La légion noire

"Black Legion" was a very unusual role for Humphrey Bogart, but I think he got it because he was not yet an established star and Warner Brothers put him in many different sorts of parts. So, if you are looking for the tough and assertive sort of Bogart, this is NOT the film for you! No, Bogie plays a despicable sort of jerk--and a cowardly one at that.

The film begins at a machine shop. It seems that someone is going to be promoted to foreman and Bogart is sure it will be him. However, a Polish-American worker gets the job instead. While this man DID deserve it, Bogie is sullen and angry--and soon jumps at an opportunity to join a local hate club. The Black Legion is sort of like the KKK with its trappings but is more anti-foreigner in focus. So, to get back at the foreman, Bogart sicks his new 'friends' on them and he soon gets the job promotion. Where does all this new power lead him? See this powerful film and find out for yourself.

While I wish the film had taken a stronger and clearer stand against the Klan, it is a very powerful film for 1937, as many folks would have supported groups like the Legion. Groups like the American Bund and the popularity of antisemitic celebrities like Charles Lindburgh and Henry Ford (who wrote books espousing hatred of Jews, foreigners and the like) during this time could not be denied. In other words, this film might have alienated many potential viewers and the studio chose to take a deliberate stand for what is right. And, it's a strong film with a very good performance by Bogart in a VERY different sort of role. Well worth seeing--and probably a bit stronger in its message than the studio's "Storm Warning"--another anti-hate group film that was made a dozen years later.

While Hitler in Germany was doing away with the Jews,there were in other countries small groups whose leaders (the scene when Bogart attends the first meeting is revealing) yell " America just for the Americans!" Bogart portrays Frank ,a working man, a good husband, a tender father,a jolly good fellow,a nice guy.He's waiting for his promotion : to become a foreman will be the crowning a hard-working life .But there's just one problem: the job is given to a Hungarian,a self-made man who spends his days and nights in the books ,for he believes in the American dream.Frank's hatred will know no bounds.It will not be long till he falls into the hands of a KKK -like secret society,whose scapegoats are those aliens who take the bread out of our mouth,who steal our jobs ,our women and our land...

Archie Mayo's film is absorbing and Bogart is extraordinary: little by little,a good guy turning into a monster;but that's not all.Mayo also puts the blame on the wealthy educated people who work behind the scenes :the scene when they do their books (well how much for the revolvers?)makes your hair stand on end.

But what's fascinating in Mayo's movie is that it's still relevant today,and not only in America.In France ,in 2002,there was a man like THAT in the second ballot of the presidential election:a man who yelled "France only for the French!" and who is still yelling at my time of writing.

1937's "Black Legion" tells a story of a man's involvement with what amounts to the Klan without coming out and calling it that. Humphrey Bogart stars as Frank Taylor, a working man who loses a bid to become foreman when a foreign-born man gets the job instead. The Legion is right up Taylor's alley, reinforcing his belief that his woes are all the fault of the foreign-born. He gradually gets more immune to the violence as he gets in deeper and deeper with the Black Legion. It really is a very good vehicle for Bogart's acting talent as his morality gradually unwinds. The sermon at the end seems a little tacked on, much like a similar scene in 1933's "Wild Boys of the Road", but it doesn't detract too much from the overall film.

At the time it came out Black Legion came from the B Picture Unit at Warner Brothers. Some of the players in it became A list stars later on. Nevertheless this was playing the second half of double features when first released. But it made a tremendous impact and viewing it almost 70 years later, still makes an impact.

Warner Brothers as the working class studio was the only one who could have made a film like Black Legion. Working class stiff Humphrey Bogart gets passed over for a promotion at a job, losing it to Polish American Henry Brandon. This makes him ripe for the propaganda of a nativist crew of nightriders who call themselves The Black Legion.

Another co-worker Joe Sawyer gets Bogart to join with a whole lot of bad consequences for just about every principal player in the cast.

Since this film was about ordinary people it had a great message to tell. We've had nativist outbreaks in America through out our history. The Twenties and Thirties with groups like the Ku Klux Klan and the Black Legion were particularly bad. Bad economic times usually bring out either the best or the worst in people.

Humphrey Bogart is joined by a whole bunch of people from his film debut in The Petrified Forest. Joe Sawyer, Dick Foran, Paul Harvey, Eddie Acuff, it must have seemed like a reunion film. For me this has always been Joe Sawyer's career role for the screen. In The Petrified Forest he was one of Bogey's gang. Here he's the evil influence on Bogart, a nice reversal. He had a similar part in San Quentin.

Dick Foran is the Mercutio/Benvolio part here, the good friend to Bogart. He was actually a bigger name than Bogey at the time this was made, as he was starring in a bunch singing cowboy films for Warner Brothers. This was one of the few times he was show he could do more than he was usually given.

Films back then had a whole lot of stern father figures like Lionel Barrymore and Lewis Stone who could deliver lectures like no other. Capping this film is Samuel S. Hinds as a trial judge telling the Black Legion defendants what Americanism and the Bill of Rights is all about. Words to live by still.

Humphrey Bogart is first-rate in this thinly disguised story of the Ku Klux Klan and how it plays on the fears and prejudices of the poor and uneducated (and how it's run by the well-to-do and educated, a point often missed by reviewers). Bogart plays a factory worker who was expecting a promotion, only to see it go to a "foreigner" (in this case, a Pole--and, by implication, a Jew, which is where the Klan gets involved). Angry, resentful and worried about his future, Bogart gets caught up in a racist, Klan-like group called the Black Legion, which, in the manner of all fundamentalist right-wing terrorist groups, proclaims its patriotism and its "defense of God and country" against "dirty foreigners." The interesting thing about this film is that it really doesn't blame Bogart's character for what eventually happens; he's just a pawn in the political agenda of the right-wing business and political interests who actually control the group. Warner Bros. was known for its muckraking films, and this is one of its better ones. It took guts for Warners to make this type of picture during this particular period in American history; there was a strong resurgence of Ku Klux Klan activity all over the country--there was even a Klan parade, with thousands of hooded marchers, that passed directly in front of the White House in Washington, DC--and lynchings and racial murders were skyrocketing, especially in the South. While maybe not as strong as some would have liked, the picture still radiates the Warner Bros. passion for the underdog, and they did a good job here. Strong performances by the principals, tight direction by Archie Mayo and the usual Warner Bros. grit make for a first-rate film. Highly recommended.