The Mystery of the 13th Guest

A young woman's grandfather hosts a dinner party for thirteen guests, and he mysteriously dies. Thirteen years later, the woman believes that someone connected to the fatal party is trying to kill her.

I had never heard of this film before, and I doubt very many people have. Which is a shame. It has a good pace, a good story, and wraps up in around an hour. This is the kind of film anyone could enjoy.

In some ways, it has the feel of Agatha Christie's "And Then There Were None", but it is its own story and should not be written off as a derivative narrative. Well, unless you consider it derivative of the previous incarnation, "The Thirteenth Guest" (1932). As I have not seen that version, I cannot comment.

The Mystery of the 13th Guest is a not a typical example of the 40's Monogram pictures productions. This one outshines most of the typical "B" trappings they produced in the early 40's. 13th Guest made the most out of the typical wartime budget's and dimly lighted set versions that Monogram made famous. The female lead, Helen Parrish made it special because she was very uder-rated to say the least. She carries the film and adds some really good action to an otherwise typical haunted house movie. She reprises the Ginger Rogers role of 1932 and adds flare and style to the character. Dick Purcel is great as the wisecracking reporter. He died soon after the film was released and it was ashame as they really sparked together. I have not seen the film on tv since the late 40's and won't either. Most of the Monograms features were struck on celuloid so they aren't around anymore. My print is on Kodak safty film so it will never die!

The Morgan house at has been locked up for thirteen years, ever since the death of the family patriarch (played in flashback by Lloyd Ingraham). There was, of course, the usual rigmarole of mutually antagonistic heirs, a shady lawyer, and a will calculated to make things as difficult as possible for everybody. The dying Morgan had summoned Barksdale the lawyer and all ten of the heirs out to the house to discuss his impending death and its aftermath. Morgan's will was sealed, its contents secret even from Barksdale, and it was to remain so until the youngest of his grandchildren- eight-year-old Marie (played as an adult by Helen Parrish)- turned 21. When Marie turns 21 yesterday, she lets herself into her grandfather's house, she finds it exactly as it was thirteen years ago, except with a telephone installed, which doesn't make a lot of sense in a house where nobody lives. A shot rings out, and Marie rushes to the mysterious telephone to call the police. No sooner has she lifted the handset to her ear, though, than she goes into convulsions and sinks slowly to the floor, apparently dead. Soon more dead bodies follow...

Decent enough mystery with a idea typical of the era, some fine creepy house atmosphere and shadows and a creepy looking killer donned with mask a la michael Myers, however it doesn't really lifts itself above ordinary. Still it's watchable and there's some good humorous dialogue.

I had high hopes for this one after reading only the little blurb that comes up with the olde timey movies on Tubi but ... whoa .. is it ever a stinker.

II's like an expanded three stooges short directed by Ed Wood but without the charm of his ineptitude. The characters are not introduced or developed ... any of them. The running jokes are not even vaguely amusing.

It's a mess. Give it a miss !

Mystery of the 13th Guest (1943)

I have to admit, I started this with too high expectations--it had great mood, great B-movie sets, and a plot that sounded great in an Agatha Christie way. But then the corny style of acting kicked in--it's a kind of pre-TV flippant entertainment, purposely aiming for a slight, silly humor at the expense of real drama. Too bad.

So I watched the rest with half an eye, which was enough. The plot is highly contrived and highly important--it's a whodunnit, for sure, with a series of growing clues and new characters. The detective is just too absurd to work--he doesn't even serve as a parody of the newly crystallizing Bogart kind of hardboiled detective. And there a too many scenes with a lot of people standing around a room (a living room or a detective's office), with not a lot of clear tension of development, just exaggerated chitchat.

So, why watch it at all? I'm not sure! But I did, from the side, and there are some great stereotypes (call them clichés) at work--dark shadows of men in fedoras, a haunted old house, a murder and the threat of more murder, even a terrific (haha) trap door. It verges on Three Stooges kind of humor now and then but lacks the true slapstick genius (at times) of those guys (who began in the 1930s and were really big by the 1943), but you can sense an echo of them (one of the detectives even makes little Curly and Moe noises). This version of the movies is actually a remake of a better if not brilliant 1932 film, starring a young Ginger Rogers (and available to see free and legal at this site: www.archive.org/details/The_Thirteenth_Guest).

If you are really feeling frivolous, this might be fun. But your are forewarned.