Riposte à Narvik

We have seen this before, the freedom fighters of Norway under Nazi occupation, their hardship, their courage, their determination, their heroism and so on, and if this film at least is better than "The Moon Is Down" on the same theme, it's not up to Errol Flynn's "The Edge of Darkness". The one outstanding asset of this film though is the leading lady, a very young Deborah Kerr, who in a way sustains the whole movie. In the beginning she is just a very cheerful and happy Norwegian lass, but when the Germans come to build an oil refinery, which turns out to be a submarine base, the Norwegians get into trouble, and in order to save her father's life (Finlay Currie) Deborah has to marry the local Quisling, the local police, whom the Norwegians don't know at first that he is collaborating with the Germans (Francis L. Sullivan, awesome as usual.) When Hugh Williams as an English spy learns this on his second coming, he fell in love with Deborah during the first, he is not very happy.

It's a very typical British edifying war film from the very darkest year 1942 and sides with many others of the same kind, outdated today, but still interesting for their great moral enthusiasm about surviving and fighting tyranny.

Called the day will dawn in europe, but the avengers in canada and the united states. It's a brit film. Reporter colin metcalfe (hugh williams) is assigned to the european beat, after hitler moves into poland. When the germans sink his boat on the way to norway, no one seems to believe him. But he does fall for kari (young deborah kerr, in an early role), the captain's daughter. And as the german ships come into the harbor, pretending to be merchant ships, colin is abducted and held prisoner by the germans. Will metcalfe ever get to tell what he knows? Will his stories make a difference? The script is peppered with patriotic messages. A call to take action, avoiding neutrality, as hitler moves into more euro countries. Acc to imdb, this was released in the united kingdom in june 1942, so both britain and the united states were already actively in the war by then. This seems to start the story from earlier, before britain was involved in action. Directed by harold french. According to wikipedia dot org, french lost his own wife in a bombing raid in 1941. Produced by general films, and distributed in the united states by paramount. It's a little disjointed, but does show the chronology of events in europe.

This movie is markedly more propagandist in tone than most movies made in the UK about the war while it was still in progress.It more closely resembles the overtly patriotic US pictures from the same era such as Guadalcanal Diary or Back To Bataan .It does not neglect to pay a merited tribute to the Norwegian people for their resistance either.

Hugh Williams plays Colin Metcalfe ,a London journalist sent by his paper to Norway , soon to be conquered by the Nazis .He falls in love with Kari Alstead (Deborah Kerr)the daughter of a local fisherman(Finlay Currie).He returns to London after a short posting to Norway where he witnesses a Nazi submarine in operation .He is sent back to the country by Naval Intelligence to help the Royal Navy pinpoint the exact location of the U-Boat base from which crippling attacks are being launched on allied vessels .In the time he was away Kari has been forced to enter into an engagement with the Quisling police chief Gunther(Griffith Moore)in order to protect her father from arrest by the local Nazi chief (Francis L Sullivan).He is able to engineer a raid which is in turn followed by brutal Nazi repression The movie gives a good picture of life under the jackboot and is well acted -although for all her talent Deborah Kerr is not ideal casting as a Norwegian fisherwoman .Ralph Richardson impresses as a journalist and Roland Culver is good as Naval Intelligence man Rousing and patriotic, the movie ends with a typically robust Churchillian sentiment that still stirs the blood and it is good to see British cinema indulging in patriotism rather than restraint for once

The purpose of many of the films made during WWII was to rouse the people in favor of the war effort....a sort of positive propaganda effort. And, when it comes to this goal, few pictures do as well as "The Day Will Dawn" (also called "The Avengers").

The story begins with the Nazi invasion of Poland. The scene opens up in a newspaper office and folks are excited about the UK finally being at war...but also concerned that the British government has so far done nothing to check the Germans. One of the reporters, Colin Metcalfe (Hugh Williams) is sent on assignment to cover Norway. This is before the German occupation of the country, but Colin is concerned by the actions of the supposedly peace German seamen...he sees them as preparing for the invasion of Norway. His attempt to warn the British government and people is twarted however....and later he finally gets the chance to redeem himself....by sneaking back into Norway and helping his air force to locate and destroy a secret German submarine base.

The film has a pretty good cast. In addition to Williams, Ralph Richardson, Deborah Kerr (in one of her first films) and Finlay Currie also are there to provide excellent support. As far as the rest of the picture goes, it's near perfect and very well made....aside from the overuse of bad (scratchy) was stock footage.

There have been plenty of fine war films and ones with a message or dealing with specific conflicts, am never going to dismiss every war film made during WW2 propaganda straight off the bat because many were more than that. 'The Day Will Dawn' was primarily seen for the cast, hard to go wrong with Deborah Kerr (in an early role), Finlay Currie and Francis L Sullivan, and because it was another film chosen to watch when visiting my godparents.

My feelings on 'The Day Will Dawn' were mostly moderately positive, while not being bowled over. Was to be honest expecting more considering the calibre of the cast, but considering the general reputation of similar films centered around WW2 it also could have been worse. 'The Day Will Dawn's' good intentions were truly admirable and very obvious and there are many good things, though more subtlety and consistency would have made it quite a bit better.

Am going to start with the good. The cast mostly are fine. Kerr did go on to do better and has an accent that would never pass for Norweigan in a million years, but she gives poignant dignity to a rather colourless role (particularly evident in the prison scene awaiting execution). Sullivan was seldom more malevolent than he is here and Currie is larger than life and touching. There is some nice photography and a stirring score.

Did think too that enough of the action roused, while the prison scene was pretty heart-wrenching and the climax terrifying. It also starts off with great promise and is well directed.

On the other hand, Hugh Williams has a very bland character and is too stiff and restrained in it. The pacing is not always consistent, at times it's perfect and exciting and at other times it could have been a good deal tauter and less deliberate.

While the intentions are obvious, good and noble, the film did feel heavy handed and pretty much reiterated what many know already regarding how evil the opposition was. While photographed well, 'The Day Will Dawn' is not that well made visually, with some cheap settings and over obvious, overused and even cheaper stock footage that is clumsily inserted.

In conclusion, above average if unexceptional. 6/10.