Gangsters posing as police officers offer a woman a chance to make money if she helps them out.Gangsters posing as police officers offer a woman a chance to make money if she helps them out.Gangsters posing as police officers offer a woman a chance to make money if she helps them out.
Henry Armetta
- Tony, Hot Dog Vendor
- (uncredited)
Irving Bacon
- Oscar
- (uncredited)
William Bailey
- Gangster Eddie
- (uncredited)
Wilson Benge
- Waiter at Benefit
- (uncredited)
Wade Boteler
- Barney Goodman
- (uncredited)
Jack Carlyle
- Man
- (uncredited)
Spencer Charters
- Police Sergeant Riley
- (uncredited)
Davison Clark
- Policeman Eddie
- (uncredited)
G. Pat Collins
- Gangster Spud
- (uncredited)
William B. Davidson
- Police Lieutenant
- (uncredited)
Patricia Ellis
- Vivian
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Set entirely in Central Park (albiet a studio bound, rear projection version of it), this is one of Warner's most fascinating 60-minute lightning rounds, with Joan Blondell as the out of work Roxy usherette who gets caught up with gangsters (in her first scene she steals a hot dog from a vendor, out of starvation). On hand are Wallace Ford as the "Forgotten Man" who falls for her, Guy Kibbee as a Central Park cop, and John Wray as a sociopath on the loose.
If that isn't enough plot for an hour, there's a lion that escapes from the Central Park Zoo, and I don't know if it's special effects or just brilliant editing, but I'd swear that the extras and stunt men where REALLY put in harm's way with this animal, especially in the horrifying scene in the cage.
I have to address another reviewer's question about the "appeal of Joan Blondell." I totally disagree. Blondell's pre-code output is worthy of its own book. She was a master of rapid fire dialogue and wisecracks, with excellent comic timing. She instilled energy into films that are now unimaginable without her (GOLD DIGGERS OF 1933, NIGHT NURSE, BIG CITY BLUES, DAMES, etc), and if nothing else was the best co-star James Cagney ever had (BLONDE CRAZY, FOOTLIGHT PARADE, HE WAS HER MAN). I'd vote that her performances survive intact, and haven't dated a bit in 75 years (which I cant say for Garbo, Shearer, Crawford and some other shining lights of the era).
If that isn't enough plot for an hour, there's a lion that escapes from the Central Park Zoo, and I don't know if it's special effects or just brilliant editing, but I'd swear that the extras and stunt men where REALLY put in harm's way with this animal, especially in the horrifying scene in the cage.
I have to address another reviewer's question about the "appeal of Joan Blondell." I totally disagree. Blondell's pre-code output is worthy of its own book. She was a master of rapid fire dialogue and wisecracks, with excellent comic timing. She instilled energy into films that are now unimaginable without her (GOLD DIGGERS OF 1933, NIGHT NURSE, BIG CITY BLUES, DAMES, etc), and if nothing else was the best co-star James Cagney ever had (BLONDE CRAZY, FOOTLIGHT PARADE, HE WAS HER MAN). I'd vote that her performances survive intact, and haven't dated a bit in 75 years (which I cant say for Garbo, Shearer, Crawford and some other shining lights of the era).
Central Park (1932)
** 1/2 (out of 4)
Dot (Joan Blondell) and Rick (Wallace Ford) are both as broke as broke can be when they meet each other in Central Park. After stealing a couple hot dogs to eat the two agree to meet up later in the day. They both end up getting small jobs by the police. Rick gets one from a nice policeman (GUy Kibbee) who is losing his vision. Dot thinks she's working for cops for a charity benefit but she's actually getting double crossed by a gangster.
CENTRAL PARK is without question one of the strangest films you're ever going to see from this era of Hollywood. I'm going to guess that the screenwriter had written four or five incomplete scripts and just decided to throw bits and pieces of all of them into one film. This movie starts off dealing with the depression, which is something rare for this era. It then turns into a cute romantic comedy. Then, out of nowhere, it turns into a bizarre murder film with a nut escaping from a mental hospital. Then it turns into a film about an escaped lion. Oh, then we get back to the woman being double crossed by gangsters.
As you can tell, there's all sorts of crazy stuff that happens in this film and what's even more shocking is that they pack it all into a short 58 minutes. Is this a good movie? Not really but with so much weird stuff going on you can't help but be entertained. The greatest thing going for the picture are the three leads who deliver fine performances. Again, with such a short running time they don't get too much to do but what's here is a lot of fun. Blondell and Ford have a lot of nice chemistry together and Kibbee is always watchable no matter what he's doing.
CENTRAL PARK isn't a well-known movie, which is a shame. I'm sure if more people watched it it could gain a cult following because of how nuts it actually is.
** 1/2 (out of 4)
Dot (Joan Blondell) and Rick (Wallace Ford) are both as broke as broke can be when they meet each other in Central Park. After stealing a couple hot dogs to eat the two agree to meet up later in the day. They both end up getting small jobs by the police. Rick gets one from a nice policeman (GUy Kibbee) who is losing his vision. Dot thinks she's working for cops for a charity benefit but she's actually getting double crossed by a gangster.
CENTRAL PARK is without question one of the strangest films you're ever going to see from this era of Hollywood. I'm going to guess that the screenwriter had written four or five incomplete scripts and just decided to throw bits and pieces of all of them into one film. This movie starts off dealing with the depression, which is something rare for this era. It then turns into a cute romantic comedy. Then, out of nowhere, it turns into a bizarre murder film with a nut escaping from a mental hospital. Then it turns into a film about an escaped lion. Oh, then we get back to the woman being double crossed by gangsters.
As you can tell, there's all sorts of crazy stuff that happens in this film and what's even more shocking is that they pack it all into a short 58 minutes. Is this a good movie? Not really but with so much weird stuff going on you can't help but be entertained. The greatest thing going for the picture are the three leads who deliver fine performances. Again, with such a short running time they don't get too much to do but what's here is a lot of fun. Blondell and Ford have a lot of nice chemistry together and Kibbee is always watchable no matter what he's doing.
CENTRAL PARK isn't a well-known movie, which is a shame. I'm sure if more people watched it it could gain a cult following because of how nuts it actually is.
Never a dull moment, but all over the map. In its short 58 minute run time, it's got elements of the Depression, romance, gangsters, a psychopath on the loose, an aging cop with just one week to go before he gets his pension (gosh will anything go wrong?), a grisly murder straight out of Tod Browning, and some pretty scary stunt scenes involving a lion. Joan Blondell is as charming as always and she has good chemistry with Wallace Ford, but since this one tried to pack too much other stuff in, we don't get enough of it. While you can certainly do better if you're looking for a pre-Code film, it has a certain entertainment appeal in all of the things that go on. Much as I like Joan Blondell though, what stands out are the lion scenes, and I'd love to know more about how they were filmed.
This movie is beautifully photographed. George Cukor did well by Central Park a couple decades later. In between (and after) -- has the beauty been paralleled?
In this Central Park, there are actual sheep in Sheep Meadow!
There are also the always marvelous Joan Blondell, Wallace Ford, a lion, gangsters, a touching cop losing his eyesight, and as many plots as there are in "Grand Hotel" (though this movie seems less dated than that more famous one.)
In this Central Park, there are actual sheep in Sheep Meadow!
There are also the always marvelous Joan Blondell, Wallace Ford, a lion, gangsters, a touching cop losing his eyesight, and as many plots as there are in "Grand Hotel" (though this movie seems less dated than that more famous one.)
Enjoyable Pre-Code drama centering around activity in New York's famous Central Park. Of course, it's filmed mostly on sets with rear projection effects used to place it in the park but it's not cheesy or anything distracting. The primary focus of the plot is on a couple of young jobless people (Joan Blondell, Wallace Ford) getting mixed up with gangster Harold Huber and his associates. There's also some interesting side stuff going on with Guy Kibbee as an aging policeman with bad eyesight and John Wray as an escaped lunatic who unleashes a lion in the park. Kibbee's got a week to go until he can retire. We know what that means in modern films but does it mean the same in a movie made in 1932? Watch and see. It's a good B movie that gives you a look back at Depression-era New York. That little slice of history, coupled with a short runtime, some exciting action scenes, and a quality Warner Bros. cast makes this one classic film fans will want to seek out.
Did you know
- TriviaThe $2.00 that Rick makes for washing the police motorcycles would be worth about $45.00 in 2023.
- GoofsAll entries contain spoilers
- Quotes
Nick's Partner: It'll do no harm to check up on him. If he's been pumpin' her...
Details
Box office
- Budget
- $202,500 (estimated)
- Runtime58 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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