Chandu le magicien

What fun! This is a dandy film of its type.......so corny and the typical early 30s serial type cliffhanger with lots of dashing around, ridiculous plot and narrow escapes. The settings with the Egyptian flavor are simply silly and fake but the special effects are not as bad as you might expect for an early film.

Edmund Lowe doesn't seem quite right for the part of Chandu.....I would have pictured someone with a little more exotic look to add just a hint of mystery. Ricardo Cortez or Nils Asther, although supporting players, may have been able to pull it off; however, Lowe does a serviceable job. Of course Lugosi went on to play the part later but appears here as the arch-villain who is bent on conquering the world with a death ray stolen from Chandu's brother-in-law. As usual he is over the top which is just what the film needs....a maniacal bad guy with visions of grandeur. He is all ham but of course this was his stock in trade and he pulls out all the stops.

Herbert Mundin is on hand for a little humor which probably wasn't necessary but he is such a great character actor that you aren't too put off by it. If you like Mundin, see "Cavalcade", in which he really gets a chance to show his acting ability which is not all comedic.

If you like films that are camp, don't require you to think too much or try to figure out character's motivations, this is the one for you. Its fast, fun and so dumb that you love it. Great for a rainy Saturday afternoon at the matinée.

Willian Cameron Menzies does a more than adequate job creating suspense in this early serial-style thriller about a yogi mystic named Chandu protecting the world, his sister and her family, and his Egyptian princess love from the evil megalomaniacal ways of Roxor. Roxor has built a death ray to make himself master of the world. Only trouble is that the inventor will not give him the secret of the ray and Chandu is on to his dastardly scheme. Edmund Lowe makes a dashing, affable hero with his ready wit and his theatrical gestures conjuring magic. Roxor is played with aplomb by heavy Bela Lugosi. Lugosi steals all of his scenes and gives a first-rate performance. Irene Ware as the Princess Nadja makes an attractive, bright leading lady, and the rest of the cast fares well too. A thoroughly nice comedic turn is performed by Herbert Mundin as Mr. Miggles. He is a drunken friend/servant of Chandu and sees himself in miniature every time he takes a drink. The film boasts what must have been relatively high production values for the day. It plays well considering it was made in 1932. There are some great scenes in the film. Menzies, best known for directing Invaders From Mars, uses a very fluid camera. A scene where Chandu looks into a crystal is most impressive as the camera zigs and zags through a Egyptian tomb. Another memorable scene depicts the scientist's daughter, clad only in a tight slip, offered on the slave trading block. The scene was risque for its time to be sure. While Chandu is certainly not a great film, it is definitely a cut above many films made in its time.

Leave your brain at the door, because Chandu the Magician (utilizing his Powers from the Mysterious East) is about to enchant you into believing that trash is pure gold!

This pre-code potboiler from Fox Films introduces Edmund Lowe as Chandu the Magician, an American who has learned almost supernatural powers from the Yogi of the East. He can control men's minds, he possesses powerful protective powers of divination, he can walk on fire or astrally project or perform any number of other miraculous feats.

For reasons that defy logic, Chandu's brother(?) Robert, a Scientist, has been working on developing a Death Ray which can take out an entire city. Just as Robert has finally perfected this project, the evil Roxor (the fabulous Bela Lugosi as "That Monster in Human Form") and his Arabic henchmen kidnap Robert in an attempt to wrest the Secret of the Death Ray from its creator.

In the meantime, Chandu has fallen in with the beautiful Egyptian Princess Nadji, with whom he has been in love for 3 years... Princess Nadji is also in love with Chandu, but has been sacrificing herself Most Nobly for her People. Will these unusual interracial lovers find happiness at last? (Since miscegenation was illegal in many parts of the U.S. during this period in history, this is actually a genuine question!)

Of course, Princess Nadji falls into the clutches of the evil Roxor, and a great deal of deranged soliloquizing follows in the villain's Super-Scientific Laboratory (filled with the requisite Bride of Frankenstein-like crackling electrical apparatus). Will Robert have the strength to keep his Secret of the Death Ray before Roxor has tortured or destroyed all of his loved ones? Will Chandu be able to find Roxor's secret lair in time to Save the World and rescue Robert and the Princess?

In the directorial hands of Marcel Varnel and the brilliant William Cameron Menzies, this unpromising material becomes a stylish-looking, stunningly photographed and beautifully paced bonbon of pulp-y goodness.

If you are in the mood for a campy, beautifully designed, fast-moving melodramatic kiddie-matinée "thriller", I highly recommend this movie. Yummy, stupid, enchanting... and surprisingly progressive about miscegenation for a 1930's film that otherwise wallows in racial stereotypes!

Based upon the radio show of the same name this film is the story of Chandu,, real name Frank Chandler, a white man taught the secrets of the yogis. Chandler has been set loose to save his family who has been put into peril by the evil Roxor, played by Bela Lugosi (who not long after would play Chandu himself in a movie serial).

Containing more action than most serials this is a true popcorn movie that moves pretty much from start to finish. There are dangers aplenty as Chandu struggles to save the world.

The film is near perfect, but suffers from a couple of small flaws. The first is the over use of the small man that Biggles sees each time he drinks. Chandu enchants Biggles to prevent him from drinking and its used a couple of time too many. The second is that toward the end the effects look weak. The underwater sequence is terrible, and the use of rear screen as people flee the temple is awful.

Still this is a movie to sit down with a big bucket of popcorn and enjoy.

9 out of 10.

If you like old-fashioned cliffhanger thrills, you'll enjoy CHANDU THE MAGICIAN. It has everything you could want in a serial adventure- a dashing hero, a megalomaniacal villain, an exotic setting, and a series of hair-raising perils that keeps the scenario rolling until the end. CHANDU's plot which concerns the title character's supernatural efforts to prevent the fiendish Roxor from taking over the world is trite and simplistic. However, the story's very triteness and simplicity is part of CHANDU's corny charm.

CHANDU boasts dazzling set design and fluid cinematography that create a fascinating, mysterious Egyptian milieu with majestic temple sets and an atmospheric desert locale. CHANDU's sense of adventure and mystique is further enhanced by special effects illustrating the powers of both Chandu and a death ray Roxor plans to employ in his world-domination plot. Even by today's Industrial Light and Magic standards, these effects look impressive.

Edmund Lowe is acceptable in the title role of Chandu but Bela Lugosi in the role of Roxor steals the film. Lugosi tackles his part with a demonic zeal, displaying odious glee over his scheme in both his facial expressions and line deliveries. There is little restraint or subtlety in his performance, but Lugosi projects such persuasive charisma that one can forgive his indulgences. Overall, CHANDU is no classic, but it's fun escapist entertainment.