L'Amour et la bête

This is a pretty good film, with decent acting all around. In fact, I always enjoy watching Eddie Albert in films just because, to me, it's like seeing "Oliver Wendell Douglas" perform in movies (you know, his character from GREEN ACRES). The problem with the film, though, is that it is a VERY CLOSE remake of Kid Galahad--which was only made a few years earlier. Hollywood had a habit of remaking films repeatedly in the 30s and 40s--often only years after the original film. So, if the original film is better, why watch the remake? I guess for this one, the only reasons would be to see Eddie Albert or Humphrey Bogart or because the plot is so unusual, with the theme being Lion Taming and not Boxing! Yes, I did say Lion Taming!

A Lion escapes from Humphrey Bogart's circus during a performance in a small town. It wanders into a grocery store where Eddie Albert is clerking. He manages to trap the lion behind a counter and gets a lot of plaudits and an offer from Bogart to work in his circus.

But jealousy rears its ugly head as Bogart's sister Joan Leslie and his girl friend Sylvia Sidney both fall for who Bogart considers a nice kid, but a hick.

The Wagons Roll at Night was a transitional film between two acclaimed Bogart productions High Sierra and The Maltese Falcon. It was NOT the first time Bogart received number one billing. He did in a few other films like Black Legion for example. But with the acclaim he got from High Sierra, Jack Warner put him in this before the highly touted Dashiell Hammett adaption, I guess as a trial run.

The plot is based on Kid Galahad where oddly enough Bogart had a supporting role. Eddie Albert shows only a bit of his incredible talent. Joan Leslie as the nice sister basically repeats the part she had from High Sierra. Sylvia Sidney does well as the love lost carnival fortune teller with eyes for both Bogart and Albert.

Personally though I've always liked what Sig Ruman did in this film as the drunken lion tamer whose place Albert took. The film is at its best when he's on screen.

In 1941 Humphrey Bogart was near to stardom, he starred also in ''High Sierra'' and his first classic, ''The Maltese Falcon''. I consider this a bit of a remake of ''Kid Galahad'', but instead of boxing it's set in the circus world. His co-stars here are Eddie Albert, Sylvia Sidney, Joan Leslie and Sig Ruman. The direction is by Ray Enright, the same who directed in 1936 ''China Clipper'' with Bogart

It begins when Matt Varney (a grocery store's clerk) saves a baby from an escaped lion and suddenly Nick Coaster, the circus manager makes him a star although Matt had never experienced lion-taming, and this because the other lion tamer, Hoffman the Great, is always drunk. One night Hoffman has a brawl with Varney and ends up mauled by a lion, and Flo (Coaster's girlfriend), tries to help Matt sending him to Nick's farmhouse. But trouble follows because Matt falls in love with Nick's sister, and Nick don't want her sibling mixed with circus people because they are the scum of the Earth! It ends with Coaster killed by Caesar, the fiercest of all the circus lions, after he wanted to punish Varney for his bad behavior.

Although Humphrey Bogart received top- billing Albert is the real star of the movie, as the grocery clerk- turned-lion tamer who suddenly becomes the circus star. The leading lady is Sylvia Sidney, as Bogart's girlfriend, torn between repulsion and love, and Joan Leslie in a supporting role, as Bogart's sister who falls in love with Albert's character. The always great Sig Ruman as Hoffman the Great, in a brief but interesting supporting role!

This movie is recommended to: (1) Humphrey Bogart fans (2) fans of movies set in carnivals.

Wagons Roll at Night, The (1941)

** (out of 4)

Circus promoter Nick Coaster (Humphrey Bogart) finds himself in trouble when a dangerous lion escapes his act but a grocery clerk (Eddie Albert) ends up saving the day. Nick, seeing the possibility for money, hires the kid on as a lion trainer but soon jealously gets involved as Nick's girlfriend (Sylvia Sidney) starts to fall for the kid but even worse is when his sister (Joan Leslie) falls for him. This film really comes off as a watered down version of Kid Galahad, which also featured Bogart in a supporting role. If you've seen that earlier film with Edward G. Robinson and Bette Davis (or the later Elvis remake) then you're going to know all the twists and turns that this film offers. The one thing this film has going for it is seeing the pre-fame Bogart playing this type of role so fans of the actor might get a kick out of this thing. I've read that Bogart really hated this film but he's actually not too bad in it. He certainly isn't giving a classic performance but he does a good job showing off his tough side and again, it's always fun seeing him in this type of role. Sidney ends up stealing the film as his troubled girlfriend who wants a better life outside the circus. She comes off very charming in her role and add a lovely realism to her character. Albert is also very good in his role and really comes across well as that bright eyed kid who is about to learn a lesson in life. There are some nice touches of humor thrown in including a great sequence when the lion escapes and wonders into Albert's grocery store. A woman is sniffing limburger cheese when she first sees the beast and Albert's reaction to what happens is great. It's also worth noting that this is the first film in which Bogart received top-billing so that's one historic reason, which might draw people to watch this.

The film was nothing more than a remake of "Kid Galahad," with the hero (Eddie Albert) as a lion tamer instead of a boxer… Bogart walked indifferently through his role as the owner of a traveling carnival whose plot was borrowed from Howard Hawks' "Tiger Shark."

Sylvia Sidney appeared in the Bette Davis as Bogart's troubled girlfriend, a fortuneteller with the carnival… The film was a very disappointing follow-up to Bogart's triumph in "High Sierra," but better things lay immediately ahead as Bogart was now ready for a new image, an image which was to dominate the screen for the next years, an image which found its basic construction in John Huston's "The Maltese Falcon."