare breed of cinema - a comedy that actually makes you laugh, and as the fella above says, without relying on smut or toilet humour, but pure comic genius delivered with finesse by Bob Hope and the rest of the supporting cast. P and the P manages to also deliver a top of the range swashbuckling adventure which immerses you within minutes and keeps you there until the end.
The Princess and the Pirate is a charming example of how comedies used to be - and is as infinitely watchable now as I can only assume it was then (me being all of 20 at time of writing!). It is certainly as delightful as when I first saw it at age 10 or so, with none of the cheesiness or insincerity that becomes apparent with many childhood favourites when I revisit them years later. And that, I suppose, is the definition of the word 'timeless'.
The Princess and the Pirate is a charming example of how comedies used to be - and is as infinitely watchable now as I can only assume it was then (me being all of 20 at time of writing!). It is certainly as delightful as when I first saw it at age 10 or so, with none of the cheesiness or insincerity that becomes apparent with many childhood favourites when I revisit them years later. And that, I suppose, is the definition of the word 'timeless'.
The Princess and the Pirate finds Virginia Mayo taken prisoner by the infamous pirate the Hook played by Victor McLaglen. She's a princess who's run away to marry a commoner, a reverse on what had happened in the United Kingdom a few years back. Unfortunately the only help she can find is a ham actor who's running away from bad notices and bill collectors and he's none other than Bob Hope.
Hope did two films for Samuel Goldwyn and Goldwyn paid dear to Paramount for his services. Right after this film, success though it was, the price for Hope's services convinced Goldwyn he'd better sign a comedy star of his own as he had in the Thirties with Eddie Cantor. That was why Danny Kaye was brought over from New York to start his Hollywood career in Goldwyn's next film.
But The Princess and the Pirate turned out to be one of the biggest successes for both Sam Goldwyn and Bob Hope. Hope is really at the top of his game in this one. Virginia Mayo makes a perfect foil for Hope, it's a pity she didn't do more films with him. Walter Brennan plays an addled old pirate who's not quite as dumb as he lets everyone think he is and he and McLaglen compete with Hope for laughs.
The only one who looks like he's enjoying himself, but playing it very straight is crooked island governor Walter Slezak. He's got a working arrangement with McLaglen, but the two of them aren't above a little double cross.
Of course this is a Bob Hope movie and Hope manages to blunder his way through to survival. But as we learn he loses Mayo right at the end to a visiting bit player from Paramount.
Hope did make good on his word, he never did do another film for Goldwyn again. I guess he wanted to go out on a high note and The Princess and the Pirate is as high a comic note as Bob Hope ever struck in any of his films. Not to be missed by his legion of fans.
Hope did two films for Samuel Goldwyn and Goldwyn paid dear to Paramount for his services. Right after this film, success though it was, the price for Hope's services convinced Goldwyn he'd better sign a comedy star of his own as he had in the Thirties with Eddie Cantor. That was why Danny Kaye was brought over from New York to start his Hollywood career in Goldwyn's next film.
But The Princess and the Pirate turned out to be one of the biggest successes for both Sam Goldwyn and Bob Hope. Hope is really at the top of his game in this one. Virginia Mayo makes a perfect foil for Hope, it's a pity she didn't do more films with him. Walter Brennan plays an addled old pirate who's not quite as dumb as he lets everyone think he is and he and McLaglen compete with Hope for laughs.
The only one who looks like he's enjoying himself, but playing it very straight is crooked island governor Walter Slezak. He's got a working arrangement with McLaglen, but the two of them aren't above a little double cross.
Of course this is a Bob Hope movie and Hope manages to blunder his way through to survival. But as we learn he loses Mayo right at the end to a visiting bit player from Paramount.
Hope did make good on his word, he never did do another film for Goldwyn again. I guess he wanted to go out on a high note and The Princess and the Pirate is as high a comic note as Bob Hope ever struck in any of his films. Not to be missed by his legion of fans.
Of all of Bob Hopes comedies, sans Crosby, this has got to be the best. A movie you can watch not twice, but a hundred times,( as I probably have ) The classic "beer drinking scene" with "Hugo"! Virginia Mayo......... Walter Slezak.....Walter Brennan, Try as they may...Hollywood can't do any better, no filth, no bathroom jokes, what a challenge it must have been in those day's to bring you a film that did not need to rely on that. Watch and enjoy with your kids or along with the guy's and some beer, it's timeless. A true 10......
Did you know
- TriviaSamuel Goldwyn paid Paramount $133,500 to borrow Bob Hope for twelve weeks. During that time, Hope made this film and They Got Me Covered (1943). As part of the deal, Paramount also got the services of Goldwyn contractee Gary Cooper for the lead in Pour qui sonne le glas (1943).
- GoofsWhen The Hook's ship is attacking The Mary Ann, it is flying the Skull & Crossbones. Soon after that it is seen being raised.
- Crazy creditsOpening credits prologue: Many, many years ago there sailed the Seven Seas the most bloodthirsty buccaneer in history. Ruthless and daring he was, and, though his soul was black with foul deeds, he feared no creature, living or dead.
Because he had an iron claw for a right hand, this terror of the ocean lanes was known as . . .
THE HOOK
- ConnectionsFeatured in 100 Years of Comedy (1997)
- SoundtracksKiss Me in the Moonlight
by Jimmy McHugh and Harold Adamson
Performed by Virginia Mayo (dubbed by Louanne Hogan) (uncredited)
- How long is The Princess and the Pirate?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Princess and the Pirate
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Runtime
- 1h 34m(94 min)
- Aspect ratio
- 1.37 : 1
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