User reviews

This movie is markedly more propagandist in tone than most movies made in the UK about the war while it was still in progress.It more closely resembles the overtly patriotic US pictures from the same era such as Guadalcanal Diary or Back To Bataan .It does not neglect to pay a merited tribute to the Norwegian people for their resistance either.

Hugh Williams plays Colin Metcalfe ,a London journalist sent by his paper to Norway , soon to be conquered by the Nazis .He falls in love with Kari Alstead (Deborah Kerr)the daughter of a local fisherman(Finlay Currie).He returns to London after a short posting to Norway where he witnesses a Nazi submarine in operation .He is sent back to the country by Naval Intelligence to help the Royal Navy pinpoint the exact location of the U-Boat base from which crippling attacks are being launched on allied vessels .In the time he was away Kari has been forced to enter into an engagement with the Quisling police chief Gunther(Griffith Moore)in order to protect her father from arrest by the local Nazi chief (Francis L Sullivan).He is able to engineer a raid which is in turn followed by brutal Nazi repression The movie gives a good picture of life under the jackboot and is well acted -although for all her talent Deborah Kerr is not ideal casting as a Norwegian fisherwoman .Ralph Richardson impresses as a journalist and Roland Culver is good as Naval Intelligence man Rousing and patriotic, the movie ends with a typically robust Churchillian sentiment that still stirs the blood and it is good to see British cinema indulging in patriotism rather than restraint for once

I found the best scenes in this movie to be the ones in which Deborah Kerr was acting. And I'm not even a fan of hers (or I wasn't, before this!) so that must say something about her...it was only about her 5th or 6th role, she was very young, yet she was perfect for the role. The rest of the movie traveled along fairly slowly, but luckily had a few exciting war time scenes, and an outstanding, terrifying, climax. Good for a rainy day, and don't give up on it. 7/10.

Horse race tipster and journalist Metcalfe is picked for the job of foreign correspondent in Norway when Hitler invades Poland. On the way to Norway his boat is attacked by a German U-Boat, however when he tells the navy about it they disbelief him and, to make matters worse, he is removed from his job. When German forces invade Norway, Metcalfe returns determined to uncover what is going on and stop the Germans in their tracks.

1940's British cinema is understandably packed with wartime propaganda pieces. This film doesn't stand out from the pack but it is still worth a watch. The basic plot is interesting and provides tense drama towards the end, even if it gets all confused at times in the middle and some of it didn't quite hang together for me. The action is a little stilted at times and the film never misses a chance to show how very selfish and foolish the German officers are. This is a little heavy handed but what did you expect from a propaganda film? However it is badly done at times and seems heavy handed.

The cast are mainly good. Williams is typical of the stiff upper lip English heroes of this type of film. Again it seems a little stiff but it's the usual sort of English gentleman that we wanted to see at the time – especially when compared to the slimly cowardly Germans shown here. The support cast are OK despite the very, very iffy Norwegian accents, but this doesn't matter too much.

Overall this film is typical British wartime propaganda. The Brits save the day, the Germans are cowardly, sacrifice is made but the greater good is served. As a Brit this is a solid bit of entertainment for a rainy Saturday afternoon, but probably not much more capable than that.

There have been plenty of fine war films and ones with a message or dealing with specific conflicts, am never going to dismiss every war film made during WW2 propaganda straight off the bat because many were more than that. 'The Day Will Dawn' was primarily seen for the cast, hard to go wrong with Deborah Kerr (in an early role), Finlay Currie and Francis L Sullivan, and because it was another film chosen to watch when visiting my godparents.

My feelings on 'The Day Will Dawn' were mostly moderately positive, while not being bowled over. Was to be honest expecting more considering the calibre of the cast, but considering the general reputation of similar films centered around WW2 it also could have been worse. 'The Day Will Dawn's' good intentions were truly admirable and very obvious and there are many good things, though more subtlety and consistency would have made it quite a bit better.

Am going to start with the good. The cast mostly are fine. Kerr did go on to do better and has an accent that would never pass for Norweigan in a million years, but she gives poignant dignity to a rather colourless role (particularly evident in the prison scene awaiting execution). Sullivan was seldom more malevolent than he is here and Currie is larger than life and touching. There is some nice photography and a stirring score.

Did think too that enough of the action roused, while the prison scene was pretty heart-wrenching and the climax terrifying. It also starts off with great promise and is well directed.

On the other hand, Hugh Williams has a very bland character and is too stiff and restrained in it. The pacing is not always consistent, at times it's perfect and exciting and at other times it could have been a good deal tauter and less deliberate.

While the intentions are obvious, good and noble, the film did feel heavy handed and pretty much reiterated what many know already regarding how evil the opposition was. While photographed well, 'The Day Will Dawn' is not that well made visually, with some cheap settings and over obvious, overused and even cheaper stock footage that is clumsily inserted.

In conclusion, above average if unexceptional. 6/10.

British wartime propaganda film in which Hugh Williams plays a British foreign correspondent investigating German U-boat activities in Norway. The disparate elements of the film however, in terms of location, narrative and character, do not seem to have been successfully combined into a cohesive whole. Apart from the Hugh Williams character there is a lack of focus, and the film comes across as episodic and disjointed. Ralph Richardson, for example, is for the most part wasted in a role which despite popping up briefly all over the place, seems to have very little relevance to either plot or theme. Finlay Currie, always worth watching, does well by his part and has the most convincing accent of the piece, but Deborah Kerr sounds as Norwegian as praties. Francis L Sullivan trots out another of his well worn villains.

This early Deborah Kerr role steals the film, The Day Will Dawn, an early WW2 film about the invasion and occupation of Norway, a topic seldom seen in Hollywood films. English films tended to explore topics that Hollywood films avoided. In Hollywood, intellectual exploration was considered box office poison. This movie, despite the hilarious nazi scene of a nazi officer killing a Norweigen traitor by shooting at the wall, is very effective for most of the film, and highlights Kerr's acting talents. The rest of the cast, particularly Kerr's father, do a very good job in the film. Some portrayals of the nazis border on cartoonish, but that is to be expected, considering the time period. A good WW actioner.

The purpose of many of the films made during WWII was to rouse the people in favor of the war effort....a sort of positive propaganda effort. And, when it comes to this goal, few pictures do as well as "The Day Will Dawn" (also called "The Avengers").

The story begins with the Nazi invasion of Poland. The scene opens up in a newspaper office and folks are excited about the UK finally being at war...but also concerned that the British government has so far done nothing to check the Germans. One of the reporters, Colin Metcalfe (Hugh Williams) is sent on assignment to cover Norway. This is before the German occupation of the country, but Colin is concerned by the actions of the supposedly peace German seamen...he sees them as preparing for the invasion of Norway. His attempt to warn the British government and people is twarted however....and later he finally gets the chance to redeem himself....by sneaking back into Norway and helping his air force to locate and destroy a secret German submarine base.

The film has a pretty good cast. In addition to Williams, Ralph Richardson, Deborah Kerr (in one of her first films) and Finlay Currie also are there to provide excellent support. As far as the rest of the picture goes, it's near perfect and very well made....aside from the overuse of bad (scratchy) was stock footage.

Called the day will dawn in europe, but the avengers in canada and the united states. It's a brit film. Reporter colin metcalfe (hugh williams) is assigned to the european beat, after hitler moves into poland. When the germans sink his boat on the way to norway, no one seems to believe him. But he does fall for kari (young deborah kerr, in an early role), the captain's daughter. And as the german ships come into the harbor, pretending to be merchant ships, colin is abducted and held prisoner by the germans. Will metcalfe ever get to tell what he knows? Will his stories make a difference? The script is peppered with patriotic messages. A call to take action, avoiding neutrality, as hitler moves into more euro countries. Acc to imdb, this was released in the united kingdom in june 1942, so both britain and the united states were already actively in the war by then. This seems to start the story from earlier, before britain was involved in action. Directed by harold french. According to wikipedia dot org, french lost his own wife in a bombing raid in 1941. Produced by general films, and distributed in the united states by paramount. It's a little disjointed, but does show the chronology of events in europe.

Hugh Williams plays a reporter dropped into Norway to find a U-boat dock that is sending out convoys to destroy British ships. His job is to find it and report back so that our navy can destroy it. He meets and falls in love with beautiful twenty one year old Deborah Kerr, a Norwegian.

Various other well known faces from that era of British film making crop up including Finlay Currie as Kerr's father, Francis L. Sullivan as a brutal Nazi officer, Griffith Jones as a German police chief, the great Ralph Richardson as another reporter, Roland Culver as a British navy bigwig, even Bernard Miles in a small role towards the end.

Much of the film is shot in the dark, which can be a bit boring as I couldn't see a lot of what was going on, but maybe that was to cover up some of the cheap sets used. I don't think much money was spent on this production so probably best to think of it as a play rather than a film.

Our hero, Hugh Williams is stiff as a board but fortunately he's completely out acted by our leading lady and it is not hard to see why Kerr became one of the great star actresses of the cinema.

One gripe is that I would have given a higher rating had the actor's accents been more consistent. Some like Kerr and other Norwegians, at least speak in broken English, which I think gives an impression of being foreign but for some annoying reason, Francis L. Sullivan, who is fine otherwise as the nasty German officer, speaks in perfect English with no attempt to disguise his voice at all. That rather spoilt the film for me as other Germans also just spoke in English with no accent.

One scene towards the end is particularly harrowing so still worth a watch, and to see Deborah Kerr of course near the start of her brilliant career.

We have seen this before, the freedom fighters of Norway under Nazi occupation, their hardship, their courage, their determination, their heroism and so on, and if this film at least is better than "The Moon Is Down" on the same theme, it's not up to Errol Flynn's "The Edge of Darkness". The one outstanding asset of this film though is the leading lady, a very young Deborah Kerr, who in a way sustains the whole movie. In the beginning she is just a very cheerful and happy Norwegian lass, but when the Germans come to build an oil refinery, which turns out to be a submarine base, the Norwegians get into trouble, and in order to save her father's life (Finlay Currie) Deborah has to marry the local Quisling, the local police, whom the Norwegians don't know at first that he is collaborating with the Germans (Francis L. Sullivan, awesome as usual.) When Hugh Williams as an English spy learns this on his second coming, he fell in love with Deborah during the first, he is not very happy.

It's a very typical British edifying war film from the very darkest year 1942 and sides with many others of the same kind, outdated today, but still interesting for their great moral enthusiasm about surviving and fighting tyranny.

Superbly done piece of wartime propaganda but not done to extreems. This film must have been hugely popular when it came out as it did a great job of showing the struggle of the brave Norwegians against the nasty Nazis. Some of the stock footage was a bid rough but this can be forgiven as it was made in 1942.

Some of the speeches from the characters pointing out how the Nazis had no hope of winning the war as they were too nasty to become victorious would have gone down very well at the time.

Well worth watching as an example of how well done a propaganda film can be done especially when compared to the well over the top Nazi efforts at the time.