Le trésor des mers

The film opens with a sea battle, and a submarine going down, and for a large part of the remainder of the movie, we follow captain Schlemmer(Fred Vogeding) and Steve McCreary (Ralph Bellamy) as they try to bring its contents back up years later. Our female lead Diane Templeton is the lovely (and in this one, also educated and wealthy) Fay Wray. She will provide the ship and the money for her undersea research, or so she thinks. She had been making movies for 10 years by this time, although it was only Bellamy's second year. In 1933, Wray would make eleven films (wow!) Writer Jo Swerling had written numerous adventures from the 1920s to the 1970s, including portions of Gone With the Wind, and It's a Wonderful Life. Good strong script, mostly good acting; A couple scenes are a little fuzzy and out of focus, but it was 1933. Also a little naughty for its time, especially in the photography dark-room. Interesting discussion of evolution from Diane Templeton, as she shows McCreary around some laboratory. Good action film. Per IMDb, it appears to have been re-released in 2005, but I was not able to find it available on barnes & noble, ebay, or amazon.com in any format. The web page for "nothings new video" says they are no longer in operation.

Expert deep sea diver Ralph Bellamy is hired by German sailor Fredrik Vogeding and shady seaside hotel proprietor Esther Howard to help locate and bring up a cache of WWI gold bars from the bottom of the sea. Vogeding has the map; Howard finances the plan; and Bellamy will do the diving.

Ralph Bellamy scowls his way through most of this watery adventure. As the "best diver there is," he is marginally more honest than his two partners, who immediately begin making plans to double cross him and each other. The partnership grows darker and bleaker the longer the two men work together: "I used to figure all the things I'd do with that gold," Bellamy tells Vogeding. "But now it only means one thing to me, Schlemmer. Gettin' rid of you."

The plot thickens when the trio wind up on a scientific expedition financed by rich girl Fay Wray. Noticing that Bellamy never smiles, Wray of course is smitten with him, and the sparring between this pair begins. Finally he embraces her and kisses her, then is shocked when she likes it. Wray: "I suppose you would have liked it better if I'd slapped your face." Bellamy: "Yeah, I would." She slaps his face. He smiles. Wray: "Good heavens! You do know how to smile!"

Some of this dialog is kind of nauseating but it doesn't seem necessary to take it too seriously. Fay Wray looks beautiful but out of place on a heavy duty marine expedition; Ralph Bellamy looks good too but isn't completely convincing as a hard boiled sailor. However, if the dramatic bits are shaky, the adventure scenes really are exciting: a big ocean storm early in the picture is impressively loud and wet, and the climactic rescue attempt at the bottom of the sea is exactly where the whole picture was headed but thrilling just the same.

Pretty silly but lots of fun. And the moment right near the end when Bellamy grabs the binoculars and has a look--that is a brilliant twist.

And what it is is a cheap Columbia B, off the Harry Cohn assembly line, but diverting and exciting in spots. Greedy, amoral Fredrik Vogeding knows where a million dollars' worth of gold bars are hidden below the sea, and he engages heiress Fay Wray and engineer Ralph Bellamy to find it. Bellamy, playing wildly against type (though his milquetoast type hadn't really been established yet), is surly and hard-bitten, yet eventually falls for Wray, in one of those I'm-kissing-you-whether-you-want-it-or-not sequences that happened from time to time in the '30s. There's a tense blown-up-sub sequence, and a tense fight with an octopus, and some underwater photography that's perfectly decent for 1933. And I was impressed with the nastiness of Vogeding, whom I wasn't familiar with at all.

It's 1917. A German U-boat is sunk with a chest full of gold bars. Survivor Captain Von Boulton pushes the only other survivor off a cliff. He becomes the only one who knows the boat's final resting place. It's 12 years later. The Captain with Lily's financial help tries to recover the gold. It goes badly. A few years later, Von Boulton under the false identity of Schlemmer and diver Steve McCreary (Ralph Bellamy) continue their search for the gold. Scientist Diana Templeton (Fay Wray) is their unwitting funder of the expedition.

This opens with a great battle against a submarine. It always helps to use the real thing. I'm not sure if Lily's ship is necessary. I'd rather get to Fay Wray a lot sooner. The first ship is interesting but all that could be folded into the second ship. As for the underwater filming, it looks like it's done in a water tank. The filmmaking technology is nowhere near modern water-tight cameras. It does look fake and I don't mean just the fake giant octopus. Fay Wray is terrific. I do still wish the underwater scenes could be better but it's as good as it could be for its time.

Even though BELOW THE SEA is an antique of a movie made in pre-code 1933, it's nice to note that there was a feistier side to FAY WRAY than the Scream Queen exhibited in KING KONG. She still has the same beauty but it's a little less innocent this time as she plays flirtatious games with RALPH BELLAMY as an underwater diver whom she can't get to smile or act like a gentleman. That seems to be her main preoccupation here, although she is bankrolling an underwater expedition while being deceived by men who are actually after some sunken gold bullion.

I thought she was prettier as the innocent blonde of KING KONG, but is presented here as a more modern and calculating heroine who learns the truth about the expedition only after she's fallen in love with Bellamy. But by this time he's been given some underwater heroics to do in order to save her life, just in time for a happy ending.

It's watchable but there are crude reminders that this is an early "talkie". It's easy to see why Bellamy never became leading man material in the Hollywood of the '40s after some leading man roles in films like this. He tries hard to play the sort of role that Bruce Cabot could have done blindfolded, but his loutish behavior seems more like a forced act.

Wray is lovely but not quite as effective as she was in her most famous film. Fans of the actress will be the ones who can appreciate this early offering.