Le vaisseau fantôme

The picture deals with Tom (Russell Wade), a third officer who embarks on the ship Altair under command the stiff Captain Stone (Richard Dix) . Strange deaths of crew seamen originate confrontation among different personalities : a distrustful officer and a tough captain obsessed with authority .

Tension and suspense are continued and appear menacing and lurking in cabins , stairs , docks and pier . The movie has the expressionist Germanic atmosphere ; besides , being reflected in the captain's bizarre and quirky interpretation . Cinematographer Nicholas Musuruca (Cat people and Stranger on third floor) creates a magnificent camera-work , along with John Alton are the essential artificers of Noir cinema atmosphere . Cinematography is excellent , dark and lights are originating eerie and creepy scenarios . The film is produced by RKO (Radio Picture Inc.) and by Val Lewton , the great producer of horror classics (Cat people , Leopard man , I walked with a zombie) ; plus , he produced for director Mark Robson various movies (Bedlan , Isle of the dead and Seventh victim) in similar conditions . Habitual RKO musician , Roy Webb , composes an atmospheric score with the usual musical director Bakaleinikoff . Good production design in charge of Albert D'Agostino . RKO had built an expensive ship set for their 1938 production Pacific Liner (1939) , Val Lewton was given instructions to come up with a film that could use the still existing set . The motion picture well well directed by Mark Robson . The picture will appeal to classic cinema buffs.

Tom Merriam is a third mate on the Altair, a cargo ship headed by Captain Stone, who Merriam looks to as a father figure, since Stone has the experience and the full loyalty of the crew. Merriam's opinion of his commanding officer is changed after a series of events (including the death of a mate due the captain's interference) and Merriam believes that Stone is unfit to command the ship. A hearing at the ship's port has the crew and line agent side with Stone, and Merriam is relieved of his duties as third mate. While on shore, Merriam is knocked out for trying to stop a fight, and is put back on the Altair much to his and Stone's disapproval. Stone says Merriam is now a guest on the ship, but the crew shuns him and Merriam believes that Stone is going totally insane and plans to kill Merriam, who now has to find someone to believe him before its too late. Underrated (and for a long time, unseen) classic from the Lewton-RKO 9, with above average script, camera-work, cinematography, but highlighted by probably Dix's best performance as Stone, as a man who is insane try to fool himself and those around him by acting normal. Excellent moments of suspense (especially for me when Merriam notices the lock missing from his door) make this a film one to get a hold of. Rating, 8.

The rarest of the Val Lewton horror films. Exceptional chiller about a much beloved Sea Captain (Richard Dix) slowly going mad. What makes the film stand out are a few key scenes- an anchor blindly swings above the deck, crushing portions of the boat while frightened sailors try to stop it- Dix locking a man in a room sized container for the anchor chain- Dix and a very unlikely hero having a bloody knife fight in the dark while unsuspecting sailors play Calypso music not far away. Not up there with Lewton's "Cat People", or "Seventh Victim", but a good horror classic nevertheless.

"The Ghost Ship" has Russell Wade as a naval captain, Tom, who boards a ship in San Pedro, only to find that something seems odd about the captain, Will Stone. Strange occurrences plague his time on the sea, and soon Tom becomes convinced that the captain is a homicidal maniac who has the entire crew under his thumb.

This downbeat and tightly-written psychological thriller was Mark Robson's second collaboration with producer Val Lewton, the first being the phenomenal Satanic horror noir "The Seventh Victim". This film feels lighter in tone than the former and packs a bit less of a punch— it is free from the nihilistic streak of "The Seventh Victim," though it still implements a fair amount of commentary on matters such as the nature of authority and questions about power. The more philosophical bits of dialogue feel somewhat hokey, though they are relatively few and far between.

Looked at from a contemporary standpoint, it's a film that may have been ahead of its time, as it stands as an early example of the "paranoid protagonist" trope, in which the audience comes to question the reliability of the character's potentially unfounded fears about a person or place. As Tom's fears of the captain and his wielding of power grow, the reliability of his perspective is called into question; Robson screenwriter Donald Clarke play up this tension magnificently. Wade is a solid sympathetic protagonist, while Richard Dix is fittingly aloof. The dialogue between the two ranges from somewhat weak to fantastic, but in general, they play off one another nicely.

The film has a thrilling, unexpectedly violent and grim finale, which punctuates what is overall a mellow psychological drama. Overall, "The Ghost Ship" is a modest but well-made thriller; while it's not one of Lewton's greatest collaborations, it's a claustrophobic, fine film that is lifted up by atmospheric set pieces, some very nicely-orchestrate scenes, and a consistent feeling of unrelenting paranoia. 7/10.

The title of this film is misleading as it implies a ghost story.....but of course, it isn't. In fact it isn't even a horror film in the general sense. It is more a psychological thriller, surrounding the personality of the ship's captain, played by that old war horse, Richard Dix. And he does a terrific job of letting the viewer glimpse the madness beneath his controlled exterior. His byword is "authority" and he goes to unbelievable lengths to assert that authority.

Russell Wade, with whom I am unfamiliar, plays the Third Officer, who sees through the captain in short order and vainly attempts to convince the crew of Dix's insanity......but to no avail. The only person who is aware of the problem is a mute played by probably one of the most unattractive and busiest character players in Hollywood, Skelton Knaggs and he becomes somewhat of a hero in the final few minutes of the film. Edith Barrett, who was used by Lewton in other films, makes a limited appearance as the captain's inamorata. Look for Lawrence Tierney, future Hollywood bad boy, as a target of the captain's revenge.

Val Lewton was the master of atmospheric films made on a limited budget and he doesn't miss with this one. It's a dandy!!