Sacramento

This was a John Wayne film before he became a major star. If you remember this and that this was never meant to be a top-quality film with a big budget, then you will probably see that for what it is, it does very well. This western is a bit better than the average western because Wayne's acting is as good as ever and Albert Dekker is a great villain as well. Plus, the writing is very good for this type of film--with excellent dialog and the plot moves along very nicely as well. So, overall, all the necessary elements for a B-Western are here. Oh, and I almost forgot, it has a lady (Binnie Barnes) who is pretty much there as a plot device (after all, you NEED a woman to come between the men in this type of movie--or so it seems). The bottom line is this is fr from great, but very watchable for those who like the genre.

Boston druggist John Wayne travels to Sacramento to open a drug store. On the way he angers big-shot Albert Dekker, who attempts to blackball Wayne, only to find him partner up with his girlfriend, leading to the inevitable love-triangle, skulduggery, and showdown.

One of the minor Wayne westerns cranked out by Republic Pictures in the nineteen-forties, this mild programmer is pleasant enough entertainment, though nothing really to write home about. It could have been a little better.

The Duke is a bit softer than usual, in a role that's a lot different than you're used to seeing, that of an educated, suit-wearing gentleman.

This western from the Republic is a good surprise. First for the character played by John Wayne, a pharmacist, who doesn't fire a single shot during the whole film and doesn't kill anybody. So he is not a typical John Wayne. Then the story, which cleverly mixes John Wayne's uneasy relationship with the titular villain, Albert Dekker (who tends to squint a bit too much), as they both covet Binnie Barnes, one unknowingly, the other very ostensibly. Then the arrival of the gold discovered in California and the madness that goes with it will change the game. The villain remains the villain of course.

Note that it is co-written by three writers, including two women. One of them having been a gagman at Universal (Frances Hyland). The comic relief is provided by Edgar Kennedy and Patsy Kelly, who are not subtle, but who contribute to the originality of this western.

The whole thing is mounted with rhythm where things happen quickly, without any dead time. With multiple settings. To serve these different plots, where everything is guessed, the film is conducted with efficiency by combining entertainment and dynamism.

One of the many gradually improving westerns Republic created for their biggest star in the early forties, "In Old California" was still very much in the 'B'-picture mold, but was a very entertaining tale of young Boston druggist Wayne relocating to Sacramento (echoing his real-life father's journey from Iowa to California, as a pharmacist), where his modern ideas and integrity (and the attentions from saloon girl Binnie Barnes) puts him at odds with 'town boss' Albert Dekker. While fundamentally a pacifist (Wayne diffuses potential confrontations with an ability to bend coins in his fingers!), Dekker, seeing him as a threat, decides to eliminate him by switching medicine with poison, discrediting him...but Wayne would soon have an opportunity to redeem himself...

The film benefits from the comic talents of two of Hollywood's best comedians, Edgar Kennedy (master of the 'Slow Burn') and Patsy Kelly (an old pro at sarcastic wisecracks), the teasing byplay between Wayne and Barnes, and his confrontations with Dekker (one of the 1940s' best 'villains', and a perfect foil for the young 'straight-arrow' leading man).

One of Wayne's more 'offbeat' oaters, but still a popular entry, during one of Wayne's busiest years!

Once John Wayne got passed B movies, he moved from hit to hit for the most part. Most of those movies are films people know, Stagecoach, Flying Tigers, Back to Bataan, among others.

In Old California doesn't get so well known. But what it is, is an absolutely well crafted western, and in a rare case for me... an authentic feeling romance that does NOT dominate the plot but rather spreads itself subtly through the entire film, complete with a few twists.

Everyone's characterization is excellent, from comedic value, to heroes and villains. This is an excellent John Wayne film for anyone who wants to find yet one more to enjoy.