En route vers Zanzibar

This early entry in the Hope and Crosby canon may be their best. The Don Hartman gags are still fresh, and Bob and Bing are young enough to be romantic leads, which indeed they are. A spoof of the kind of jungle adventure movie popular at the time, one's enjoyment of this now more than sixty year old film may depend in part on the kind of movie it's making fun of, otherwise it might seem just plain absurd. It is anyway. Absurd I mean. Also very funny. The studio jungle looks like a studio jungle, which only adds to the air of the ridiculous, as does Bing's breaking into song at odd moments. Leading ladies Dorothy Lamour and Una Merkel are good foils for (as they used to call them) the boys. Good fun, and a great movie for the holidays.

A previous reviewer said something interesting about this second Road picture being a satire on all those Hollywood jungle epics. A pet peeve of mine has always been that American's concepts of Africa came out of those films. We were not in the imperialist game in Africa which was good, but we also knew nothing about these people, their politics and culture, and in some respects we're paying for that ignorance.

That being said, I can't hold up Road to Zanzibar for that kind of criticism. It's a comedy and a funny one. With the success of the Road to Singapore and the obvious chemistry between Bob and Bing, the boys could now unload their monkeyshines on the audience full blast.

This film marked the beginning of a long association between composer James Van Heusen and Bing Crosby. Van Heusen was replacing Jimmy Monaco as partner to Johnny Burke, lyricist, and this was the first of many Crosby films they would score.

And the songs followed the usual Road picture pattern. Bing starts the movie off by singing You Lucky People You under the opening credits and continuing it in the opening scene at a carnival sideshow, a nice patented Crosby philosophical number. Dotty sings You're Dangerous while trying to vamp Hope the schnook. But then Bing croons to Dotty It's Always You another ballad and finally Hope and Crosby have a patter number Birds of a Feather sung in up tempo as the law is closing in. In that same scene is Eric Blore, better known for Fred Astaire films and he contributes to the clowning with a nice touch.

In a sense this is the first real Road picture because Singapore didn't have a lot of the spontaneity the others do because no one figured it would be such a hit. So get out and hit the Road.

Bing Crosby, Bob Hope and Dorothy Lamour are at it again in the second film of the "Road Series" which follows "Road to Singapore" produced a year earlier. However, although the three actors have returned their characters are completely different. For example, Bing Crosby plays a con-man named "Chuck" who is constantly coming up with dangerous acts to use in a circus. Bob Hope plays his best friend "Fearless Frazier" who is generally the one who risks his life in whatever dangerous scheme Chuck has concocted. Yet for all of their experience in the confidence field they somehow end up being taken for a ride by a woman named "Donna Latour" (Dorothy Lamour) and her friend "Julia Quimby" (Una Merkel) who manage to convince them to take them on a long safari through the African jungle but conveniently leaves out the real reason Donna and Julia want to get there-so that Donna can marry a young millionaire. But what none of the four realize is just how dangerous this safari ends up becoming. Now rather than reveal any more I will just say that I thought this movie was a little bit better than its predecessor due in large part to the better coherence between the scenes. Likewise, the action was a little better as well. In any case, this was an entertaining comedy for the most part and I have rated it accordingly. Slightly above average.

Bob Hope and Bing Crosby are on the "Road to Zanzibar" in this 1941 film. They play circus performers, with the Hope character, Fearless Frazier, being shot from a cannon. Actually it's a dummy. One night, the trick doesn't go so well, and the boys set fire to the entire circus. After that, they travel the country and Fearless lights up a light bulb with his mouth or whatever his partner (Crosby) thinks up as an attraction.

When they've finally saved enough money to go home, Chuck (Crosby) goes to buy the boat tickets and returns, the owner of a diamond mine sold to him by a man (Eric Blore) who turns out to be nuts. Fearless sells it to two thugs, and then the two jump any boat they can to escape. Once in the "nowhere everyone says they're 500 miles from" they encounter two con women, Lamour and Una Merkel, who attempt to bilk them out of their money. Merkel is determined to get Lamour into the arms of a wealthy man named Bradley, so they make up some story so that Chuck and Fearless will finance the caravan through the jungle.

Very funny movie, with Fearless fighting with a gorilla being one of the funniest scenes. When Chuck and Fearless think the Lamour character has been eaten by a wild animal (she's swimming and they find her clothes on land), they bury her clothes and say words over her grave. Then there's "patty cake," which the natives love.

Classic Hope and Crosby, with Crosby taking his usual terrible advantage of guileless Hope, Hope falling in love with Lamour, who loves Crosby, and Crosby singing.

This film leaves you with a smile on your face. I never can get over how cute Bob Hope was.

ROAD TO ZANZIBAR (Paramount, 1941), directed by Victor Schertzinger, reunites director with his ROAD TO SINGAPORE (1940) players, Bing Crosby, Dorothy Lamour and Bob Hope. While this edition could very well have been a rehash from their initial teaming or a continuation to where the previous film left off, this second installment, having its major stars assuming new character roles, has not only become a sequel in name only but a much funnier outing by ways of jokes and incidents revolving around Hope and Crosby. Hardly resembling ROAD TO SINGAPORE by any means, ZANZIBAR can easily be categorized as the official opener to what has become relatively known as the "Road Pictures."

The plot revolves around boyhood pals Chuck Reardon (Bing Crosby) and Hubert "Fearless" Frazier (Bob Hope), working in a carnival where Chuck is a smooth talking con man and "Fearless" the daredevil who gets shot out of a cannon flying through a hoop of fire at a distance. Using a dummy in Frazier's place (is there a difference?), the act comes to a halt when the dummy obtains the fire, lands on one of the tents, and burns down the carnival, causing our heroes to make a run for it. Traveling on the road to Mugabund, Kipungo and Molanda, Frazier, after five years of traveling with his pal through sideshow acts, wants to break with the act and return home to Birch Falls. There's one thing standing in his way, and that's Chuck. Having paid Charles Kimball (Eric Blore) $5,000 of his pals savings for the map leading to a diamond mine, it is discovered the map is worthless. Fearless decides to get his money back by passing the map over to Le Bec (Lionel Royce). Discovering he's been tricked, Le Bec and his henchman (Buck Woods) go after them, forcing our heroes to make another run for it, this time on a boat to Zanzibar. While there, Chuck and Fearless meet up with Julia Quimby (Una Merkel), a woman in distress who asks the boys for money to rescue her abducted friend, Donna Latour (Dorothy Lamour) from a slave auction. With all that done, the boys further assist the girls by teaming up in a safari to help Donna locate her long lost brother, who, in actuality is only using the boys to help her meet with J. Theodore Brady, a millionaire whom she plans to marry. Realizing they've been tricked by a couple of American showgirls from Brooklyn, Chuck and Fearless break away from them, getting themselves lost in the jungle and ending up in the middle of a hostile native tribe. Paging Tarzan!

In spite of Dorothy Lamour now being part of the Hope and Crosby teaming, her scenes, though prominent, are actually secondary. While her character as well as Merkel's appears mid-way to limited results before disappearing during another long stretch before reappearing, the film overall belongs to Hope and Crosby from start to finish. Song numbers are at a minimum this time around, with new songs by James Van Husen and Johnny Burke, including: "You Lucky People You" (sung by Bing Crosby during opening titles and story introduction); "African Etude" (sung by natives chanting "Ba-toom-bomba"); "The Road to Zanzibar" (sung by Crosby); "You're Dangerous" (sung by Dorothy Lamour); and "It's Always You" (sung by Crosby). Interestingly, Hope doesn't get to sing any songs this time around. Although some sources credit "Birds of a Feather" to have been scored for the film, this, along with a cameo by Leo Gorcey, do not appear in circulating prints.

With Hope supplying much to the comedy and one-liners, Crosby also demonstrates his flare for comedy as well. Aside from their their traditional "paddy cake" routine, other highlights include Hope's wrestling with a gorilla (guess who wins), and their encounter with natives (with subtitles translating to what they're saying). Others in the cast include Douglass Dumbrille (The Slave Trader); Joan Marsh (Dimples); and Luis Alberni, Paul Porcasi and Leigh Whipper in smaller roles.

In spite of its fine slapstick and gags keeping the story moving at a brisk pace, ROAD TO ZANZIBAR, has become one of seven "Road" movies not be as well known or revived as the others, namely SINGAPORE (1940), MOROCCO (1942) and UTOPIA (1946). ZANZIBAR, along with the others in the series, have been readily available on home video and DVD, along with occasional cable TV broadcasts on American Movie Classics (1995-2000) and Turner Classic Movies(2005-2006, 2010-present). As a satire on jungle movies, ROAD TO ZANZIBAR is as good as it gets, you lucky people you. Next installment: ROAD TO MOROCCO (1942), hailed by many to be the wildest and funniest yet. (***)