La Fille et son cow-boy

I won't bother to rehash the plot details, as others have already done so, but simply wish to express how much I enjoyed this film. It was a real treat from start to finish - slightly offbeat & definitely funny (but not goofy enough to be screwball) and sweet & romantic but not sentimental enough to be sappy.

Director William A. Seiter (who helmed "Sons of the Desert", Laurel & Hardy's best film, as well as other successful comedies) takes what is perhaps a shopworn premise and turns it into something special with the help of two extremely capable stars. John Wayne reveals his often underrated talent for light comedy in this - coming across just as masculine as always but with a sweet, funny softness that makes his Duke Hudkins extremely endearing. Jean Arthur is in a familiar role, playing a quirky but sweet city girl (Molly J. Truesdale) with just the right amount of spunk. Note her unconsciously forward behavior when the two of them first meet - wow! They are surprisingly wonderful together - watch the gentle, tender way the scene in the hay is handled. And never once did I feel like Jean Arthur faded to the background in Duke's presence. (In quite a few of his films, he is so charismatic and powerful a presence that his leading lady winds up looking about as charismatic as wilted celery.)

There are some funny scenes involving long bus rides, cold desert nights, sneezing horses, rodeo "groupies," bucking broncos, and broken cameras. The supporting cast is great, but they haven't much to do as this is really a film about a boy and a girl. Sharp-eyed fans of Gene Kelly and/or Frank Sinatra will recognize Grady Sutton from "Anchors Aweigh" as one of Molly's unspeakably drab beaux.

This is a movie about two people who are the least likely to couple. Our girl Molly(Jean Arthur) is taking a cross the country bus tour to clear her head of men. Seems she has three of them! They just aren't her type though.

Bring in John Wayne as Duke Hudkins. A good looking rodeo rider that runs into our Molly and thinks she would be a great one night stand. That's what he thinks. She does like him alot. He is after all, a REAL man who is unlike the other men she has met in New York. Seems rodeo men are kind of scarce there. The Duke likes women, ALOT, and has no thought of settling down. That's what he thinks. Now Molly wants him bad. How to hog tie this cowboy is the question.

This movie is cute though with an quite impossible plot, but hey it's Hollywood. Not a classic like "Devil and Miss Jones", "Easy Living" or "More the Merrier", but a good film just the same.

I thought I was going to see a John Wayne shoot-em-up western, but instead I got a fun black and white comedy. The only western action is in watching the rodeo scenes. John Wayne plays a total cowboy-- he is stuck in his cowboy ways and loves his horse more than anything else. Although John Wayne's character is prominent in the story, he is obviously not the lead. His character was there for Jean Arthur to play against. I will go as far as saying that the part of Duke Hudkins could have been played by another actor. Even without the John Wayne touch, the movie would have been just as good because of Jean Arthur as Molly Truesdale. It was a good role for Jean Arthur, and she made it the best it could be. This was her movie, and she got top billing.

I love her voice!

Jean Arthur sparkles in this wartime comedy, as Molly Truesdale, a sweet, pretty salesgirl overwhelmed by 3 overzealous suitors! To get some peace and quiet, she takes a bus tour out west, a trip that sounded romantic in the travel brochures, but grows tedious, after monotonous days pass, and she has to fend off passes by the bus tour guide (Phil Silvers, in one of his many terrific comic relief roles of the '40s)!

Truesdale finally decides to combat her 'cabin fever' on the bus by attending a rodeo. She has a wonderful time, until one of the contestants literally falls into her lap! As the two disentangle themselves, she gets a good look at Duke Hudkins (John Wayne), and it's love at first sight!

Duke is the suitor she'd always dreamed of; handsome, virile, and 'all-man', and she begins a pursuit of the cowboy that is both uncharacteristic for her, and confusing for him! Despite warnings from his best friend, Waco (Charles Winninger) that this girl was after more than just a night of partying and passion, Duke invites Molly out, and the innocent city girl experiences her first evening of carousing! When, at evening's end, she puts the brakes on his amorous advances, he discovers she's not just another 'groupie', and that he's falling for her, too!

A romantic comedy of 'opposites' finding true love, 'A Lady Takes a Chance' benefits from the delightful performances of the two leads! Jean Arthur had a Meg Ryan-like quality of projecting both innocence and sexiness, and she makes Molly's transition from 'pursued' to 'pursuer' both believable, and understandable! John Wayne is equally good, sexy and easy-going, yet conveying Duke's confusion at the feelings he has for Molly, and his gradual realization that he'll have to 'take a chance', himself, to earn her love!

True, the tale follows your basic 'boy meets girl-boy loses girl-boy gets girl' scenario, but under the sure direction of pros William A. Seiter (who directed Astaire and Rogers in 'Roberta', and Shirley Temple, in 'Stowaway'), and Henry Hathaway (the legendary filmmaker who would direct Wayne's Oscar-winning performance in 'True Grit', 26 years later), the story has a freshness and charm that is unbeatable!

Whether you're a Wayne and Arthur fan, or you just love a romantic comedy with a happy ending, 'A Lady Takes a Chance' will bring a smile!

A Lady Takes A Chance is a pleasant easygoing comedy about a young working class woman who saves and splurges for a bus tour out west. Jean Arthur as the vacationer gets a whole lot more than she bargains for in the form of rodeo cowboy John Wayne.

The Duke literally sweeps her off her feet after literally landing in her lap. Wayne gets introduced to Arthur when he gets tossed off a bucking bronco right into the front row section where she's seated. It's an interesting courtship because the Duke has a retinue of two others who are above her in his personal pecking order. Sidekick Charles Winninger and his horse Sammy.

In fact Sammy almost breaks the two of them up. Arthur takes a horse blanket meant for him to keep herself warm during a cold prarie night while they're camped out. Wayne has to teach her a bit about western etiquette.

A Lady Takes A Chance though it came out in 1943 had to be backdated to 1938. There were severe restrictions on travel at that time, the movie going public simply would not have bought a story that was current.

In a recent biography of Jean Arthur, Arthur was quoted as saying that she liked the movie and got along with John Wayne. She also says she wouldn't have had she known of his political views. Come to think of it, a whole bunch of Arthur's leading men, Gary Cooper, Joel McCrea, and James Stewart also didn't have views that would have meshed with hers.

Charles Winninger in his one and only appearance with Wayne does well in the sidekick role. Phil Silvers has a small role as a most obnoxious tour guide. I can't imagine going cross country listening to Phil Silvers shtick for a couple of weeks straight.

Jean, good thing you met up with Duke or you should have got your money back. But for the movie going public, A Lady Takes A Chance was well worth the price of admission.