The Crooked Circle

Bruce `Lucky' Humberstone's THE CROOKED CIRCLE begins with that eponymous quintet of `counterfeiters and thieves deluxe' pledging their dark allegiance (`To do for each other, to avenge any brother, a fight to the knife and a knife to the hilt!'), drawing lots from a hinged skull for the honor of bringing to ground Colonel Wolters, leader of an affluent band of amateur criminologists known as The Sphinx Club. In its second half, the film adheres faithfully to the established spookhouse syllabus (sliding panels, trap doors, and an attic stuffed with skeletons, sarcophaguses and Oriental objets d'art), with director Humberstone maximizing the felonious, comic and preternatural possibilities, all nicely complemented by the amusing dialogue of playwright Ralph Spence (THE GORILLA) and Tim Whelan. Rounding out the roster of red herrings, henchmen and gawkers are WHITE ZOMBIE's Robert Frazer, the ever-quivery Zasu Pitts (`There's a ghost in this house and when he plays the violin, something always happens to somebody!'), James Gleason as a malaprop-prone New Yawk flatfoot, KING KONG's Frank Reicher, and `queer-acting hunchback' Raymond Hatton (later the sour Farmer Larkin of INVASION OF THE SAUCER MEN). It's corny and creaky and good old fashioned fun for those hip to the charms of Poverty Row whodunits. See for yourself!

1930's comedy mystery about "The Crooked Circle" a band of hooded crooks who set about plotting the murder of some one who swore to oppose them. Enjoyable but really unremarkable little film, the movie works simply because the cast headed by Zazu Pitts and James Gleason (both of whom would later appear together in a couple of Hildegarde Withers films after Edna Mae Oliver dropped out of that series) and supported by a great cast of actors and actresses you know but may not know the name of (I don't hence the lack naming). A breezy hour long romp, the movie doesn't make a great deal of sense with mistaken identity, secret passages, ghostly music and people not being who they seem. Its the perfect thing for a dark and stormy night or a late night viewing when one is nostalgic for the late late show.

The "old dark house" sub-genre that dominated the early talkies rarely fails to disappoint when we re-view the oldies to-day. Here is one that provides so very many suspicious characters you have to wonder how they will be able to tie up all the loose ends in the 6 reel running time.

The Crooked Circle is a gang of counterfeiters and thieves who have decided to take revenge on Col. Walters (Berton Churchill) who has sent one of their ranks to prison. They decide he must die that very night. Meanwhile the Colonel's own group, The Sphinx Club, is determined to protect him at all costs. This does not sit well with Thelma (Irene Purcell) fiancée of club member Brand Osborne (Ben Lyon, late of the mega-budgeted HELL'S ANGELS (1930)) who wants him to quit the club and stop endangering his own life. Brand promises to resign after saving the colonel's life. Everyone heads off to Walters newly purchased mansion on Long Island to await the assassin.

The Colonel might be the new owner of Melody Manor but it's an old dark house complete with eccentric neighbours (like Raymond Hatton as a local hermit) and maybe even a ghost. Top billed Zasu Pitts is Nora, the housekeeper who expects to see a spirit around every corner. Throw in a cop (James Gleason) who is certain Brand is a criminal and we have a picture which is packed with action and surprises.

You will notice right away that the script writer was at a loss to come up with too much dialog because a lot of characters repeat the same lines over and over. Yoganda (C. Henry Gordon) a Hindu mystic (which movies of that time were loaded with) says "Evil is on the way." many times and I lost count of how often Ms. Pitts says "Something always happens to somebody!". There are many suspects and two characters (Mr. Gleason as the stereotype dumb cop and Roscoe Karns as Mr. Lyon's pal) who serve as comedy relief. The house itself is appropriately spooky looking (in fact I think the same set was used in THE PHANTOM (1931)) with lots of secret passages and violin music coming out of empty rooms but somehow you never really get a feeling of danger. Maybe it's because no one in the movie, and I do mean no one!, is entirely what they seem to be. It all comes out right in the end though; but to go into any more detail would spoil it for you.

Watch carefully for Robert Frazer (from WHITE ZOMBIE) and Frank Reicher (best remembered as Capt. Engelhorn from KING KONG) to pop up among the suspects.

THE CROOKED CIRCLE is a fun film. Some aspects of the plot are predictable and then again several others are not. I suspect you will enjoy it.

If you've never experienced the thing that is Zasu Pitts, here is a Zasu zinger! In 1933 Mae Questel caricatured Pitt's voice for the character Olive Oyl for the Fleischer Studios animated cartoon version of the comic strip Popeye. Zasu (pronounced Zay-Sue) does her best "Olive Oyl" impersonation walking around whining and ringing her hands or attaching herself to the policeman's laynard. I kept waiting for her to say "ohhh myyyy", but instead it's "something always happens to somebody." The first time I saw this film I loved Zasu and found her character really funny. I've since seen her in other films where she does this same whining, uptight, fragile-flower routine. So, upon watching this film again I started getting a little annoyed with the constant whining and near hysteria over a piece of dust. But, there are some funny comedy bits here, and it's also a mystery movie as well. It's an interesting mix of mystery and comedy that actually works. The mystery plot holds together well through the camp of Zasu Pitts and James Gleason who plays Arthur Crimmer the policeman. The haunted House is fun with many a secret passage and even a skeleton in the attic! Well worth the watch. Read more public domain movie reviews at: http://pdmoviereview.blogspot.com/

By 1930, film was already a living, breathing organism that was manipulating artists and audiences in its quest to survive and grow. From 1932 to 1938, that organism tried a number of potential branches of evolution before settling on one main one. But during that period, many experiments can be viewed, experiments that did not blossom and quickly became extinct.

Sadly, this exemplifies one of them and it is such a perfect example, such a pure specimen, it really must be seen if only for history. I'm increasingly convinced that we cannot be fully in the film experience until we have shared in some of its failed attempts.

What characterizes this is extreme abstraction. The basis is the detective story, a basis that is so strong in narrative appeal it survives today as the root of most film. But this experiment abstracts it extremely.

The bad guys are not just bad, but have a club. The good guys are not just good and smart, but they have a club too. The two clubs are at war, mostly it seems because that's what two groups do: define the other as the enemy and adopt roles accordingly.

The setting is abstract too: a "haunted" mansion with trap doors, secret passages, resident hunchback, disembodied music, skeletons (that predictably catch on the girl's dress) and blackouts. There's a very, very clever twist in the story too, one you know is there but you just can't pin down until it happens.

Zazu Pitts does a spooked housekeeper whose voice would be appropriated for Olive Oyl who would make her first appearance the following year.

Ted's Evaluation -- 3 of 3: Worth watching.