La Malédiction des hommes-chats

Robert Wise directed this sequel to "Cat People", set several years later. Oliver Reed(played by Kent Smith) and Alice(played by Jane Randolph) are now married with a six-year old daughter named Amy(played by Ann Carter). Amy is a lonely child who has a hard time making friends, and seems to prefer living in her fantasy world, visited by the ghost of Irina(played by Simone Simon) Irina looks after Amy, but Oliver wants nothing to do with this, insisting that Amy must be socialized. Amy does befriend an elderly woman in her "haunted" house, though her daughter(played by Elizabeth Russell, though not as her cat lady character from the first) is resentful. Amy will later run away from home, becoming lost, though she is far from being alone... Unique and thoughtful sequel builds on the story from Part I, rather than repeating it, and result is most satisfying. (No third film was made however!)

This film is so much more than it appears to be at first viewing. It is essentially an adult's view of a lonely child's fantasies and how those fantasies affect her relationships with the adults around her. The performances are uniformly excellent with Ann Carter as Amy, the lonely girl, a standout. Her angelic look is perfect for her character. Also excellent are Julia Dean as Mrs. Farren, the ex-stage actress living in her own fantasy world, and Elizabeth Russell as her daughter, Barbara. And to justify the title reference to "Cat People", Simone Simon appears as Amy's imaginary friend. This is a small film that deserves a much larger audience. Excellent in all respects.

Lewton's sequel to the almighty "Cat People" is a mesmerizing and elegant fantasy, but it is by no means a horror film. It's a touching drama and a perceptive social portrait that makes a great study on loneliness and creating an alternate dreamworld. In this case: a young girl that hasn't got much contact with her classmates because of her constant daydreaming and often alarms her parents due to her isolated position. Amy eventually finds true friendship in the supernatural form of Irena, the deceased first wife of her father. Although entirely different in purpose and message, "Curse of the Cat People" actually has a lot more in common with its predecessor than it looks. Three essential characters return and their personalities haven't changed. Irena (played by the goddess Simone Simon) is still a warm-hearted but frigid woman and Ollie is still a loving man incapable of handling the supernatural events around him. Basically, this sequel is quite a unique achievement in cinema as it forms a solid wholesome with the first, despite implementing an entirely different tone. There are some genuine moments of fear, but these are the result of a terrific sub-plot in which an elderly Mrs. Farren (Amy's neighbor) accuses her daughter Barbara of being an impostor and a replacement for her real daughter who died in an accident. The film is beautiful to look at, with a stunning photography and excellent sets. The end-sequence (involving an imaginary metamorphosis) is breath-taking and one of the most enchanting moments in cinema history. The acting performances are flawless and the crush I had on Simone Simon only got intenser! Robert Wise does a terrific directing job (his debut) along with the unknown Gunther Von Fritsch. Wise continued working for Val Lewton one year later with the effectively creepy "The Body Snatcher". I will probably always prefer the original "Cat People" – simply because that is one of the most impressive and intelligent stories ever – but this imaginative sequel is almost as brilliant. Highly recommended.

'The Curse Of The Cat People' isn't really a sequel to 'Cat People' despite several recurring characters. It also isn't strictly a horror movie, despite having some suspenseful moments. Like 'Cat People' the line between the real and the imaginary is blurred, and being a Val Lewton production it is extremely atmospheric. 'Cat People's director Jacques Tourneur is replaced by Gunther von Fritsch, who I confess to know absolutely nothing about, and Robert Wise, who among many other things, is beloved to genre fans for 'The Day The Earth Stood Still' and 'The Haunting'. I'm not as big a fan of the latter as most horror buffs, I actually think 'Curse Of The Cat People' is the better movie. Kent Smith and Jane Randolph reprise their 'Cat People' roles. They are now married and have a child (Amy, played by the talented child actor Ann Carter). Smith is still trying to get over the death of his first wife Irena (Simone Simon), a story we know from the earlier picture. Amy is a loner with a rich fantasy life and this increasingly troubles her father, who fears it's going to be Irena all over again, even though Amy isn't her child. Amy wishes for a friend and begins to see Irena. Like 'Cat People' this can be "read" in any way the viewer cares to. This movie is one of the best I've ever seen about childhood and fantasy. Ann Carter is just terrific, and I particularly enjoyed the subplot involving her eccentric neighbours played by Julia Dean and Elizabeth Russell. These scenes were creepy and very gothic reminding me of both 'Rebecca' and 'Great Expectations'. Russell also had a very memorable bit in 'Cat People'. Her scene towards the end of the movie with Amy is unforgettable. 'Curse Of The Cat People' is overshadowed by 'Cat People', but to me it is almost as great. I highly recommend both movies and other Lewton productions like 'I Walked With A Zombie' (directed by Tourneur) and 'The Body Snatcher' (directed by Wise). These are some of the most important and influential horror movies ever made.

Curse of the Cat People is an intriguing tale, beautifully filmed in a style that bears more resemblance to a Grimms fairytale than horror, with a mesmerizing performance from Ann Carter. This is her film and she is strong and convincing in the role. The exploration of the insecurity of the child coupled with a troubled relationship with her father is fascinating. I have not seen Cat People and, possibly, aspects of the history of the demise of Irena would be clearer having seen the original. The expectation of a "horror" film with the suggestive title is also misleading. If you are looking for horror you will need to look elswhere. This is ultimately a surprisingly sensitive and uniquely haunting film that would appeal on many levels.