Échec à la Gestapo

Humphrey Bogart and a cast of comedians and character actors make it "All Through the Night," a spy story set in New York City. Bogart plays Gloves Donahue, a bigwig in the sports world - gambler, bookie, and he likes to get tourists involved in rigged card games. His boys include Jackie Gleason, William Demarest, Phil Silvers, and Frank McHugh - a bunch of characters right out of Damon Runyon if there ever were any. When the baker who makes Gloves' favorite cheesecake is murdered, Gloves is determined to find out what happened. The trail leads to a spy ring run by sinister Conrad Veidt with assistance from Judith Anderson, her dachshund Hansel, and Peter Lorre. Lorre doubles as a pianist for a nightclub singer (Kaaren Verne) whose father is in a concentration camp and being used as leverage so she will assist the spies.

This is a fast-paced, funny film made shortly before Pearl Harbor. Its underlying message is that the Nazis aren't going to be content with a few eastern European countries; they want it all. As propaganda, it goes down easily with a terrific cast and some hilarious moments, particularly when Bogart and Demarest attend a secret meeting posing as Nazis.

The plot, of course, is preposterous, and the notes that Bogart finds in Veidt's desk are, for some reason, written in English instead of German, but none of that takes away from the enjoyment of the movie.

The performances are all excellent, but Bogart is a wonder. His no-nonsense, honest delivery and perfect timing work beautifully in comedy as well as drama.

This is a delightful movie - don't miss it.

Vincent Sherman's "All Through the Night" has a feeling of a B picture, although probably was not intended to be that way. This 1942 Warner Bros. film is much more enjoyable than we suspected, because even though the film was supposed to tackle a serious problem, it has a lot of fun moments that make the film much lighter in tone than perhaps the film makers intended.

At the center of the story we find 'Gloves' Donahue, a small time gangster and his crew. They are a fun group that are drawn into an international spy story right in their own backyard. Ma Donahue comes to ask her son's assistance in trying to solve the murder of her baker neighbor, and the fun and games begin in full force.

There are a lot of good moments in the film, but it is dominated by Humphrey Bogart who runs away with the picture. His crew is also a great asset to the film, Frank McHugh, a fantastic actor, no matter in what picture is excellent, as well as William Demarest, one of the best character actors in the movies of that era. A much slender Jackie Gleason puts in an appearance as Starchy, a member of Donahue's team.

The heavies are amazing. Conrad Veidt is wonderful as the Nazi spy trying to blow up a ship in New York's harbor. Mr. Veidt was such an elegant figure in everything he did. Judith Anderson is seen as the mysterious assistant to Mr. Veidt's character. Ms. Anderson had a way about her that she dominates the scenes in which she appears. Peter Lorre does a lot with his small piano player, Pepi.

The film never ceases to entertain. Thanks to Mr. Humphrey and the wonderful cast assembled for the movie, it will not disappoint anyone with an open eye for a lighter take on a serious matter.

A wonderful, funny B movie with an A cast. Bogart made this one between THE MALTESE FALCON and CASABLANCA. Lorre and Veidt and Dame Judith Anderson are wonderfully villainous, and a couple of future superstars -- Phil Silvers and Jackie Gleason -- make their debuts as members of Bogart's gang. This has everything Warner Brothers films loved: a murky waterfront, an old abandoned warehouse, a sinister auction gallery run by foreigners, a swanky nightclub that seems to be inhabited exclusively by gangsters (the Good Guys) and Nazis (the Bad Guys). Puns galore. Probably audiences didn't want to see a comedy about the Third Reich back in 1942, but it gets better (and given the cast, historically more important) with age.

A very funny war era movie. Bogart had played a gangster in comedies (Brother Orchid with Edward J. Robinson), but played it straight as a tough guy. This movie highlighted Bogart's great comedic timing which was also evident in harder edged movies from the same period: The Big Sleep, Casablanca, and the Maltese Falcon. All Through the Night makes a fun companion piece to these movies and like the others, has a great supporting cast.

A search for the murderer of their friendly neighborhood German baker and a nightclub bouncer leads New York City "sports promoter" (read: bookie) Gloves Donahue (Humphrey Bogart in one of his most entertaining roles) and his sidekicks Sunshine (William Demarest) and Barney (Frank McHugh, or as we affectionately call him, "Annabelle's Husband," in honor of the film's running gag about his character's newlywed status) to a nest of Fifth Columnists with sabotage on their minds, right in the middle of Manhattan! The high concept of this fast, funny, suspenseful Warners adventure is basically "Damon Runyon Meets The Nazis." I especially got a kick out of the breezy, sometimes punny dialogue (like "We'll get them by the seat of their Panzers" and "Hey, there's more here than meets the FBI!") and its delightful euphemisms for Bogie's line of work, such as "man about town and well-known figure in the sporting world." (My late dad was a bookie, so I should know! ;-) Bogart, Demarest, McHugh, and charming leading lady Kaaren Verne are joined by smooth villains Conrad Veidt, Peter Lorre, and Judith Anderson, and on the good guys' team, Jane Darwell (as Bogie's mom!), Edward Brophy, Barton MacLane, and even a young Phil Silvers and Jackie (C.) Gleason! Alas, Pearl Harbor was still too fresh in 1942 audiences' minds for them to appreciate a quasi-realistic World War 2 spy thriller with broadly humorous overtones. Luckily, ALL THROUGH THE NIGHT is available on home video and Turner Classic Movies so you modern movie lovers can enjoy this entertaining genre blend!