Vampyr, ou l'étrange aventure de David Gray

Another person said it best in a previous review, "Vampyr" is a masterpiece of suggested horror with truly frightening and disturbing scenes throughout. A warning in advance. This is an extremely slow moving picture. It seems to drag and usually that really bothers me but this movie is so full of images, it makes up for it. The movie is subtitled but it hardly matters since there is so little dialogue. The movies unfolds in a strange dream-like state and stays that way throughout. Your not really sure if it is day or night. There are many memorable scenes also. The policeman sitting in his chair moments before his shadow also sits down, the infamous dream burial sequence induced by a blood transfusion and so many more! If you like wonderful images and camerawork as well as a few chills, this film is for you! Highly recommended!

"Vampyr", one of the first horror movies with sound, is the work of the highly influential danish director Carl Theodor Dreyer. After directing the monumental "La Passion de Jeanne d'Arc" in 1928, Dreyer decided to make this modest film based on the novel "In a Glass Darkly" by Sheridan Le Fanu; while this is indeed his first movie with sound, it was conceived as a silent film, and the movie contains very few dialog.

I must admit that as many, I was left with a big question mark in my face as the story was progressing; but the apparently disjointed storyline do make sense, as it is worked as a surreal experience of the lead character, it is as if Dreyer had filmed a nightmare, complete with the haunting images and eerie atmosphere.

The movie is about a traveler, named Allan Grey (Julian West), who gets involved in a nightmarish plot when the owner of the inn where he is staying asks him for help to save his family from what he believes is a vampire. We follow Allan Grey in his surrealistic trip to madness as he finds out more and more about the supposed vampire that haunts the manor turned inn.

The highly inventive camera work is truly outstanding, the combination of light and darkness is among the finest work in a black & white film and alone makes the movie worth a look; the movie not only has the structure of a nightmare, it also looks like one. The Gothic manor and the lonely rural exteriors increase the haunting atmosphere and the beautiful images Dreyer conceived are the work of a genius.

The structure of the script may be complicated, but it shows its influence over David Lynch and other filmmakers with similar surrealist story lines and dreamlike sequences. It is probably not a masterpiece of the likes of the aforementioned "Passion" or the more well-known "Day of Wrath" (Vredens dag, 1943), but "Vampyr" shines with its own light as one of the finest horror movies of that period.

The only real flaw in my opinion, was that the lead actor, Julian West, was probably not the best choice for a lead role, as his acting seems unnatural and not believable. I'm not sure if this was intended that way or had more to do with the fact that West produced the film, but it is my only complain about "Vampyr".

This modest masterpiece is a must see for any horror fan or anyone who likes silent movies. It is a nightmarish trip to the darker parts of the subconscious mind. 8/10

For a movie made in 1932, this is very, very impressive. Confusing plot aside, the emphasis in this Victorian nightmare is placed on the cinematic aspects. "Vampyr" is plodding, very dark and eerie, filled with such haunting atmosphere and brooding visuals full of unseen, but lurking terror - very effecting. It works on a subconscious and emotional level more than any other way. I think it's worth a look.

Brilliant! Breathtaking! This film was worth the long wait I imposed on myself to see it. It is not the most cohesive narrative about, but it has images that linger with you....haunt you. The film is basically a silent with some speaking. It tells a story about Allan Grey and how he was introduced into a vampire's conspiracy to kill two sisters. Grey is brought in for aid by their father who dies while trying to fight the infection coursing through his daughter's veins. What then follows is pure cinematic magic as Grey...opening a book that the father wrote was to be opened upon his death...begins reading the book on vampires whilst it is going on right around him. The mixture of action and the text from the book create a wonderfully eerie atmosphere and convey a feeling of dread and despair. There are many scenes in Vampyr, directed with fluidity by Carl Dreyer, that are incredibly well-done. The dream sequence in particular explores various camera angles, hitherto not used. As I said before, it is not the tightest story and it has some gaping holes in the plot that are never explained, but that really is not very important because the film succeeds as a film of haunting imagery...fear based on illusion and shadows.

Simply: it's beautiful work of art. No action. No slasher scenes. There is almost less speaking then in Aki Kaurismäki's films. Master of silent movie, Carl Th. Dreyer, uses more silent film magic than any spoken voices. Movie's style is from another world. Living shadows, ghosts, vampire in the foggy wood and (of course) the famous scene where man watch himself to be buried alive. There is no way you can say what this film is true and what dream. It's like Dreyer would have put he's own dream in to the screen. Nobody have done anything like this later, perhaps because the gray light that is all the time in the film came by an accident. There is no movie like this and no way there is another horror movie like this! Vampire- movie fan can watch this with F. W. Murnau's Nosferatu. They are different film's, but strange way spooky at same way.