Le Faucon pris au piège

This is the fifth Falcon film, the first with Tom Conway in the role, and the first with a major director, Ed Dmytryk. Consequently, artistic shots begin to appear: when someone pulls a gun on one occasion, Dmytryk cuts to a dramatic closeup of the gun barrel pointing at the camera. An ingenious tracking shot of Conway walking along the edge of a swimming pool talking to a woman who is swimming was replicated in 1985, 42 years later, in 'The Sure Thing' directed by Rob Reiner. The screenwriters of the previous film have been dumped because they did not provide enough humour, and this time humour is back, and plenty of it. Dialogue crackles again in top form. Unfortunately, Keye Luke as the butler is gone, so a lot is lost in that department. There are some splendid villains, and it is a good solid wartime espionage thriller, excellent B movie stuff. Conway is as urbane and smooth as his brother, and just as compulsive a girl-chaser. There are some wonderful gags, and the women swooning as Conway kisses them, or flocking to his arms asking for his help, are played for all they are worth. Wonderful fun and an intriguing mystery tale done with style.

First in the series in which Tom Conway stars fully on his own as the Falcon. Tom starts and ends this movie by being dragged into danger by a beautiful damsel in distress – Rita Corday starts her appearances in the series with this film. Some good comic bits include two tramps telling Tom the time by an improvised sundial (and then commenting on how fortunate they are for their state of affairs compared to Tom). The basic plot involves a war bond theft, a murder at a swimming pool, and Tom's relationship with Jane Randolph (who swoons to his kiss). Cliff Edwards' only appearance as Goldie Locke (better portrayed in later films by Edward Brophy). Edwards does much better later as the voice of Jiminy Cricket. Edgar Kennedy seems miscast but the introduction of a puppeteer as a character is interesting. An early Harriet Hilliard as a resort manager will be more remembered in the Ozzie and Harriet TV series. The Falcon and his cronies always seem to outmaneuver and yet assist the bumbling policemen. The past is too fast for much character development. Good directing saves this entry into what is otherwise only a fair series.

I taped the whole Falcon series from UK TV in 1988, I guess I must have seen every entry at least 10 times so far since and this is one of my favourites. It's the usual inconsequential mix of comedy and crime, smart ass one-liners and murders, non-serious but jealous romances, and atmospherically photographed melodrama that can keep you pleasantly occupied for just over an hour, that is if you like the genre.

Tom Lawrence (Tom Conway's first solo flight as the Falcon) while recovering from a hangover is disturbed by an exotic woman who's just come in through the bedroom window. She orders him to find her brother, much to the disgust of his girlfriend Jane Randolph who again is a rather unreporting newspaper reporter. That is the ruse to ensnare and frame him in a USD 250,000 War Bond robbery, his efforts to clear himself from the chasing cops and get the real baddies is the plot. The search takes him and Goldie via the Volunteer Knitters For America to a rather splendid (studio bound) Pinecrest Hotel, where it seems all of the guests are shifty about something and who deserve watching – even old RKO stock slapstick characters. Only downside: the murderer's alibi always struck me as technically pretty feeble. Favourite bits: the 5 second interchange between the hotel bellgirl, the Falcon checking in and the receptionist – an incredible lightness of touch! Also Inspector Cliff Clark's terse command to give Mr. Wong a bong and bring him along – though it wouldn't win praise from the pc brigade today.

Overall, a nice watch for fans of 40's b&w b features, one I hope to be spared to watch another 10 times – where's the Deluxe Complete Collection Edition DVD??

The Falcon films with George Sanders were mostly very enjoyable, with only 'The Falcon's Brother' being lacking. Tom Conway's first solo outing in the title role is one of the better films in the Falcon series, and Conway is every bit as good as his brother.

Faults are few. It is agreed that the murderer's alibi is a bit on the feeble side and arouses suspicion somewhat at that point. There are two exceptions to an otherwise great cast. One is Harriet Hilliard (or Harriet Nelson), who comes over as a stiff and one-note actress in a pretty limited role. The other is Cliff Clark, who mugs in a buffoonish manner, makes one miss James Gleason who would have been a much better choice.

Conway however is perfectly cast, bringing the very same qualities to the character that Sanders did and is very clearly enjoying himself. Cliff Edwards is amusingly solid as Goldie (the character making a welcome return after being sorely missed in 'The Falcon's Brother'), a worthy replacement for the admittedly still superior Allen Jenkins. Jane Randolph and Rita Corday are very charming support, and Edgar Kennedy proves in his splendidly malevolent performance that he is much more than a slapstick stooge. Edward Gargan's material is much stronger here, and he's fun.

Advantaging them all the way are the playful, crackling script, an absorbing story that balances humorous comedy with suspenseful mystery (if occasionally rushed, which is the fault of the short running time) and superior direction from Edward Dmytryk. Production values-wise, 'The Falcon Strikes Back' is slick and atmospheric, and the music lively.

On the whole, very entertaining film and one of the best of the series. Conway's first solo outing couldn't have been a better one. 8/10 Bethany Cox

In this episode of the Falcon, Tom Lawrence is investigating a theft of war bonds and murder. Considering it was made during WWII, it isn't surprising that they added the patriotic angle--something that happened in other similar films, such as some of the Sherlock Holmes and Charlie Chan movies.

This is a pretty good Falcon movie that stars Tom Conway (real-life brother of George Sanders who had played the Falcon in several earlier films). While not his best of the series (for example, I liked THE FALCON AND THE CO-EDS and THE FALCON'S BROTHER just a bit more), it was enjoyable and engaged me. However, no matter how good this film was, I found myself comparing it to the earlier Sanders films again and again. While there is a lot of similarity between the actors (both physically and in their melodious voices), the earlier films seemed to have a bit more energy and charm--probably because by now the series seemed a bit formulaic and predictable. Still, for a B-detective series film from the era, it's slightly better than average and is definitely worth a watch.

By the way, the Harriet Hilliard who plays one of the ladies that turns the Falcon's head is the same Harriet from "The Ozzie and Harriet Show". While competent in the film, she didn't seem especially like the ladies the Falcon usually fell for or rescued.